Oleg Dal was an incredibly talented actor, a pretty good screenwriter, and his reading of poetry was simply mind-blowing. Crowds of people appreciated and, most importantly, respected his work. The artist is quite attractive and, importantly, charismatic. He played the roles in such a way that it simply took your breath away; he could convey to the viewer all the feelings and emotions.

His wonderful game was often called perfection, which could not be said about his personal destiny, which he personally ruined with his bad habits. But he had a great future ahead of him, perhaps even world fame.

The artist has sunk into the souls of a large number of admirers who remember and love him, and films with his participation are still watched.

Height, weight, age. How old is Oleg Dal

The artist’s appearance is quite memorable; Oleg was slim, handsome and very young. By nature, the man was slow-moving, stubborn, in a sense, explosive and impulsive, this was especially reflected in the work team. But at the same time, he is the type of person who is quite caring and affectionate in the family circle. And in his work, the artist simply dissolved and was perfection itself, one might even say an ideal for the majority of viewers.

Many ladies were in love not only with his characters, but also with the actor himself. Therefore, it is not surprising that people were and still are interested in him, his parameters such as: height, weight, age. How old was Oleg Dal when he passed away?

Everything is elementary simple, the artist’s height was 185 centimeters. Oleg Dal was young, one might say, a man in the prime of his life, but unfortunately, he did not live to see his fortieth birthday only a couple of months, and died at the age of 39.

Biography of Oleg Dahl

The boy was born on May 25, 1941, at the height of the Great Patriotic War, in a simple working family. He was the second child, the boy also had an older sister. The boy grew up quite active and intelligent; already in early childhood, his complex character manifested itself and constantly conflicted with his peers. The guy studied well and after graduating from school he decides to enter the Shchepkinsky Theater. For some time, the parents were against their son’s choice, saying that this was not a profession, but after a while they reconciled themselves and even began to be proud of their boy.

The guy was very hardworking and while already studying at the institute, he simultaneously began acting in films and theater and it was from that moment that the creative biography Oleg Dahl.

Filmography: films with Oleg Dal

The artist’s filmography is simply off the charts in the number of films he has shot and numerous theatrical productions.

In 1962, Oleg Dal played the first role in the film “My Little Brother”, where he played main role creative boy Alik Kramer. After which he received several offers at once, but at the very beginning the artist carefully selected roles to his liking and did not waste time on trifles. Then he starred in the psychological film “The Man Who Doubts.”

Already in 1967, Oleg became famous thanks to the film “Chronicle of a Dive Bomber,” where the actor played the role of a gunner-radio operator; it was with this role that he won the hearts of many fans, especially women.

In 1968, the artist starred in the wonderful production “Old, old tale", where he simultaneously played two roles of a soldier and a cheerful puppeteer, completely different in type. Only the most talented people can play several characters in one plot, and according to critics, he succeeded in both roles excellently; he found his own subtle approach to each and expressed the full power of the production.

Then the actor a large number of devoted time to the theater, he himself believed that he was primarily a theatergoer and this particular stage was created for him, and cinema stood in the background for him. Despite this, he continued to act in films.

The artist had his own understanding of beauty, and he often did not agree with the opinions of his colleagues and directors, so Oleg had to change his place of work.

Dahl considered his most important participation in the film to be the roles in the plots “On Thursday and Never Again” and “Vacation in September,” which he played simply delightfully, putting all his strength and feelings into them, conveying to the viewer all that was most significant.

In the late 70s, the artist increasingly began to refuse filming offers and thereby earned himself not much money. good reputation. I started drinking more and more and moving away from everyone. And on March 3, 1981, a great talent and an idol of many fans passed away.

Personal life of Oleg Dahl

Our actor belonged to this type of people, he was very explosive, like a hurricane, his character was heavy, and at the same time he attracted with his charisma and incredible talent. The artist himself was often the very opposite of his characters; it seemed that this man was an incredibly happy and cheerful person striving for self-development. However, all this was just a mask, and of course the artist’s insane talent.

Oleg Dal's personal life is marked by a large amount of female diversity. There were three legal marriages in his life. Each of whom was wonderful in their own way, man for a long time tried to find the one and only one who could tolerate his quarrelsome nature. This is exactly what he found in his third marriage, Elizaveta Apraskina, who managed to brighten up his life. Lately, sad mood, and give a desire for life itself, but I never weaned myself from a bad habit, craving for alcohol.

Like all stars, there are crises in life, some cope and rise to the pedestal again, while others withdraw into themselves. Dahl belongs to the type who could not cope with himself, and plus his addiction to alcohol made a final contribution to the man’s life. No one could imagine that the cause of death would be alcoholism. It was hard to believe in the death of such a wonderful talent, and many wondered: “Oleg Dal died for what reason.” An important fact that influenced his death was that the young man was coded, and taking a large amount of alcohol provoked hemorrhage and instant death. The funeral was held with great torment in the hearts of all fans, acquaintances and friends.

Funeral of Oleg Dahl. Cause of death, for what reason?

The news of the loss of such a talent flew by instantly, everyone was shocked by what happened. No one could even imagine such a quick loss of a fairly young artist, and they constantly asked questions: “The funeral of Oleg Dal. Cause of death, for what reason? After all, only the star’s closest people knew about his addiction to alcohol.

Farewell to the brilliant talent took place on March 7, 1981 at the Vagankovskoye cemetery in the capital itself. See in last time actor, a large number of fans, friends, colleagues and relatives came, everyone was saddened by such a loss, and some were confused by what had happened.

The memory of Oleg Dali will be with us forever; fans of his work constantly watch films with his participation and admire such talent to this day.

Oleg Dal's family

The boy was born into an ordinary family, his mother was a teacher at a local school, and his father worked as an engineer on the railway. His appearance came at the very height of the Great Patriotic War, so the guy’s childhood was not so great. Oleg also had an older sister, Iraida, with whom he had a very warm relationship. Oleg Dal's family was very friendly, despite all the events in their lives.

The artist himself desperately wanted a family; for a long time he was in search of the very woman who would make his soul shine from the inside. He wanted to find a woman who would value family and at the same time be like-minded to him. He was ready to do anything for his beloved, as long as she gave all the warmth that the man so needed. He had two not very successful attempts, and the third was crowned with success, as the people say, “God loves the Trinity.”

Children of Oleg Dal

The artist considered the roles he played to be his greatest creation. He put his soul into them, his professionalism grew along with his roles and with them he studied all the new subtleties of the ideal role aspect.

Due to his very bad character and addiction to alcohol, young man The successors of his family never appeared. It was also influenced by the fact of his premature death, because the artist was still young and handsome. Fans believe that if he had heirs, then Oleg Dali’s children would certainly become no less talented and successful people.

Oleg Dahl's ex-wife - Nina Doroshina

Oleg met his first lady at the Sovremennik Theater, where they both worked, her name was Nina Doroshina. The actress became famous for such films as “Love and Doves,” where she played the main role, which became her calling card in the world of cinema.

