In January 2005, the film “White Noise” was released, dedicated to an as yet little-studied phenomenon - the so-called electronic voice phenomenon, or EVP. It lies in the fact that sometimes on the radio, among the hissing, which is called “white noise,” you can hear voices and sounds of unknown origin.

Sometimes signals of an unknown nature in the form of strange ghostly faces appear on the TV screen. In the film, Michael Keaton plays Jonathan Rivers, whose wife Linda died under mysterious circumstances. Jonathan soon meets a man who claims he can receive messages from the dead, including Linda. An inconsolable widower asks to be connected with his dead wife and soon encounters EVP.

Well-known scientists have long been interested in this phenomenon. On October 30, 1920, in the next issue of the scientific magazine Scientific American, the famous inventor Thomas Edison wrote: “If the personality, or what we call the soul, continues to live after death, then it is natural to assume that it would like to communicate with those whom it left here on earth. I think it’s possible to create an instrument that can record otherworldly messages.”

Some Edison biographers believe that he tried to create a similar device, although there is no evidence of this. Marconi and Tesla also expressed serious interest in creating technology that would allow contact with the spirit world.

The EVP phenomenon was first discussed in the 1930s. Back then, Swedish and Norwegian military pilots heard unidentified voices on the radio during training flights. They wrote about this in the newspapers.

In 1930, at London's Wigmore Hall, hundreds of people witnessed an unusual phenomenon. The show hasn't started yet. There was a microphone on the stage with no one around it. Suddenly, from loudspeakers installed at different ends of the hall, connected by wires to a microphone, several loud voices were heard speaking different languages. The sound engineers who served the event were later unable to explain what happened.

In 1949, at the International Congress of Spiritualists in Manchester, the Dutch engineer Zwaan demonstrated a device he had created that could capture and reproduce the voices of dead people.

In 1952, in Milan, two Catholic priests installed a loudspeaker in the church so that all parishioners could hear the Mass clearly. Suddenly, a hiss was heard in the loudspeaker, and then from there came the words: “I am always with you and will help you!” Both witnesses to the unusual phenomenon recognized the voice of the recently deceased father of one of the priests.

In 1959, documentary film producer Friedrich Jurgenson recorded the sounds of birds in the forest. He was amazed to discover that the recording of the birds' calls was superimposed on another recording. Some man spoke knowledgeably about the habits of birds. Jurgenson decided that he had somehow recorded a radio program about birds.

But when he listened to the same recording a few weeks later, the ornithologist’s voice was no longer there. Instead, Jurgenson was called by his mother’s excited voice: “Friedel, my little Friedel, can you hear me?!” Friedel was what Jurgenson's mother called him as a child.

After this, the producer managed to record several more unknown voices that spoke different languages. Jurgenson worked on the problem with Dr. Hans Bender, head of the department of parapsychology at the University of Freiburg.

In 1965, Dr. Constantin Raudive, a famous psychologist and student of Carl Jung, met with Jurgenson and, convinced of the existence of EVP, became interested in studying this phenomenon. Raudive recruited physicists and electronics engineers to work and created his own receiver, in which the main element is a pure crystal.

The receiver was called a goniometer. Using a goniometer, Raudive recorded thousands of otherworldly voices and in 1968 released a report on his research, translated into several languages.

During the same years, American businessman George Meek sponsored a similar project in the United States. Engineer Bill O'Neill, formerly of NASA, designed a device for communicating with the spirit world, called the Spiritom. In 1981, O'Neill died under strange circumstances, and the spirit disappeared.

By then, EVP had intrigued people all over the world. In Britain, two researchers, George Bonner and Raymond Cass, experimented with reel-to-reel tape recorders and made "white noise" act as a carrier of voices.

Bonner asked into the microphone: “Can anyone hear me?” A minute later the answer appeared on the tape: “Yes!” Bonner and Cass recorded tens of thousands of otherworldly voices over a period of twenty-two years.

Despite a large number of experimental results, no one has yet been able to explain EVP. This concept was later expanded to include instrumental transcommunication, which also includes otherworldly phone calls, ghostly recordings on VCRs, and mysterious messages on personal computers.

In 1982, a society of enthusiasts of these phenomena appeared in Great Britain - the Association of Instrumental Transcommunication. The leader of the society is Judith Chisholm. Her passion for EVP began with a very curious incident.

In 1999, she bought a tape recorder and discovered that it would not play the music she had. Out of frustration, Judit cursed: “Those idiots in the store sold me a low-quality product!” Suddenly, the tape recorder, where the tape with recorded music was silently spinning, came to life and said: “You should not return the tape recorder to the store.”

