• Blackwell, Lois. The Wings of a Dove: The Story of Gospel Music in America. Norfolk: Donning, 1978. (English)
• Boyer, Horace Clarence, How Sweet the Sound: The Golden Age of Gospel Elliott and Clark, 1995, (English) ISBN 0-252-06877-7.
• Broughton, V. Too Close To Heaven - The Illustrated History Of Gospel Music, Midnight Books, 1996, (English) ISBN 1-900516-00-4
• Albert E Brumley & Sons, The Best of Albert E Brumley, Gospel Songs, 1966, (English) ISBN na-paperback Amazing Grace
• Clearall, Charles. Sixty Songs From Sankey. London: Marshall, Morgan and Scott, Ltd., 1960. (English)
• Darden, Robert People Get Ready: A New History of Black Gospel Music Continuum International Publishing Group, 2005, (English) ISBN 0-8264-1752-3.
• Downey, James C. The Gospel Hymn 1875-1930. University of Southern Mississippi, MA, 1963. (English)
• Eskew, Harry. "Gospel Music, I" in The New Grove Dictionary of Music and Musicians(1980), (English) VII, 549-554. (English)
• Goff, James R. "The Rise of Southern Gospel Music" Church History, v. 67, no. 4, Dec. 1998, pp. 722ff (English) (English) .
• Hanson, Kenneth The Hymnody and Hymnals of the Restoration Movement. Butler University, BD, 1951. (English)
• Heilbut, Tony The Gospel Sound: Good News and Bad Times Limelight Editions, 1997, (English) ISBN 0-87910-034-6.
• McNeil, W. K., Ed. Encyclopedia of American Gospel Music. Routledge, 2005. (English) ISBN 0-415-94179-2.
• Stevenson, Arthur L. The Story of Southern Hymnology. Roanoke, VA: Stone Printing and Manufacturing, 1931.
• Zolten, Jerry Great God A" Mighty!:The Dixie Hummingbirds - Celebrating The Rise Of Soul Gospel Music, Oxford University Press, 2003, (English) ISBN 0-19-515272-7.

Notes

Links

Professional organizations

• - All forms and varieties of the gospel genre
• - The main source of information on Southern (Black) Gospel
• - Source of information on Southern (Black) Gospel
• - Urban contemporary gospel (modern urban gospel; white gospel)
• - Gospel genre news

External media

Passage characterizing Gospel

The Rostovs' financial affairs did not improve during the two years they spent in the village.
Despite the fact that Nikolai Rostov, firmly adhering to his intention, continued to serve darkly in a remote regiment, spending relatively little money, the course of life in Otradnoye was such, and especially Mitenka conducted business in such a way that the debts grew uncontrollably every year. The only help that obviously seemed to the old count was service, and he came to St. Petersburg to look for places; look for places and at the same time, as he said, in last time amuse the girls.
Soon after the Rostovs arrived in St. Petersburg, Berg proposed to Vera, and his proposal was accepted.
Despite the fact that in Moscow the Rostovs belonged to high society, without knowing it or thinking about what society they belonged to, in St. Petersburg their society was mixed and uncertain. In St. Petersburg they were provincials, to whom the very people whom the Rostovs fed in Moscow, without asking them to what society they belonged, did not descend.
The Rostovs lived in St. Petersburg as hospitably as in Moscow, and at their dinners a wide variety of people gathered: neighbors in Otradnoye, old poor landowners with their daughters and the maid of honor Peronskaya, Pierre Bezukhov and the son of the district postmaster, who served in St. Petersburg. Of the men, Boris, Pierre, whom the old count, having met on the street, dragged to his place, and Berg, who spent whole days with the Rostovs and showed the elder Countess Vera such attention as a young man can give, very soon became household people in the Rostovs’ house in St. Petersburg. intending to make an offer.

On this moment there are many different genres of music that can be interesting. But as everyone knows, they come from the depths of centuries and all developed on their own. Each person will be able to find something new, interesting and fascinating to his ears.

gospel?

Gospel is a popular, modern music that began its development back in the 18th century. At first, this direction had a main feature in the form of repetition of syllables, words and sentences. After all, the African Americans who performed this kind of music in church were mostly uneducated and could not correctly read the full text that was needed for the chant. Today, this direction is mainly used in the genres of hip-hop, jazz and even blues. But to this day, in churches, believers sing songs that are aimed at glorifying God.

As we have often seen in films, gospel music is the singing of the African American church. It was these people who invented jazz and blues, and this is closely related to these styles. It is worth noting that gospel music can have both instrumental and choral accompaniment. In one case or another, the anthem can sound differently: incendiary, calm and even sad.

It is due to this diversity that gospel music is currently quite popular not only in countries where there is a large percentage of the Negroid race.

Great Depression times

As we have already explained, gospel is a direction in church music. In order to understand how it arose, it is worth delving a little into history. During times, many performers sang gospel songs with mournful and sad themes. Still, these were difficult times. It is worth noting that many people remember them precisely because they reflected in art the hardships that befell the inhabitants of the country. Various reflected this, not just gospel music. This was a manifestation of a certain emotional depression, which, of course, affected the state and internal well-being of people.