The girl was quite young, attractive and talented, many people simply screamed from her, and our actor was no exception. The artist immediately fell in love and quickly began to court the girl, although at that time she was having an affair with Efremov, but our hero managed to attract his attention to himself and the couple soon got married. Not even a day has passed since the wedding, and already ex-wife Oleg Dahl - Nina Doroshina, without hiding, began dating Oleg Efremov again. The first marriage ended in disappointment and great failure. Nina herself said that their marriage was not destined to last long, since they were completely different and simply did not get along in character.

Oleg Dahl's ex-wife - Tatyana Lavrova

After the first unrequited love, after a short period of time, Oleg meets actress Tatyana Lavrova. She was pretty and also very talented and smart. The man wanted simple family happiness so much that he did not hesitate to marry his next chosen one. For Lavrova, this was already the second marriage, which also did not last even a couple of years. After living with her for two years, Tatyana decides to leave the artist, explaining that he is not the one she needs. The young man was incredibly upset that again he did not have the family happiness that he so dreamed of; according to him, Tatyana was callous in relationships, and he wanted more tenderness and affection.

Most friends and relatives believe that Oleg Dahl’s ex-wife, Tatyana Lavrova, pushed him down the path of alcoholism. Since after the divorce the man was very depressed and disappointed in his own life.

Oleg Dahl's wife - Elizaveta Alekseevna Apraksina

With my future wife The actor met Lisa in a restaurant where the woman was celebrating her birthday surrounded by her colleagues on the set, because she worked as an editor. In a joking manner, she invited him to visit her in Leningrad. Without thinking twice, Oleg comes to her city, and after a couple of days he has already asked her to marry him. Such an act was quite risky, because the young man already had two unsuccessful experiences behind him, but this did not frighten Oleg. They soon got married and lived in perfect harmony. The artist finally found the one he had been looking for for so long, she was not only pretty, but also gentle, smart and very educated, the spouses always had something to talk about, it seemed to them that they even had the same view of the world. The couple was in seventh heaven, but the woman could not stop her husband from his addiction. Oleg Dahl's wife, Elizaveta Alekseevna Apratskaya, was with her husband until his last days; they lived together for 10 long years. The death of the woman was a real tragedy and shock. According to Lisa herself, she died with her husband, and a part of her soul continued to exist, but not to live.

We are all very sorry that this magnificent artist left us so early, because he could have delighted us with his playing for many years to come. It is simply impossible to forget such talents as Oleg Dal; he will live in the hearts of every admirer of his work.

Oleg Ivanovich Dal is a brilliant Soviet actor, with the subtle and vulnerable soul of a poet and tragic fate a great actor who burned out before his time. He was not able to fully realize himself as an actor in the few years of life and work in the acting profession that fate had allotted to him, but many of his roles remained forever in people’s memory as being far beyond the boundaries of ordinary acting. As a person and an actor, Oleg Dal was absolutely unique, not tolerating any restrictions and not fitting into any system. And no wonder, Oleg Dal at one of the meetings with the audience, when the presenter mistakenly introduced him People's Artist, said: “I am not a people’s artist, I am a foreigner...”. I think that this phrase most accurately describes Oleg Dal as a person and as an actor. He was absolutely unique, completely internally free and simply did not physically fit into the reality around him due to the special subtle organization of his soul and nature. It was tragic figure, with very great internal mental tension and spiritual torment (as can be seen from his horoscope), which could find a way out only through selfless creativity (acting), alcohol, or constant conflict with the reality around him. And the tragedy of Oleg Dal’s fate lay precisely in the fact that he could not, due to many subjective and objective reasons, be fully realized in theater and cinema as an actor. Which in fact was the reason that Oleg Dal lived such short life and died young. His life flashed like a comet in the night sky, and lasted one brilliant moment, that very moment between the past and the future, about which he sang so soulfully in “There is only a moment between the past and the future...”.

I determined the time of birth of Oleg Ivanovich Dahl as 6:00 a.m. (GMT +3 hours). The degree of position of the Ascendant is 4 degrees. Cancer. Date of birth: May 25, 1941 (Moscow). Rectification was carried out using the following methods: solar arc directorates, transits, solariums. The house system is Placidus. The Ascendant sign was determined by me based on appearance, psychological portrait and personality traits of Oleg Dahl.

I determined the ascendant of the actor and the position of the planets in the houses based on the following:

1. The main character traits of the actor.

I give a description of the main character traits of Oleg Dahl according to the memories of friends and relatives.

Actor Valentin Gaft says:

“ Oleg believed: an artist is a secret. He should do his job and disappear, - They shouldn’t point fingers at him in the streets. He must show his face in his work, like Vertinsky his white mask - and then take off this mask so that he is not recognized. “

From the memoirs of director A. Efros:

“There are actors who are pawns. Oleg was not one of those actors. He combined a very serious personality, independent, proud, rebellious, and - acting flexibility, elasticity...

He was a restless man. He constantly moved from place to place if he did not agree with something. He was a man of extremes. Some feelings of protest were bubbling within him towards his partners, towards the premises in which he worked. Because somewhere inside himself he had a very high understanding of art. Although this was mixed with a share of carelessness that was also in him. But still, the roots of this disobedience went back to the maximalism of his views on art. He hated himself in those moments when he betrayed this maximalism. He had high artistic demands. He made very high demands on himself. He understood that he himself often did not meet these requirements. And I suffered from this.

Mockery, demandingness and at the same time some kind of irresponsibility, the ability to torment others and torment himself even more - everything was in him.

He was a mysterious person. I confess that I could never fully understand him. I think that almost no one fully understood him. Sometimes it seemed to me that this mystery was a consequence of a hidden spiritual emptiness, and sometimes, on the contrary, that he felt so strongly that he was protecting himself from unnecessary experiences, somehow defending himself.

Like a boy, he could fearlessly throw himself into any creative task. By nature he was an improviser. The so-called “academicism” did not threaten him at all. “Academicism” is calm, stability, it is attachment to something frozen. There was nothing like that in Oleg Dahl’s character. There was always some kind of rebellion in him. And if you try to figure out why he constantly raised this rebellion in his own soul, I would say - against all the absurdities of our life, against all its ugliness.

He hated a lot, couldn’t stand it, could hardly bear it. He was a mocker, but behind many of his unkind ridicule there was pain.

He had such amazing, rare external characteristics - a thin figure, a hard, sharp face, incredibly expressive eyes. He understood very well, when a close-up was being filmed in a movie, that nothing needed to be done - just slightly change the expression of the eyes. Having given him the task, I went to the movie camera and from there I didn’t always see Dahl’s face close-up. But then, looking at the material, I was always amazed. I was amazed in the same way when looking at Smoktunovsky’s takes. But if Smoktunovsky admires the smallest play of the face, the many shades turning into one another, then Dahl’s is such strict economy, such scalpel-like, sharp precision! Well, I opened my eyes a little wider - so what? But Dahl didn’t do anything formally; everything was filled with content, and what kind of content! I was in a hurry to film, did not ask whether Oleg understood any of my brief explanations, and the film then reflected not an illustration for the explanations, but something independent and significant.