From then on, as soon as Edith turned on the tape recorder, “they” began to talk to her or to each other. “They” are otherworldly voices. Judit recognized some of them - these were her deceased relatives and acquaintances. Some voices I couldn’t recognize, others spoke in foreign languages. Sometimes the communication was two-way, and Judith could communicate with deceased friends. Sometimes they did not answer questions, as if they had not heard her, or talked to each other.

Miss Chisholm's music library contains about a thousand recordings of spirit voices. Judit often travels around the world and speaks at seminars organized by paranormal societies in different countries. Her wonderful tape recorder is always with her.

Miss Chisholm and other enthusiasts of the phenomenon of electronic voices are trying to attract specialists - physicists, engineers, psychologists - to their research. The goal is to unravel the phenomenon of instrumental transcommunication and create a universal device with which anyone could contact deceased loved ones.

But here’s what’s strange: every third message from there carries a threat or aggression.

From the book "Mysteries of the Underworld"

“I remembered references to the “white noise” phenomenon, when the voices of ghosts were recorded on magnetic media. I offer an interesting article by Sergei Mikhailov on this topic.

In January 2005, the film “White Noise” was released on UK screens, dedicated to an as yet little-studied phenomenon - the so-called electronic voice phenomenon, or EVP. It lies in the fact that sometimes on the radio, among the hissing, which is called “white noise,” you can hear voices and sounds of unknown origin. Sometimes signals of an unknown nature in the form of strange ghostly faces appear on the TV screen.

Well-known scientists have long been interested in this phenomenon. On October 30, 1920, in the next issue of the scientific magazine Scientific American, the famous inventor Thomas Edison wrote: “If the personality, or what we call the soul, continues to live after death, then it is natural to assume that it would like to communicate with those whom it left here on earth. I think it’s possible to create an instrument that can record otherworldly messages.” Some Edison biographers believe that he tried to create a similar device, although there is no evidence of this. Marconi and Tesla also expressed serious interest in creating technology that would allow contact with the spirit world.

The EVP phenomenon was first discussed in the 1930s. Back then, Swedish and Norwegian military pilots heard unidentified voices on the radio during training flights. They wrote about this in the newspapers.

In 1930, at London's Wigmore Hall, hundreds of people witnessed an unusual phenomenon. The show hasn't started yet. There was a microphone on the stage with no one around it. Suddenly, from loudspeakers installed at different ends of the hall, connected by wires to a microphone, several loud voices were heard speaking different languages. The sound engineers who served the event were later unable to explain what happened.

In 1949, at the International Congress of Spiritualists in Manchester, the Dutch engineer Zwaan demonstrated a device he had created that could capture and reproduce the voices of dead people.

In 1952, in Milan, two Catholic priests installed a loudspeaker in the church so that all parishioners could hear the Mass clearly. Suddenly there was a hissing sound in the loudspeaker, and then from there came the words: “I am always with you and will help you!” Both witnesses to the unusual phenomenon recognized the voice of the recently deceased father of one of the priests.

In 1959, documentary film producer Friedrich Jurgenson recorded the sounds of birds in the forest. He was amazed to discover that another recording had been superimposed on the recording of the birds' calls. Some man spoke knowledgeably about the habits of birds. Jurgenson decided that he had somehow recorded a radio program about birds. But when he listened to the same recording a few weeks later, the ornithologist’s voice was no longer there. Instead, Jurgenson was called by the excited voice of his mother: “Friedel, my little Friedel, can you hear me?!” Friedel was what Jurgenson's mother called him as a child.

After this, the producer managed to record several more unknown voices that spoke different languages. Jurgenson worked on the problem together with Dr. Hans Bender, head of the department of parapsychology at the University of Freiburg.

In 1965, Dr. Konstantin Rodiv, a famous psychologist and student of Carl Jung, met with Jurgenson and, convinced of the existence of EVP, became interested in studying this phenomenon. Rodiv recruited physicists and electronics engineers to work and created his own receiver, in which the main element is a pure crystal. The receiver is called a goniometer. Using a goniometer, Rodiv recorded thousands of otherworldly voices and in 1968 released a report on his research, translated into several languages.

During the same years, American businessman George Meek sponsored a similar project in the United States. Engineer Bill O'Neill, who previously worked at NASA, designed a device for communicating with the spirit world, called the spiric. In 1981, 0'Neil died under strange circumstances, and the spirit disappeared.