This is why blues versions of gospel music became popular, which could describe the poor state of people, the world and environment. Of course, such compositions brought negativity and depression.

Today, the days of the Great Depression are long gone, and mostly performers play church gospel, which can vary in character, but is often still rousing and inspiring.

How is gospel music perceived today and what artists play it?

Anyone who has ever listened to this direction will undoubtedly have noticed that the songs sound very unusual. So the question arises: how is gospel music performed, is it really that difficult?

It all has to do with the fact that there are several choral voices that can hold a “clean” note. But this is not a simple choir that can captivate with its singing. The fact is that the voices in this group are arranged in such a way as to create chain breathing. Chain breathing is a technique that allows you not to interrupt the melody and consonantal sound. In this case, it is worth noting that long notes require good breathing and endurance, but even the strongest choral singers will not be able to sustain the entire melody and sound on one exhalation.

If chain breathing is used, the melody may continue for a long time. The best gospel songs are also different in that their motifs are not just rooted in church classical singing, but they also add notes of blues, jive and jazz. In this case, they glorify the name of the Lord, but do it as they see fit.

Gospel - music of the modern church

Gospel is also mentioned as an element of modern music: jazz and blues. It is worth saying that the use of this direction is quite popular. But this is not a musical style that untrained people can distinguish. For example, each of us can probably say that the styles of rock, punk, jazz and classical are significantly different, but gospel music is not so easy to hear.

It is played by jazz artists such as Blind Willie Johnson and Reverend Gary Davis. These performers are popular largely due to the fact that their songs somehow contain religious motifs. They sing about how God helps people.

Performers of this style also have a fairly close relationship with the church, since in any case gospel singing is accompanied by a musical or choral introduction. They often perform together with the church choir.

Bottom line

As can be understood from the above, gospel is a manifestation in music that is, in essence, a religious hymn. It is worth noting that when doing this piece of music may be involved different types tools. But mainly at the moment these are choral performances that use the technique of chain breathing, and instrumental music that is performed in the blues style. Guitar, saxophone, synthesizer and others sound.

Voca-Beat vocal school tells you about musical genre Gospel.

Take vocal lessons at the Voca-Beat vocal school and you will plunge into the endless world of the art of self-expression through singing.

The word Gospel literally translates from Old English as “Good News.” This style is especially close to spirituals, as it developed from it, as well as a combination of psalms borrowed from Protestants and traditional African songs. However, gospel music is more emotional; It is characterized by the construction of a song according to the “Question-Answer” principle,

Free improvisation, singing repeated several times in a row, swing. Performers can switch to falsetto, dance, and use syncopation.

The expressiveness and emotionality of gospel music is explained by the fact that the Holy Spirit seems to inhabit the performers in order to speak to the people through them. Glossolalia - mumbling and sudden shouts incomprehensible to the people - imitate the ability to speak other languages ​​​​unknown to earthly inhabitants, this is a gift from above. In addition, all listeners participate in the chants. All this gives rise to a feeling of obsession, ecstasy.

Gospel was born in Methodist churches South America, and is usually divided into white and black.

White gospel appeared before black gospel, at the end of the nineteenth century. Then it was purely religious music, a combination of folk motifs and traditional Christian hymns. Already at the beginning of the twentieth century, gospel music became part of the music industry, reached big stage. At the origins of the genre, one can recall the Carter Family group: their recordings were popular in the twenties and thirties of the last century.

Around the same time, the genre of black, Negro gospel music emerged. He came out Christian churches to the masses thanks to Mahalia Jackson, the queen of black gospel. She was inducted into the Rock and Roll Hall of Fame as a singer who became a kind of “forerunner” of rock. The years when Mahalia Jackson collaborated with Thomas Dorsey are considered to be the “Golden Era of Gospel.” It was at this time that the style became secular and went beyond religion.

Before World War II, large gospel choirs were popular. Such groups included up to 150 participants. After the war, choirs turned into quartets, and men's choirs were especially popular. Music has become commercial. The most popular gospel quartet of the time was the Soul Stirrers. They were the first to use only a guitar as accompaniment. The influence of the Soul Stirrers influenced the male rock and pop bands of the sixties, as well as the soul style.

James Cleveland has been called the "Louis Armstrong of gospel music." In the fifties, working as a vocalist, producer and composer, he did much to popularize the gospel genre, and in 1968 he opened the Gospel Music Workshop. The same gospel music is known thanks to many other performers.

Gospel became the basis for the formation of such genres as jazz, rhythm and blues, soul and funk.

In popular music, gospel music was also performed by such artists as Ray Charles, Elvis Presley, Little Richard, and Johnny Cash.

Sources:

“Gospel, soul, funk” (N. Sosnovsky), Zabriskie Rider magazine No. 18.