He was a born film artist. He could be motionless, but at the same time incredibly active internally. [...]

When he left the Theater on Malaya Bronnaya, he entered the Maly Theater, and I did not understand this step at all. I thought it was all the whims of an undisciplined actor. But now I think that it was all throwing. He did not find his place, did not find himself in the modern theater, moreover, in our modern life.

He was always a separate person. He always sat alone in the dressing room, curtained the windows, sat in the dark, and his cheekbones moved. He became so irritated when he heard actors behind the wall chatting about unrelated topics, telling where and with whom they were filming. He himself never spoke about his filming and generally spoke very little. And then he burst into some cynical phrase.

But for all that, he was a very tall person mentally. Very hard, and behind this hardness there is extraordinary subtlety and fragility.

It was wonderful when he was kind. Or when he was happy. These were very rare moments, but they were very warm and special. When the viewing of "Pechorin's Notes" ended, Irakli Andronikov praised Oleg very much, and Oleg was happy. He was literally sparkling - he began to say something affectionate to me and others, and his eyes shone...

There are few actors about whom you can say that they are unique. Everyone is a little like someone else. And Oleg Dal was unique. “

(EFROS A. Book four. M., 1993.)

From an interview with Oleg Dal’s wife, Elizaveta Dal:

“And how did you get married?

He wrote me letters, very lyrical, kind, I fell in love with him thanks to these letters. When he arrived, we went to the registry office. I remember I froze for a moment, filling out the column about changing my last name, and looked at him. And I realized that he wants me to become Dahl. After the registry office we went to an ice cream parlor and drank champagne. On the marriage certificate| Oleg wrote sweepingly: “Oleg + Lisa = Love.” We were given three days for our honeymoon. These were happy days, then very difficult everyday life began, which lasted for two years...

Oleg drank terribly. At the same time, he became similar to Zilov from “Duck Hunt”, even more terrible. He was not capable of killing himself, but somehow he almost stabbed me. While on tour in Gorky, he began to go on a heavy drinking binge, that, you know, under-drinking state when a person is completely brutal. It was very hot, I was lying in the room in only a swimsuit. He moved the knife over my stomach and said: “So what! I don’t care, I’m not going to live anyway.” As subtle, intelligent, and generous as he was, he was just as scary, dirty, and cruel in his drunken frenzy. I didn’t sleep, I suffered, I hid when he came home drunk, Olya fussed with him. At the same time, he was unusually clean. No matter what stage I was in, the first thing I did was go to the bathroom. Olya was afraid that he would tear off the column, and always said: “Olezhechka, don’t throw a hook. Lie down in the bath, fill the water and call me. I will help you". One day Olya enters the bathroom and sees a picture: Oleg Ivanovich lies in all his splendor in cold water with an extinguished cigarette in his mouth and sleeps blissfully, without even turning on the igniter. She turned off the water and yelled at him: “I am a woman, and you are lying in front of me in your natural form!” She helped him get up, put on a robe and put him to bed. That night I slept on a cot. There was no money, we forgot what coffee was, and Olya and I sold things that were sent to us from France. And once, when he almost strangled me and I, having escaped, sat in the attic until the evening, Olya, unable to bear it, told him: “Oleg, go to Moscow” and gave 25 rubles for the journey. I must say that he left very gracefully: he washed himself, dressed elegantly and came into our kitchen: “That’s it. Let's go. Can I keep the key to the apartment?" - "Yes". I already loved him again, my heart was bleeding, I felt so sorry for him. But still she resisted and did not run after him. This was in March, and on April 1st I suddenly got a call: “Lizka, I’ve been sewn up for two years!” “This is no joke!” – I abruptly interrupted him. But it was true, he, in the company of Volodya Vysotsky, really sewed up. The next day I enter the apartment, Oleg stands at the window, makes a gesture with his hand, I stop. He turns his back, unzips his pants and shows the patch on his butt: “Here is my torpedo!” After the torpedo, the old Oleg disappeared for a long time, as if he had never existed. A real happy life has begun...

For the last ten years that we lived, he periodically drank, when his term expired, then he fell asleep again and did not drink for years. It was impossible to offer him stitches; he had to decide on it himself. He said this: “Don’t let me out of the apartment for three days, I’ll cry, I’ll beg - don’t listen. We’re going to the doctor in three days.” He never held drinking parties at home - if he wanted to drink, he left home for the WTO, IDL, and the House of Cinema. I couldn't stand drunk actors.

- They say that he started drinking at the Sovremennik Theater?

When Oleg appeared in the theater, he almost immediately married Nina Doroshina. They starred together in the film “The First Trolleybus”. Doroshina was Oleg Efremov’s lover for a long time. When he and Nina became lovers, Dal even got scared: “What am I doing?!” I’m stealing a woman from my idol!” In the midst of their wedding, Efremov, already well received, said: “Well, Ninok, sit on my lap.” She sat down. Actually, that’s where the wedding ended. And it began to be applied to the bottle. In addition, in the theater at that time everyone drank very heavily. He and Nina lived for some time, she tried to commit suicide several times, he dragged her to Sklifosovsky, then he married Tanya Lavrova, but also unsuccessfully. Once his mother asked him about the reason for the divorce, he answered briefly: “She was angry.” And that’s it, not a word more about Tanya. He was not a womanizer, although people fell madly in love with him.

– Did you work with him on all his paintings?

Oleg, after he “sewed up”, “removed” me from work. I often started a conversation about service, but he always answered: “The hundred rubles that you earn, I will bring to the house myself. I want you to always go with me to filming.” It was so difficult for me at first! One day at lunch he noticed that I wasn’t eating and asked: “What’s the matter?” - “I can’t eat someone else’s bread.” He replied: “If you are sick, get treatment.” After that, I realized that a good wife is also a profession. I went with him on all the expeditions, and he knew that hot tea and strong coffee were always waiting for him at the hotel. As one of our mutual friends joked: “You are truly behind your husband.” Our house was clean and tasty, that’s what he wanted. A completely unmodern person in everything - in his attitude towards life, towards women. He was the head of the family: his three women and he (his mother began to live with us). Oleg alone worked for everyone. When he brought money back from trips, with a sweeping gesture he took it out of his inner pocket and threw it like a fan on the floor. He knew how to leave behind the door everything that was not worth bringing into the house - it would get dirty. He wiped his feet and walked in, leaving behind the threshold all extraneous troubles, grievances, unplayed roles, and the envy of his colleagues. If he felt that we were having problems at home—money had run out, illnesses had begun, everyone around was growing gloomy—he would cheerfully say: “Don’t worry, old women, everything will be fine.” And in order to raise the spirit of his women, he invented a role for himself - he portrayed an old man. The whole evening was old, old, even when I was alone in the room (I deliberately peeked). He put on a shabby long robe and slippers, shuffled his feet and coughed all the time. He behaved like an old man, for example, we were sitting in front of the TV, he came up, turned his back to him and “farted.” And for some reason I remember a piercing thought in my head: “He will never be old!”

