Uncle Misha is a saxophonist. Uncle Misha's melodic line: fingering of life, riffs of the soul and pauses of change


Mikhail "Uncle Misha" Chernov is a DDT performer with the most extensive life experience. Was born January 26, 1941.

Almost a cult jazz saxophonist. Played mainstream with all the local jazzmen, different time collaborated with, for many years was an integral element of all Popular Mechanics programs.

C has been working since the recording of the album. Since then, he has been one of the most beloved members of the group.

Creative chronology:

Started playing music in 1958, playing the guitar, then mastered the saxophone.

1962-67 - Military musician clarinet, saxophone
1958-70 - Jazz Orchestra of the Odessa Philharmonic clarinet, saxophone, flute
1971-76 - Ensemble of David Goloshchekin saxophone, flute
1977-79 - I. Weinstein Orchestra
1979-81 - O. Lundstrem Orchestra
1982-84 - Head of the Big Band of the Lensoveta Palace of Culture
1985-88 - Head of the ensemble at the restaurant "Narva"
Since 1983 engaged in teaching practice clarinet, saxophone, flute

Currently used tools:

Tenor saxophone Selmer
Flute Heimer
Soprano saxophone Yamaha - 62.

Other news

25.01.2018

Uncle Misha
Chernov Mikhail Semenovich

Russian Musician

Jazz Saxophonist

Mikhail Chernov was born on January 26, 1941 in St. Petersburg. During the blockade, his family was evacuated, and his father died at the front. IN school years did boxing.

In 1959 he began studying music at the Leningrad Technical School of Railway Transport. Plays guitar. During the same years, he mastered the clarinet and alto saxophone. Participates in student amateur activities.

In 1962-1967 he served in a military band. During his service, he created a jazz band and performed at army amateur festivals. At the same time, he met the famous jazzmen Alexey Kuznetsov and Alexey Kozlov, who later became famous. In 1967 he was demobilized, after which he played clarinet, saxophone and flute in the Odessa Jazz Orchestra of Evgeniy Bolotinsky until 1970.

In 1974, Mikhail Chernov returned to Leningrad. In the same year he entered the music school named after N.A. Rimsky-Korsakov in the pop department, saxophone and flute class. He studies with the famous jazz saxophonist Gennady Golshtein. During his studies, Mikhail Chernov plays in the ensembles of David Goloshchekin, Valery Mysovsky, in the orchestra of Joseph Weinstein, and participates in the annual festival “Autumn Rhythms”.

In 1978 he graduated from the N.A. Rimsky-Korsakov College with honors. Then he entered the Leningrad Conservatory for extramural. Begins teaching activity.

In 1979, Mikhail Chernov, as part of Oleg Lundstrem's orchestra, participated in the cultural program of the Moscow Olympic Games.

In 1981-1985, Mikhail Chernov led the ensemble accompanying the vocal group of the Kvadrat jazz club. Together with this ensemble he becomes a laureate jazz festivals in Arkhangelsk and Baku.

In 1983 he graduated from the Leningrad State Conservatory. Then he became the director of the dance orchestra at the Lensovet Palace of Culture.

Since 1984, Mikhail Chernov has been participating in recording albums with St. Petersburg rock groups “Aquarium”, “Zoo”, “Alice”, “Myths”, “DDT” and others.

From 1988 to 2010 he was a member of DDT, where he plays the saxophone and flute. Author of symphonic arrangements of songs. In his free time from DDT, he plays in Ildar Kazakhanov’s group “Old Carthage”. In 2010 he left the DDT group.

(1941-01-26 ) (79 years old) Place of Birth Years of activity

1959 - present time

A country

USSR USSR
Russia, Russia

Genres Nicknames

Uncle Misha

Cooperation

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Notes

Links

  • - official website of the DDT group
  • // Portal Jazz.ru
  • on rock-n-roll.ru