By then, EVP had intrigued people all over the world. In Britain, two researchers, George Bonner and Raymond Cass, experimented with reel-to-reel tape recorders and made "white noise" act as a carrier of voices. Bonner asked into the microphone: “Can anyone hear me?” A minute later the answer appeared on the tape: “Yes!” Bonner and Cass recorded tens of thousands of otherworldly voices over a period of 22 years.

Despite a large number of experimental results, no one has yet been able to explain EVP. Later, this concept was expanded, and a new term appeared - instrumental transcommunication, which also includes otherworldly telephone calls, ghostly recordings on VCRs and mysterious messages on personal computers. In 1982, a society of enthusiasts of these phenomena appeared in Great Britain - the Association of Instrumental Transcommunication. The leader of the society is Judith Chisholm. Her passion for EVP began with a very curious incident.

In 1999, she bought a tape recorder and discovered that it would not play the music she had. Out of frustration, Judit cursed: “Those idiots in the store sold me a low-quality product!” Suddenly, the tape recorder, where the tape with recorded music was silently spinning, came to life and said: “You should not return the tape recorder to the store.” Miss Chisholm was surprised to recognize the voice of her colleague and friend who had died several years ago. "Jack, is that you?" - Judit quietly dared to ask. - “I am, baby. “I’ll help you,” came from the tape recorder.

From then on, as soon as Edith turned on the tape recorder, “they” began to talk to her or to each other. “They” are otherworldly voices. Judit recognized some of them - these were her deceased relatives and acquaintances. Some voices I couldn’t recognize, others spoke in foreign languages. Sometimes the connection was two-way, and Judith could communicate with deceased friends. Sometimes they did not answer questions, as if they had not heard her, or talked to each other.

Miss Chisholm's music library contains about a thousand recordings of spirit voices. Judit often travels around the world and speaks at seminars organized by paranormal societies in different countries. Her wonderful tape recorder is always with her. Miss Chisholm and other enthusiasts of the phenomenon of electronic voices are trying to attract specialists - physicists, engineers, psychologists - to their research. The goal is to unravel the phenomenon of instrumental transcommunication and create a universal device with which anyone could contact their deceased loved ones.

But what’s strange is that every third message from there carries a threat or aggression.

Early on a June morning in 1959, the famous Swedish film director and producer Friedrich Jurgenson was walking through one of the parks in Stockholm. There was a tape recorder hanging on his shoulder, headphones on his head, and in his hand he was holding a long pole with a microphone at the end...

The director recorded the voices of birds for his next documentary. Having filled two tapes with the necessary material, Jurgenson returned home and began listening to the recordings. Suddenly, on one of the films, among the chirping of birds, he clearly heard an extraneous male voice speaking in Norwegian. Jurgenson knew Norwegian well and understood that the voice was talking about the sounds made by various birds, and seemed to be commenting on the voice of each bird. The first thought that came to the director’s mind was that his tape recorder had somehow picked up a signal from one of the Norwegian radio stations. However, after making inquiries, he learned that none of them were broadcasting a program about birds that day. Not to mention the fact that the tape recorder is, in principle, not capable of receiving a radio signal.

Having become interested, Jurgenson continued to purposefully study the phenomenon, which later received the name “the phenomenon of electronic voices.” Soon, during one of his experiments, he received a message from his late mother, whose voice he immediately recognized. His mother, German by origin, addressed him in German: “Friedel, my little Friedel, can you hear me? They're looking out for you."

Over time, Jurgenson made recordings of many voices. It was possible to establish the identity of some of them - these were the voices of dead people. He demonstrated these recordings at an international conference, and in 1964 he published the book “Voices of the Universe.” His second book, Radio Contact with the Dead, was published in 1967. Since then, the phenomenon of electronic voices has been studied by many scientists and enthusiasts, but until today a rational explanation has not been found.

The famous Latvian scientist, writer, philosopher and psychologist Konstantin Rau-dive devoted the last 10 years of his life to studying this phenomenon. In 1971, with the help of specialist radio engineers, he made a series of recordings in a special soundproof cabin that also did not allow television and radio signals to pass through. For 15 minutes, Raudive spoke his questions onto a magnetic tape. When the recording was played back, the researchers were amazed: on the tape they were able to count about 200 different voices answering the scientist’s questions.

Raudive carefully recorded the results of his research and later presented them in his book “Discovery.” It provides documented evidence of more than 27,000 such paranormal contacts. Raudive, like many other researchers, had no doubt that he was dealing with dead people, since they themselves gave their names and claimed that they were in another dimension.