Many were surprised: “It’s so difficult to live with him!” Nothing like this! He was easy-going, knew how to appreciate and love, knew how to sacrifice, and never asked for anything in return. I rarely gave flowers because I couldn’t imagine myself walking down the street with a bouquet. I remember when we lived on Novatorov in the Khrushchev, he forced the taxi driver to drive up to the house right across a field with terrible potholes - Oleg was with a bouquet and did not want to walk through the yard with it.

– How did he feel about fame?

He closed his house from everyone. When asked about fame, he answered that he dreams of an armored door and an armored train to travel around Moscow. If he was stopped on the street by an old woman or a child asking for an autograph, he could forget everything - that he had a performance, filming, he would stop and talk for a long time... And if all sorts of girls... He hated when people recognized him, he never took advantage of his fame , always wore a cap pulled down over his forehead and his collar turned up. One day we went to look for a warm coat for him. We came to the second-hand store, we were digging around, looking, and then the sales girls recognized him: “Oleg Ivanovich, why don’t you ask us? Let us help you - we’ll call you when we have a coat.” After a while they actually called, we came and bought a good fur jacket. Oleg forced me to give them money, they resisted, and a whole story came out. And then I just ran around wearing countermarks for the girls at Sovremennik.

– He was once called Mozart in his profession, how would he react to this?

He would agree, although he was demanding and ruthless towards himself to the point of anger, and spent his whole life engaged in self-criticism. He ran ahead of time, but time never caught up with him. I never told him that he was a genius, but I think he guessed it himself. He is characterized by roles not played, but rejected. We had a huge stack of scripts in our closet that he turned down. He had a lot of offers to play something party, Soviet, for which he would receive big money, titles... Everything was rejected outright. I’m not ashamed of any of his roles now. No, he was not Matveev. Once, at one performance, Dahl was mistakenly called a People's Artist. Oleg then came on stage and said: “You know, there was one mistake here. They called me a people’s artist, but I’m more of a foreigner.” He has only one award for a television film, and that was posthumous: a crystal goblet, very heavy and ridiculous. We put flowers in it. Oleg was a very shy person, modest and did not work for benefits or rewards. Misha Kozakov once told me a story about him. They ended up in the same hotel room with Dean Reed. Dean sang and played guitar all evening and kept bragging about how many gold records he had. Then they drank, and Oleg told him: “Come on, give me the guitar.” And he sang, plucking the strings with his uniquely long fingers: “Oh, roads, dust and fog...” Reed rolled his eyes with admiration: “Excuse me, but how many gold discs do you have?” Oleg grinned good-naturedly: “Fuck you...”

– Did he have a presentiment of his death?

From I. Karasev’s article “Chronicle of a Diving Artist”:

“The Sovremennik artist Alla Pokrovskaya saw Dahl in his graduation performance and invited Oleg to the famous “introductory tours” to the Efremov Theater. Lyudmila Gurchenko, who was also among the applicants, recalled how, having heard thunderous applause outside the doors, she looked in and saw Oleg completing a passionate monologue on a high windowsill, then flying in an unthinkable arc into the middle of the hall and a second later modestly stopping with the window handle torn off among general delight.

For the next five years in Sovremennik, Dahl, despite the lack of leading roles, called best years lives spent in the indescribable aura of theatrical creativity.

However, the transition from an enthusiastic perception of life to a skeptical one was quite abrupt. The studio spirit of theatrical experimentation, which fed Dahl's artistic talent, gradually gave way to "harsh everyday life."

To some extent, the situation is explained by Kozakov in his memoirs about Dal: “I still live in the memory of harmony in the theater - it was only in the early Sovremennik and never again. Everything coincided there - youth, time, the state of the theater. He was unlucky all the time. It was as if he ended up “on the downhill path.” He came to “Sovremennik” and other theaters at a time when the theater was already essentially dying.” Dahl was ready to fanatically serve the Theater, but did not agree to the banal “serve in the theater.”

Outside, the “thaw” has given way to “stagnation.” The famous charter of Sovremennik and the studio brotherhood were becoming history. Dahl, who tried to play and exist “according to the rules,” found himself alone.

The stigma of “loner”, the label of “strange”, the position of “stranger”. This is not a whim of fate, not a game of chance. There is a strict predestination in Dahl's life. Possessing a naturally subtle and hypersensitive perception apparatus, Dahl could not coexist with the surrounding reality on the same aesthetic level. His statements about “the achievements of socialist realism in theater and cinema,” about the dominance of ignoramuses and bastards, reveal genuine physiological disgust.

This is not the easy frontierism that many representatives of the creative intelligentsia indulged in at that time. In the case of Dahl, there was a pathological discrepancy between man and environment, people, systems (meaning a system of moral, ethical, creative stereotypes and standards).

Living in discord with space and time requires incredible amounts of energy. Is this where the “boy with tired eyes” motif, repeated in various memories of Oleg Dal, comes from? The only source of strength for Dahl was Dahl himself. He turned all questions that could not find an answer outside himself inward. The result, or rather a chronicle of his search and reflection, was his diary, begun in 1971.

This diary is not like an ordinary biography tied to days, months and years. It resembles an emotional, sometimes chaotic dialogue with oneself, written (or drawn) in letters, words, phrases of different sizes and fonts. Sometimes the entries are daily, sometimes one sentence covers six months or more.

From the diary: “January 72 FRIENDS “The most painful of all wounds is the invisible wound, my friend is my enemy, oh vile age of deceit!” W. Shakespeare. My grief and my misfortune from my friends. Only now I realized this. The fight against these bastards face a terrible situation, maybe, ONE? But to preserve yourself. This is the MAIN thing. Do not become indifferent. There is my strength, my promised land.”

Reading the “diary”, you catch yourself thinking that it resembles the logbook of a ship or plane that is crashing. And by analogy with the film “Chronicle of a Dive Bomber,” in which Dahl played one of the best roles, his diary can well be called “the chronicle of a dive artist.”

From my point of view, these descriptions are absolutely suitable for a person with the following horoscope configuration: Cancer Ascendant, most of the planets, including the Sun, Moon (ruler of the horoscope), Venus, Mercury, Jupiter, Saturn (ruler of the 7th and 8th houses) and Uranus (ruler of the 10th house) is in the 12th house, which is closed to outsiders and gives a strong tendency towards loneliness, pride, strong individualism and the desire to know the inner essence of things, and not their front side. The strong isolation and tendency to loneliness, due to the powerful influence of the 12th house of the horoscope, in the actor’s character is softened by the fact that Oleg Dahl’s Mercury, Venus and Sun are in the sociable sign of Gemini. It was the fusion of the influence of the energies of the 12th house and the sign of Gemini that made Oleg Dal such a unique and bright actor and personality. Neptune, which has major planets from almost all planets in the 12th house, is located in the 5th house and through it the powerful energy of the conjunction of the horoscope ruler of the Moon with Saturn and Uranus and the conjunction of the Sun with Jupiter finds its way out. It was Neptune that was the planet through which the complex and stormy energies of the luminaries and planets from the 12th house of Oleg Dahl’s horoscope found a way out in acting. And it was the powerful Neptune (“king of aspects”) that was the reason that Oleg Dal periodically tried to escape with the help of alcohol, from the reality that surrounded him, and from his internal crises, which were inevitable and regular due to the exact conjunction of the Moon ( ruler of the horoscope) with Saturn and Uranus in the 12th house.