Excerpt characterizing Chernov, Mikhail Semenovich

“And how can they not only laugh, but live here?” thought Rostov, still hearing this smell of a dead body, which he had picked up in the soldier’s hospital, and still seeing around him these envious glances that followed him from both sides, and the face of this young soldier with his eyes rolled up.
Denisov, covering his head with a blanket, slept in bed, despite the fact that it was 12 o'clock in the afternoon.
“Ah, G”ostov? “It’s great, it’s great,” he shouted in the same voice as he used to do in the regiment; but Rostov noticed with sadness how, behind this habitual swagger and liveliness, some new bad, hidden feeling was peeking through. in facial expression, intonation and words of Denisov.
His wound, despite its insignificance, still had not healed, although six weeks had already passed since he was wounded. His face had the same pale swelling that was on all hospital faces. But this was not what struck Rostov; he was struck by the fact that Denisov seemed not to be happy with him and smiled at him unnaturally. Denisov did not ask about the regiment or the general course of the matter. When Rostov talked about this, Denisov did not listen.
Rostov even noticed that Denisov was unpleasant when he was reminded of the regiment and, in general, of that other, free life that was going on outside the hospital. He seemed to be trying to forget that former life and was only interested in his business with the supply officials. When Rostov asked what the situation was, he immediately took out from under his pillow the paper he had received from the commission and his rough answer to it. He perked up, starting to read his paper and especially let Rostov notice the barbs that he said to his enemies in this paper. Denisov’s hospital comrades, who had surrounded Rostov—a person newly arrived from the free world—began to disperse little by little as soon as Denisov began to read his paper. From their faces, Rostov realized that all these gentlemen had already heard this whole story, which had become boring to them, more than once. Only the neighbor on the bed, a fat lancer, sat on his bunk, frowning gloomily and smoking a pipe, and little Tushin, without an arm, continued to listen, shaking his head disapprovingly. In the middle of reading, the Ulan interrupted Denisov.
“But for me,” he said, turning to Rostov, “we just need to ask the sovereign for mercy.” Now, they say, the rewards will be great, and they will surely forgive...
- I have to ask the sovereign! - Denisov said in a voice to which he wanted to give the same energy and ardor, but which sounded useless irritability. - About what? If I were a robber, I would ask for mercy, otherwise I’ll be judged for taking clean water robbers. Let them judge, I’m not afraid of anyone: I honestly served the Tsar and the Fatherland and did not steal! And demote me, and... Listen, I write to them directly, so I write: “if I were an embezzler...
“It’s cleverly written, to be sure,” said Tushin. But that’s not the point, Vasily Dmitrich,” he also turned to Rostov, “you have to submit, but Vasily Dmitrich doesn’t want to.” After all, the auditor told you that your business is bad.
“Well, let it be bad,” Denisov said. “The auditor wrote you a request,” Tushin continued, “and you need to sign it and send it with them.” They have it right (he pointed to Rostov) and they have a hand in the headquarters. You won't find a better case.
“But I said that I wouldn’t be mean,” Denisov interrupted and again continued reading his paper.
Rostov did not dare to persuade Denisov, although he instinctively felt that the path proposed by Tushin and other officers was the most correct, and although he would consider himself happy if he could help Denisov: he knew the inflexibility of Denisov’s will and his true ardor.
When the reading of Denisov’s poisonous papers, which lasted more than an hour, ended, Rostov said nothing, and in the saddest mood, in the company of Denisov’s hospital comrades again gathered around him, he spent the rest of the day talking about what he knew and listening to the stories of others . Denisov remained gloomily silent throughout the entire evening.
Late in the evening Rostov was getting ready to leave and asked Denisov if there would be any instructions?

Mikhail Semyonovich Chernov, also known as Uncle Misha(January 26, 1941, Leningrad) - famous musician, jazz saxophonist, member of many musical groups and projects. Former member of the group "DDT".

Biography

EggTop.TV: Interview - Mikhail Chernov (Uncle Misha - DDT) at the festival "20 years without cinema" EggTop.com - the first online producer Promotion of Artists to festivals,...

Mikhail Semyonovich Chernov was born on January 26, 1941 in Leningrad, on Ligovka. During the blockade, his family was evacuated, and his father died at the front. During my school years I was involved in boxing.

In 1959 he began studying music at the Leningrad Technical School of Railway Transport. Plays guitar. During the same years, he mastered the clarinet and alto saxophone. Participates in student amateur activities.

In 1962-1967 he served in a military band. During his service, he created a jazz group and performed at army amateur festivals. At the same time, he met the famous jazzmen Alexey Kuznetsov and Alexey Kozlov, who later became famous. In 1967 he was demobilized, after which he played clarinet, saxophone and flute in the Odessa Jazz Orchestra of Evgeniy Bolotinsky until 1970.

In 1974, Mikhail Chernov returned to Leningrad. In the same year he entered the music school named after. N. A. Rimsky-Korsakov to the pop department in the class of saxophone and flute. He studies with the famous jazz saxophonist Gennady Golshtein. While studying, Mikhail Chernov plays in the ensembles of David Goloshchekin, Valery Mysovsky, in the Joseph Weinstein Orchestra, and participates in the annual Autumn Rhythms festival.

In 1978 he graduated from the College. N.A. Rimsky-Korsakov with honors diploma. At the same time he entered the Leningrad Conservatory for the correspondence department. Begins teaching activities.

In 1979, Mikhail Chernov, as part of Oleg Lundstrem's orchestra, participated in the cultural program of the Moscow Olympic Games.

In 1981-1985, Mikhail Chernov led the ensemble accompanying the vocal group of the Kvadrat jazz club. Together with this ensemble, he becomes a laureate of jazz festivals in Arkhangelsk and Baku.

In 1983 he graduated from the Leningrad State Conservatory. Then he became the director of the dance orchestra at the Palace of Culture. Lensovet.