On air - space

The phenomenon of electronic voices has not yet been studied and is still of particular interest to various types of researchers. Accumulated evidence suggests that electronic voices accompany so-called white noise. In radiophysics, white noise is usually called stationary noise, the spectral components of which are uniformly distributed over the entire range of frequencies involved. It’s not difficult to hear it: just tune the radio to any free frequency on which no radio station operates. This noise can be compared to the sound of a nearby waterfall. Moreover, white noise can even be seen. To do this, instead of the radio, you need to configure the TV in the same way.

However, white noise is always present at the frequencies involved, it’s just that its amplitude is much lower than the amplitude of the broadcast signal, so we usually don’t pay attention to it.

The nature of white noise lies in cosmic radiation that continuously permeates our planet and is perceived by radio and television receivers.

Electronic voices differ from ordinary human speech in pitch, timbre and special modulations that are not inherent in a living person. In some cases, in order to understand the meaning of what was said, the recording has to be speeded up or slowed down.

Voices can arise spontaneously or at the request of the operator. They can answer questions and take the initiative in conversation. Sometimes you can hear two or more voices talking to each other. Electronic voices can sound in different languages, regardless of the location where the signal is received. In any case, we can conclude that these voices behave quite consciously and independently.

SMS messages from the other world

According to one hypothesis, electronic voices contained in cosmic radiation actually belong to deceased people. Which, in turn, would prove the existence of life after death in one form or another, with the preservation of the personality and memory of the deceased.

Another hypothesis, on the contrary, states that the effect of the electronic voice is created by our own consciousness. In psychology, there is a term for such experiences - apophenia, which means a person's ability to see structure or relationships in random, meaningless data. The apophenia effect often occurs when people see human and animal figures in the clouds. This is also typical for believers who are able to see the Virgin Mary and other religious symbols in a cut of wood or a random spot.

Another hypothesis is based on the work of our subconscious. According to it, our brain sends a signal into space and receives in response the same, but already reflected signal.

There are quite a lot of such hypotheses, but none of them can be considered proven or in any way convincing.

Today, there are a huge number of observations of the phenomenon of electronic voices. With the development of technology, more and more devices are able to reproduce and broadcast them. In the era of computers and mobile phones, any of us can encounter this phenomenon. I would like to believe that someday we will be able to establish a stable connection with the afterlife and, sooner or later, an SMS message from an untimely deceased loved one: “Don’t worry about me. I’m fine” will become a common occurrence.

Oleg Nechayanny

The most stunning cases are difficult to reproduce in the laboratory - you just have to believe or not believe.

Just imagination?

The term Electronic Voice Phenomenon (EVP) describes disembodied voices that can be heard using electronic devices. Many paranormal investigators bring white noise machines into haunted houses in an attempt to hear voices.
In 2014, Michael Nies, an assistant professor of psychology at Lafayette College (Pennsylvania), conducted research that found that people mistake random sets of sounds for meaningful combinations.
Nees believes that trying to hear voices is an audio version of the inkblot test, where everyone sees their own.

Nees divided the test subjects into two groups. The first group knew that the experiments concerned FEG. Another believed that it was studying speech perception in a noisy environment.
The subjects were given audio recordings to listen to, including FEG recordings from a TV show about ghosts, as well as samples of human speech, clear and against a background of noise, and just noise.
Subjects who knew the true purpose of the experiment were more likely to hear meaningful voices in the given samples.
However, only 13 percent of the time FEG hearers could understand the words, compared with 95 percent when it was real speech.
In a report on the results of his experiment, Nies wrote: “In a recent analysis, we showed that the participants' interpretations agreed with the paranormal researchers' interpretations less than 1% of the time. This suggests that researchers need to be more objective."
After reviewing Nies's findings, Office of Paranormal Research Director Lloyd Auerbach wrote, "We are also concerned that attempts to hear voices in white noise are producing so many erroneous results."
He mentioned a 2011 study by his colleagues Mark Bocuzzi and Julia Bichel.
They used a device that produced a stream of short speech elements, creating the illusion of “robot-like speech.” The subject asked questions, and it seemed to him that in a random mixture of speech elements he heard meaningful answers.
At the same time, Bocuzzi and Bichel analyzed the “responses” using speech recognition software.
The answers received by the operator were not confirmed by the program. “These data suggest that interpretation is highly subjective, with the content of the dialogue making sense only to the subject,” they wrote in their report. However, Auerbach noted that sometimes, in very rare cases, even a computer program mistakes the recording for a human voice.
In addition to these very rare instances (which are unlikely to end up on TV, where Nees took his samples), some episodes go much further than a fuzzy voice among white noise.
These episodes are very difficult to confirm. They rely only on the experimenter's report. And they happen so rarely that they are almost impossible to reproduce again.
One of these rare events is described in his book “The Impossible is Possible” by Dr. Imants Barusse, a professor at Royal University College at the University of Western Ontario.
This story was told to Baruss by one of his students.