2) According to the recollections of people who knew the actor well, Oleg Dal was a very emotional person and a vulnerable person who had difficulty coping with his intense emotions. But, both luminaries and personal planets (except for Mars in Pisces) are in an air and earth sign (Gemini and Taurus), which indicates a person who is not particularly prone to strong and deep emotional experiences. The mere conjunction of the Moon with Uranus and Saturn and the strong aspect of Neptune could hardly have formed such a subtle and emotionally hypersensitive nature, which Oleg Dal certainly was. The location of the Ascendant in the watery sign of Cancer and the powerful 12th house, together with the damage to the ruler of the horoscope of the Moon by the conjunction with Saturn and Uranus, could well have formed such a person with strong emotionality of the water plane.

3) Oleg Dal had a rebellious spirit, toughness and a strong tendency to emotional depression. In the horoscope, this is indicated by the conjunction of the Moon with Uranus and Saturn. But simply connecting the Moon with Uranus and Saturn is clearly not enough for this. The Moon must certainly be the ruler of the horoscope and have a strong influence on the entire personality of the actor, and not just on his emotional sphere.

4) At the time of registration of Oleg Dal’s marriage with Elizaveta Dal in November 1971, transit Saturn entered into conjunction with natal Saturn in Oleg Dal’s horoscope (Saturn return) and the natal Moon. This is a very powerful indication that Saturn or Moon is the lord of the 7th house of the horoscope or is placed in the 7th house. Another confirmation of Oleg Dahl’s version of the horoscope with the Ascendant in Cancer.

5) According to the recollections of people who knew Oleg Dal well, he foresaw the death of others and his own. In this version of Oleg Dahl’s horoscope, the ruler of the 8th house, Saturn, is in exact conjunction with the ruler of the horoscope, the Moon, in the 12th house in an exact trine with the ruler of the 11th house, Neptune.

6) Relatives and acquaintances claim that Oleg Dal had increased intuitiveness on the verge of clairvoyance. A powerful 12th house and multiple aspects from luminaries and planets from the 12th house to Neptune can give such abilities.

7) The tension of the conjunction of the Moon with Saturn and Uranus and the square of Mars with the Sun and Jupiter found its way out through Neptune in the 5th house. Hence Oleg Dal’s choice of acting as a profession. When Oleg Dal was not involved as an actor and was in creative downtime, he either relieved excessive internal tension from the conjunction of the Moon with Uranus and Saturn through scandals with others or went into deep and long binges (if at that moment he was not “filed” from drinking alcohol).

8) In May 1978, when Oleg Dal’s family was able, with the help of the management of the theater in which Oleg Dal then worked, to make an exchange and move into a 4-room apartment on Smolensky Boulevard in Moscow, transit Jupiter entered into exact conjunction with the natal Ascendant of the horoscope Oleg Dahl (in my version of rectification), and transit Saturn was in conjunction with the cusp of the 4th house of Oleg Dahl’s horoscope. And just as Oleg Dal dreamed all his life about a separate office, which he received after improving his living conditions, moving into a new apartment and major renovations in it, and after realizing his dream, according to his wife, he was on a very great emotional high, then this is a very serious additional indication that this version of the horoscope configuration is correct.

9) In one of his letters to director Efros, Oleg Dal wrote with bitterness: “I’m losing my Self!” And this is a very serious indication of the possible strong influence of the 1st or 12th house of the horoscope on a person’s personality.

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Here is a list of the main events in the actor’s life for which I carried out rectification, indicating the years:

1) 1963 - marriage and divorce from actress Nina Doroshina.

2) 1965 - marriage and divorce from actress Tatyana Lavrova.

3) 1968 - the release of the film “Chronicle of a Dive Bomber”, after which Oleg Dal became a famous and popular Soviet film actor.

4) 1970 - marriage to Elizaveta Eikhenbaum (Dahl).

5) 1973 - Oleg Dal became sick from alcohol (the beginning of a 2-year favorable period in his professional and family life).

6) 1978 - obtaining a 4-room apartment on Smolensky Boulevard in Moscow.

7) 1979 - the beginning of the persecution of film officials and the beginning of serious health problems.

8) 07/25/1980 - the death of Vladimir Vysotsky and the severe emotional depression of Oleg Dal, which after some time led to his death.

9) 03/03/1981 – death of Oleg Dal from a heart attack

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1963 - marriage and divorce from actress Nina Doroshina.

Directional Venus (ruler of the 5th house) conjunct the natal Ascendant;

Directional Moon (ruler of the horoscope) in conjunction with natal Venus (ruler of the 5th house);

Directional MC square natal Venus (ruler of the 5th house);

Directional Sun square natal Neptune in the 5th house;

Transiting Mars opposite natal Uranus on wedding day;

Transiting Pluto square natal Venus (ruler of the 5th house);

In December 1963, transit Saturn squared the natal Moon (ruler of the Ascendant) and natal Saturn (ruler of the Descendant) - most likely at this time Oleg Dal finally broke up with Nina Doroshina.

“Dahl’s first marriage was unsuccessful and short-lived. In 1963, after graduating from the Shchepkin Theater School, he entered the Sovremennik Theater and fell in love with one of the actresses there, Nina Doroshina. Their romance began not within the walls of the theater, but in Odessa - during the filming of the film “The First Trolleybus”. Dal fell very much in love with Doroshina, and her heart was then given to someone else - the founder of Sovremennik, Oleg Efremov. But the circumstances turned out to be such that Efremov, having promised to come, never showed up in Odessa, and Doroshina was offended by him. That evening she drank vodka, put on a robe and went for a swim. However, she suddenly felt bad in the water - she began to drown. Nothing would have saved Nina if her fellow actors had not been nearby. Among them was Dahl. Hearing the women’s screams, the young people rushed into the water, shouting to each other as they ran: “Whoever swims first will get it.” Dahl was the first to swim. From that moment their romance began.

After some time, Dahl was called to Moscow to dub another film. He promised to return in two days, but due to unforeseen circumstances he was delayed. The filming of “The First Trolleybus” could not continue without him, and they asked Doroshina to call Oleg from Moscow. When the other end of the line asked her who was calling, she replied: “My wife. Tell him to return to Odessa immediately.” On the same day, Dahl left Moscow. When Doroshina looked out the window of the Krasnaya Hotel the next morning, the first person she saw was Oleg standing with flowers. When they returned to Moscow, Dahl proposed marriage to Doroshina, and she accepted. Since they didn’t have a lot of money at that time, they managed to buy only one engagement ring – for Dahl (for 15 rubles). The wedding took place on October 21, 1963, but it was at the wedding that everything ended. Efremov came there as a guest, who, being tipsy, could not find anything better than to sit the bride on his lap and say: “Still, you love me more.” Dal flew out of the apartment like a bullet, and soon after that he and Nina broke up.” (Fedor Razzakov)

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1965 - marriage and divorce from actress Tatyana Lavrova.

Directional Venus (ruler of the 5th house) trine natal Mars;

Directional Descendant trine natal Uranus (ruler of the 10th house);

Directional Saturn (ruler of the 7th house) conjunct natal Venus (ruler of the 5th house).

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1968 – the release of the film “Chronicle of a Dive Bomber”, after which Oleg Dal became a famous and popular Soviet film actor.

Directional Uranus (ruler of the 10th house) trine the natal MC;

Directional Ascendant sextile natal Jupiter.

At the time of the release of the film “Zhenya, Zhenechka and Katyusha,” Dal was starring in another film directed by N. Birman, “Chronicle of a Dive Bomber,” in which Oleg played the role of pilot Yevgeny Sobolevsky. The actor’s image of a smart and charming guy who invented a branded liqueur called “chassis” was liked by the audience. After the film was released, young people began to call strong drinks that way, and Dal became one of the most popular actors in Soviet cinema.

The end of the 1960s was a good time for Oleg Dal. After several years of creative and personal troubles, everything turned out well for him. At the Sovremennik Theater, where he returned after a long break, Oleg received his first significant role - Vaska Pepla in Maxim Gorky’s “At the Lower Depths”. The play premiered in 1968. In 1969, Oleg Dal brilliantly played the role of the Jester in the film G.M. Kozintsev “King Lear”.

“Modern man is a reflective man,” Grigory Kozintsev liked to repeat. And he connected the image of the Jester with modernity: “A boy with a haircut. Art under tyranny. A boy from Auschwitz forced to play the violin in the death row band; They beat him so that he chooses more cheerful motives. He has the tortured eyes of a child.” Dahl suited Kozintsev perfectly. They admired each other. Kozintsev and Dahl were connected by something more than the “director-actor” or “teacher-student” relationship. Kozintsev protected Dahl’s talent as fragile and priceless musical instrument. Merciless towards any troublemakers on the set, Kozintsev made exceptions only for Oleg, forgiving his frequent breakdowns. The explanation sounded simple and prophetic: “I feel sorry for him. He is not a tenant."

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November 27, 1970 – marriage to Elizaveta Eikhenbaum (Dahl).

Directional MC sextile natal Saturn (ruler of the 7th house) and natal Moon (ruler of the 1st house);

Directional Mercury (ruler of the 4th house) sextile natal Saturn (ruler of the 7th house) and natal Moon (ruler of the 1st house);

Directional Mars square natal Descendant;

Transiting Jupiter in opposition to the natal Moon (ruler of the Ascendant) and Saturn (ruler of the Descendant);

Transiting Saturn conjunct the natal Moon (ruler of the Ascendant) and Saturn (ruler of the Descendant).

Filming of King Lear took place in August 1969 in Narva. On August 19, 1969, Oleg met with his future wife, 32-year-old Elizaveta Eikhenbaum, who worked as an editor on the film crew. She was the granddaughter of the famous philologist Boris Eikhenbaum. Throughout the filming, Dahl courted her, then invited her to Moscow. And when she arrived and called, I didn’t recognize her. Torn away from the rehearsal, he irritably said: “Who else is Lisa?!” She was offended and returned home. A few months later they met again at Lenfilm.

Elizaveta Dal said: “A few months later, when we met again at Lenfilm, it turned out that I had pulled him away from rehearsal. Touching Dahl at such a moment is a tragedy. But I didn’t know about it then. On this visit, he spent the night with me for the first time. But I wasn't in love yet. The distance had an effect... Oleg immediately became friends with my mother, Olga Borisovna, and called her Olya, Olechka. Her father, my grandfather - Boris Mikhailovich Eikhenbaum - was a famous literary critic, professor, teacher of Andronikov and ally of Tynyanov and Shklovsky. When my grandfather passed away, I thought that there were no such people anymore. And suddenly I discovered similar traits in Oleg. He asked my mother for my hand in a rather old-fashioned way. This happened on May 18, 1970. The next day he flew with the Sovremennik Theater to Tashkent and Alma-Ata on tour... The fact that I got to see the film King Lear played a huge role in my life. For me, there is still something mystical in this: if this film had been directed not by Grigory Mikhailovich, but by someone else, but Oleg had acted, we would not have become husband and wife. There was something here... I remember the arrival of Grigory Mikhailovich for the next viewing of the material and his words addressed to me: “Lisa, what Oleg was like yesterday on the set!!!” I thought then - why is Kozintsev telling me about this, maybe he knows something more than me? Then I myself did not yet have any serious thoughts about Oleg and me... Why did I marry Oleg, although I saw that he was drinking heavily? It was interesting for me to be with him. I was already 32 years old, and I thought that I could cope with his weakness. I felt with some inner feeling: this person cannot be upset by refusal...” The marriage between Oleg Dahl and Elizaveta Eikhenbaum was concluded on November 27, 1970.

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04/01/1973 – Oleg Dal became sick from alcohol, the beginning of a 2-year favorable period in his professional and family life.

Directional Sun conjunct the natal Ascendant;

Directional MC square natal Mercury (ruler of the 4th house);

Directional Ascendant sextile natal Sun;

Directional Moon (ruler of the Ascendant) trine the natal MC;

Transiting Pluto trine the natal Sun;

Transiting Pluto sextile natal Pluto;

Transiting Jupiter trine the natal Sun.

From an interview with Lisa Dahl:

“Oleg drank terribly. At the same time, he became similar to Zilov from “Duck Hunt”, even more terrible. He was not capable of killing himself, but somehow he almost stabbed me. While on tour in Gorky, he began to go on a heavy drinking binge, that, you know, under-drinking state when a person is completely brutal. It was very hot, I was lying in the room in only a swimsuit. He moved the knife over my stomach and said: “So what! I don’t care, I’m not going to live anyway.” As subtle, intelligent, and generous as he was, he was just as scary, dirty, and cruel in his drunken frenzy. I didn’t sleep, I suffered, I hid when he came home drunk, Olya fussed with him. At the same time, he was unusually clean. No matter what stage I was in, the first thing I did was go to the bathroom. Olya was afraid that he would tear off the column, and always said: “Olezhechka, don’t throw a hook. Lie down in the bath, fill the water and call me. I will help you". One day Olya enters the bathroom and sees a picture: Oleg Ivanovich lies in all his splendor in cold water with an extinguished cigarette in his mouth and sleeps blissfully, without even turning on the igniter. She turned off the water and yelled at him: “I am a woman, and you are lying in front of me in your natural form!” She helped him get up, put on a robe and put him to bed. That night I slept on a cot. There was no money, we forgot what coffee was, and Olya and I sold things that were sent to us from France. And once, when he almost strangled me and I, having escaped, sat in the attic until the evening, Olya, unable to bear it, told him: “Oleg, go to Moscow” and gave 25 rubles for the journey. I must say that he left very gracefully: he washed himself, dressed elegantly and came into our kitchen: “That’s it. Let's go. Can I keep the key to the apartment?" - "Yes". I already loved him again, my heart was bleeding, I felt so sorry for him. But still she resisted and did not run after him. This was in March, and on April 1st I suddenly got a call: “Lizka, I’ve been sewn up for two years!” “This is no joke!” – I abruptly interrupted him. But it was true, he, in the company of Volodya Vysotsky, really sewed up. The next day I enter the apartment, Oleg stands at the window, makes a gesture with his hand, I stop. He turns his back, unzips his pants and shows the patch on his butt: “Here is my torpedo!” After the torpedo, the old Oleg disappeared for a long time, as if he had never existed. A real happy life has begun...