Strange case

A Barussa student named Angela was in the same room with her mother, who was typing a report on the computer. Suddenly the word “great” appeared on the monitor several times.
The woman found this strange and showed the monitor to Angela, who was also puzzled. Then a dog lying there jumped out from under the table, scaring both of them. Angela screamed in surprise.
The words “damn” and “scream” appeared on the screen.
Deciding that it was a hacker playing around, Angela pulled out the network cable and turned off the webcam.
At this time, Angela's father and brother came in to check what the noise was. A new message appeared on the screen: “Bring the Ouija board.” Such a board was kept in the next room, and Angela went there, and at that moment the screen said: “Boo!” Angela screamed again. “Scream,” the computer said.
Before everyone went to bed, very excited, “good night” appeared on the screen. In the morning there were the words: “Sorry, beloved.”
Her mother received an excellent mark for her report. “Great” is the word that started it all.

Chances of the supernatural?

Bariusse's research does not provide direct evidence of FEG, but he encountered what he called a "statistically rare event." He conducted an experiment with a computer randomly answering “Yes” or “No” to a series of questions. The idea behind the experiment was that if an intelligent entity tried to communicate through a computer, it could influence the random responses to be non-random and answer the questions correctly.
In one test, the computer answered 9 out of 11 questions correctly. The probability of getting this result is approximately 4.2%.
Some other researchers have also tested the Electronic Voice Phenomenon in the past and concluded that it might be supernatural.

For example, philologist Anabela Cardoso published a two-year study on FEG in the journal NeuroQuantology in 2012. She worked in professional recording studios with a high degree of acoustic protection. She concluded: "In the course of many of the experiments performed, several 'extra' voices have been recorded for which no conventional explanation has been found."
During amateur ghost hunting experiments, such acoustic protection is absent.
Auerbach notes that experimenters must “make sure that there are no other sources of sound, otherwise it will be difficult to isolate this possible source of contamination.”
As for the possible source of FEG, Auerbach said there are other possibilities other than ghosts or the subject's imagination. For example, the impact of a person’s biofield on an experimental device.

Even at the dawn of television and radio, the advent of telephone communications, the world was surrounded by many legends and speculations that were associated with one way or another of their “non-standard” use. For example, cases have become frequent when relatives of a just deceased person heard his voice on the telephone, literally a few minutes or hours after his death. Radio amateurs began to periodically catch with their receivers signals for help from the captains of long-sunk ships.

In the early sixties of the last century, television also joined the list of amazing phenomena. We were talking about the so-called “white noise”, which is interference that occurs in the complete absence of a television signal.

Some researchers believe that it is through such television interference that humanity can communicate with the other world. But what this white noise is and how substantiated the assertion is that behind the flickering of white dots on a television screen there is something much more than ordinary static electricity, of course, no one can explain for sure.

It turns out that new technologies are so closely interconnected with the other world that they exist, so to speak, “in one dimension”...

There is a version that everything that happens outside the range of human understanding occurs, as a rule, at the submaterial level. We are talking about energy - energy flows that cover the astral world of man. Esotericists say that in some way ghosts and astral spirits are clots of energy that people without special devices are not able to perceive.

But another thing is electrical devices, which, when configured to modulate electromagnetic signals, can, according to some researchers, do an excellent job of receiving energy interference not only in ours, but also in the world of subtle matters. And if the line between energy and matter is so thin that astral currents can penetrate into our world, then televisions will be able to catch them.

In January 2005, the documentary film “White Noise” was released on English screens. It was devoted to a little-studied phenomenon, which in scientific parlance was called the phenomenon of electronic voices or EVP. White noise, which is what we are talking about, can be heard on the radio among the hiss. It manifests itself in the form of voices and sounds of an unknown nature, sometimes in the form of signals of unknown origin, manifested in the form of strange ghostly faces appearing on the TV screen.