For the last ten years that we lived, he periodically drank, when his term expired, then he fell asleep again and did not drink for years. It was impossible to offer him stitches; he had to decide on it himself. He said this: “Don’t let me out of the apartment for three days, I’ll cry, I’ll beg - don’t listen. We’re going to the doctor in three days.” He never held drinking parties at home - if he wanted to drink, he left home for the WTO, IDL, and the House of Cinema. I couldn’t stand drunk actors.”

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1978 - received a 4-room apartment on Smolensky Boulevard in Moscow.

Transiting Saturn entered the natal 4th house;

Transiting Jupiter entered the 1st natal house;

Directional Jupiter conjunct the natal Ascendant.

Two years after Oleg and Lisa got married, they moved to Moscow, exchanging a luxurious Leningrad apartment in a writer’s building for a two-room Khrushchev apartment at the end of Leninsky Prospekt. The apartment was tiny, the audibility was terrible, the old woman living on the floor below was quite seriously indignant: your kittens are stomping around and disturbing me from sleeping... However, the new residents were not discouraged. “The four of us lived there,” recalls Lisa. - Oleg, me, mom and a sense of humor. When someone unexpectedly came to us, I could not say that Oleg was not at home, because somewhere in the apartment his leg, his hand, his nose was sure to stick out... Oleg’s mother lived in a two-room apartment in Lyublino. At this time, Oleg moved from Sovremennik to the Theater on Malaya Bronnaya, whose director was then Dupak, a very enterprising man. Oleg asked him to help exchange our two apartments for one in the center, otherwise he threatened to leave the theater, since he had to travel very far. Dupak helped us. In 1978, we moved to a four-room apartment on Smolensky Boulevard. Oleg fell in love with this apartment of his and improved it in every possible way.” There is a strange story connected with this apartment in the very center of Moscow, which the artist adored. Once Oleg Dal and actor Igor Vasiliev drove past this house - it was still under construction - and said: “I will live here, this will be my home.” I said it and forgot. I remembered only ten years later when I came here with an inspection warrant. Dahl was happy in this apartment. Previously, he often called himself a tramp and said that he did not like home, but now everything has changed. “This is not an apartment,” he said. - This is a dream".

During the renovation of the new apartment, they turned the hall into an office for Oleg Dal, and his happiness became simply prohibitive. He could, when he wanted, be alone with himself. I read, wrote, drew, listened to music. Now he said to Elizaveta Alekseevna seriously and ceremoniously: “Madam! You are free for today. I'll write at night. And then I’ll fall asleep on the sofa in the office.” Olga Borisovna exclaimed: “Olezhechka! But the sofa is narrow.” “I’m narrow too,” Dal reassured his mother-in-law.

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1979 - the beginning of the persecution of film officials and the beginning of serious health problems.

Transiting Uranus opposite natal Saturn and Moon;

Transiting Uranus square natal MC.

The actor's cinematic career developed rapidly in 1978-1979. Dahl was approved for the main role in Alexander Mitta’s film “Crew,” but at the last moment he refused to film. The refusal was peacefully discussed between the actor and the director, who found another performer for this role - Leonid Filatov. But the management of Mosfilm considered Oleg’s action a violation of labor discipline and issued an unspoken order not to film the actor in the studio’s films for three years. Dahl was unaware of this order, but he had to face its consequences.

By the time of the release of the film “The Adventures of Prince Florizel” in 1980

Oleg Dal was in a depressed mood. His persecution at Mosfilm continued, and his health began to fail - his heart was failing. V. Trofimov recalled: “Our last meeting is remembered with bitterness. In the spring of 1980, I came to him with a script about A. Blok. The door was opened by an exhausted, sunken-eyed man, in whom it was difficult to recognize the radiant, always elegantly smart Dahl. The conversation was difficult. “I really want to, but I probably won’t be able to take on that job... I can’t do anything for now... They finished me off...” Word by word, I squeezed out of him an outrageous story of bullying by the Mosfilm acting department. How vulnerable this proud man was..."

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07/25/1980 - the death of Vladimir Vysotsky and the severe emotional depression of Oleg Dal, which after some time led to his death.

Transiting Uranus in opposition to natal Saturn and the Moon (exact aspect 07/25/1980);

Directional Uranus conjunct the natal Ascendant.

During the filming of the film “The Uninvited Friend,” Oleg Dal learns about the death of Vladimir Vysotsky. According to eyewitnesses who saw Dahl at the funeral, he looked creepy and repeated: “Well, soon it’s my turn.” After Vysotsky’s funeral, Dahl is increasingly visited by thoughts of death. Diary entry: “October, 1980. I began to think often about death. The worthlessness is depressing. But I want to fight. Cruel. If you are going to leave, then leave in a furious fight. Try with all my remaining strength to say everything I have been thinking and thinking about. The main thing is to do it!” The topic of death was touched upon by Oleg Dahl in a conversation with colleagues and relatives. L. Maryagin recalls: “Dal drank a glass of beer and didn’t touch anything else. We talked with Anatoly Romashin about the difficulties encountered in filming the film. Dahl was silent, looking past us. And only half an hour later A. Romashin asked: “Tolya, do you live there?” (A. Romashin then lived with Vagankovskoe cemetery). “Yes,” Romashin answered. “I’ll be there soon,” said Dahl...”

On Vysotsky’s birthday, January 25, 1981, Dahl woke up in the morning and told his wife: “I dreamed about Volodya. He's calling me."

Dal and Vysotsky were not friends; rather, they were brothers in spirit and like-minded people. Their last meeting took place in May 1980. Then Oleg Dal came to Vysotsky’s house, very drunk, he couldn’t show up home like that. V. Vysotsky sang his songs to him, and Oleg listened silently.

Poems by Oleg Dal after the death of V. Vysotsky:

V. Vysotsky. Brother

Now I remember...

We said goodbye...Forever.

Now I understand...I understand...

Rupture of the trail

Beginning of May...

I'm tripping...

Words words words.

Magpie beats its tail.

The snow falls, revealing

The naked coldness of the branches.

And here is the last chapter,

Smelled like a rose bush

Melancholy and deceit, promising,

And died in my chest.

Peace - peace...