This phenomenon has long interested scientists. Back in 1920, inventor Thomas Edison wrote about it in one of the issues of Scientific American magazine. He believed that if the soul continues to live after death, then it is quite natural to assume that it will want to communicate with those who are dear to it and whom it left on earth. According to Edison, it was quite possible to create an instrument that could record otherworldly messages. Moreover, some biographers of the inventor believed that he tried to invent a similar device, but there is no exact evidence of this.

Both Marconi and Tesla expressed interest in creating such a technique for contacting the world of spirits. This phenomenon was first discussed back in the thirties of the last century. It was then that unidentified voices were heard over the radio by Swedish and Norwegian military pilots during training flights. This was also written about in the press.

In 1930, in London at Wigmore Hall, several hundred spectators became unwitting witnesses to a strange phenomenon. The show was about to begin. There was already a microphone installed on the stage, there was no one around. Suddenly, loud voices were heard from loudspeakers installed at different ends of the hall, connected to a microphone. The speech was conducted in different languages. No one, neither the sound engineers serving the event, nor the scientists who subsequently studied this case, could explain it.

In 1952, in Milan, two priests tried to install a loudspeaker in a church. They wanted parishioners to hear the Mass well. But suddenly a hiss was heard from the loudspeaker, and then a voice was heard that clearly said that he was always with them and would help them. Both priests immediately recognized the voice as belonging to the recently deceased father of one of them.

An even more surprising incident occurred a few years later with documentary film producer Friedrich Jurgenson. Recording bird voices in the forest and then listening, he was amazed: some other recording was superimposed on the recording of bird chirping, in which someone knowledgeably spoke about the habits of birds. Jurgenson thought it was a recording of a radio program about birds. But a few weeks later, after listening to the same recording, he no longer heard the ornithologist’s voice. Instead, Jurgenson recognized the excited voice of his late mother, who was telling him something.

The producer turned for help to Konstantin Rodiv, a famous psychologist and student of Carl Jung, who studied this phenomenon. Rodiv, with the help of physicists and electronics engineers, was able to create a receiver, the main element of which was a pure crystal. The receiver was called a goniometer. With his help, Rodiv recorded several thousand otherworldly voices and even published a book about his research.

Psychics say: the world around us is filled with voices. Most often they warn about something or threaten. Sometimes they predict events and even save lives. Most often they can be heard in ancient buildings, at burials, etc. – places with concentrated energy, those where powerful outbursts of emotions occurred. One of these places is hospitals, where many events always occur, accompanied by active emotions: sometimes positive, but more often negative.

Every profession has its own legends, secrets and superstitions. Aesculapians do not like to talk about amazing phenomena that cannot be explained from the point of view of science. But resuscitators are most faced with the unknown. They see ghosts more than once and hear strange voices.

Scientists have one rule: when considering a phenomenon, do not limit yourself to one single explanation, and no matter how unrealistic the hypotheses may seem, they subject each of them to study.

How else can one explain the phenomenon of white noise other than contact with the other world? Many theories have been put forward about the origin of this phenomenon. One of the first assumptions was that the result of interference on the air was the activity of intelligence agencies. Allegedly, this is how intelligence transmitted information. But many experiments have been conducted in which outside interference was excluded.

The most scientific hypothesis was that the EVP phenomenon is sounds heard by humans from space. A person who is eighty percent water is, in principle, capable of perceiving electromagnetic signals without the aid of instruments. After all, as you know, water is an excellent conductor of radiation, but this is hardly possible to explain specific phrases of messages, which are often addressed to specific people.

Since 1984, the Harsch-Fischbach couple from Luxembourg began to hear voices coming from different sources. The spirits contacted them using equipment called the Eurosignal Bridge. One day a voice ordered to disconnect the TV from the antenna and switch it to an untuned channel. They did just that, installing a video camera. Images began to flash on the screen. When the recording was viewed at a slower speed, the image of a previously deceased relative appeared on the screen.

The entity, introducing itself as “Technician,” said that his task was to coordinate research. The technician would tell us when a message would arrive so that it could be recorded. On one of the recordings, his words are clearly heard that he is not energy and not a being of light. His role is to open a bridge of communication.

But one circumstance makes it impossible to attribute all this to aliens: the vast majority of the images on the recordings are photographs of people who actually once lived on Earth.

Researchers have found that the more white noise is studied, the more interested “active souls” are in people. After all, these are the souls who definitely need to be told something. After all, there are often cases when wild cries for help are heard live.

Those who heard such voices, according to them, were thrown into a stupor, many even turned gray before their eyes. But what is this and who can beg for help like that? Or maybe these screams are emitted by “evil souls”? And then a suspicion creeps in: maybe hell really exists...