And loneliness and anger,

And I cry in my sleep and wake up...

Resentment is the silver month.

Branding is a burning test.

And again I repent. I repent. I repent

Holding a torn heart in my hands...

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03/03/1981 – death of Oleg Dal from a heart attack

Directional Uranus (ruler of the MC) conjunct the natal Ascendant;

The axis of the directional lunar nodes entered into an exact connection with the natal axis MS-IS;

Transiting Black Moon in opposition to natal Black Moon;

Transiting Uranus opposite natal Jupiter (ruler of the 6th house) in the 12th house;

Transiting Neptune square natal Neptune and opposite natal Mercury;

Transiting Mercury square natal Moon (horoscope ruler) and natal

Saturn (ruler of the 7th and 8th houses) in the 12th house;

Transiting Pluto trine natal Mercury in the 12th house;

Transiting Sun square natal Venus in the 12th house;

Solar Sun in the 8th house of the solar;

Solar Pluto conjunct the Solar Ascendant.

At the beginning of March 1981, Oleg Dal went to Kyiv to audition for the film “An Apple in the Palm.”

On March 3, 1981, Dahl has dinner at a hotel with his film partner Leonid Markov, then goes to his room with a dark joke - “I’ll go to my room to die.” In the morning, Oleg Dal was found dead in bed in his hotel room. Doctors diagnosed death from heart failure.

There are two versions regarding the cause of Oleg Dahl’s death. According to one version, Oleg Dal deliberately or out of despair poured a critical dose of vodka into himself, realizing that the next built-in “torpedo” would react to it with a sharp surge in pressure. According to this version, Oleg Dal’s departure from this world was quite conscious. According to another version, the actor’s heart stopped on its own, unable to withstand the enormous psycho-emotional stress of the last two years of his life (the opposition of transit Uranus with the natal Moon-Uranus-Saturn conjunction in 1979-1980).

From my point of view, it could be one or the other, because... on the one hand, in the directions, transits and solarium there are strong indications of the death of Oleg Dal during this period, and on the other hand, the death of the actor occurred at the moment of the exact square of transit Neptune to natal Neptune and opposition to natal Mercury, namely on previous intense transits Neptune to the natal Sun and Venus, the actor went on long and deep binges. I think that by March 1981 Oleg Dal was so mentally and physically exhausted that at that moment he could well have forgotten about the mortal danger of the “torpedo” and drank very seriously (consciously or unconsciously striving for death) simply trying to get away from reality and his inner torments and experiences into alcoholic oblivion.

From the memoirs of Elizaveta Dahl:

“Did he have a presentiment of his death?

Oleg did not intend to die, but, as a person with very subtle perceptions, for the last six months he subconsciously felt that he would soon die. He understood that it would happen, that he was ready, that he knew. Sometimes he told me such things...

We were lucky at the end of his life - we rented a cheap dacha in Monino. We spent half of January and all of February in a wonderful house. I once walked from the kitchen into a huge hall - he was sitting on the floor and watching some cartoon on TV. Small and with such a sad, sad back of his head. I came up from behind: “What’s wrong with you, Olezhechka?” He didn’t even turn around: “I feel so sorry for all three of you.” I realized that he meant our mothers and me. This was literally two weeks before his death. Oleg, by the way, was very stingy with words. When we left the dacha, my liver hurt. He never liked to speak tenderly, although he was terribly tormented by pity. I tried to hide unnoticed. He suddenly asked: “Does it hurt?” - “Oh, nonsense! Let's come now, I'll get you ready for the trip. I’ll find a boiler, prepare raisins and crackers.” He suddenly interrupted me: “No, first you get into a hot bath, take a pill, put on a bandage... You need to be very healthy now.” And I didn’t even suspect that he knew how I was treated during attacks. This was two days before his death - on March 1, he left for Kyiv for filming. Usually, to hide his pity, he grumbled: “Well! She ate something again or lifted something heavy. Will know!" For the last month, he, so stingy with words, has spoiled me with attention, words and praise, which has not happened in all ten years.”

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Lyrics of the song “There is only a moment (from the film “Sannikov’s Land”)” (A. Zatsepin)

(In the film "Sannikov's Land" Oleg Dahl was not allowed to perform this song and in his performance it was released only together with songs from films performed by Oleg Dahl).

Everything in this raging world is ghostly.

This is what is called life.

Eternal peace is unlikely to please the heart.

Eternal peace for the gray pyramids,

And for the star that gathered and falls

There is only a moment - a blinding moment.

Let this world fly into the distance through centuries.

But it’s not always on my way with him.

What I value, what I risk in the world -

In just one moment - just in one moment.

Happiness is given to meet and misfortune

There is only a moment - hold on to it.

There is only a moment between the past and the future.

This is what is called life.

Rectification (determining time of birth) ==

Clarification of the time of birth (rectification) based on what has already happened the most important events life and their dates (marriage or divorce, the birth of a child, periods of sudden changes or difficulties in partnerships, moves, emigration, significant career successes, dramatic changes in family life, deaths of loved ones, etc.)

The cost of horoscope rectification if the time of birth is uncertain up to 6 hours is $80

"My rectifications of horoscopes of actors of Soviet and Russian cinema on the site Astro-Zodiak.ru" [email protected]

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DAL OLEG

DAL OLEG(theater, film actor: “My Little Brother” (1962), “The First Trolleybus” (1964), “Zhenya, Zhenechka and Katyusha” (1967), “Chronicle of a Dive Bomber” (1968), “An Old, Old Tale” (1970), “King Lear” (1971), “Shadow” (1972), “Bad good man", "Sannikov's Land" (both - 1973), "Star of Captivating Happiness", "Option "Omega" (t/f) (both - 1975), "Citizens" (1976), "Golden Mine" (t/f, 1977), “On Thursday and never again” (1978), “ Duck hunting“(t/f, 1979), “The Adventures of Prince Florizel” (t/f, 1980), “We looked death in the face,” “Uninvited Friend” (both 1981), etc.; died on March 3, 1981 at the age of 40).

Even as a child, Dahl broke his heart playing basketball; he wasn’t even accepted into the army because of this. Then he had bad lungs. He should have to deal with such pains healthy image life, but how can an artist do this? And then, back in his early twenties, Dahl started having problems with the “green serpent”...

By all indications, Dahl foresaw his death. He spoke about its imminent approach not only to his relatives, but also to friends and work colleagues. This is how Dahl’s partner in the film “The Adventures of Prince Florizel”, Igor Dmitriev, recalls this: “Once in Vilnius, in the summer of 1978, a funeral hearse with a driver in a top hat, with beautiful lanterns swinging, drove past our bus. Oleg said: “Look how beautifully they are buried in Lithuania, and they will take me around Moscow in a closed bus. How uninteresting."

When Vladimir Vysotsky died in Moscow in July 1980, Dahl, being at his funeral, remarked: “Well, now it’s my turn.” Mikhail Kozakov recalls that then Galina Volchek came up to him and asked in his ear: “Maybe this will stop Oleg?” She meant that Dal, like Vysotsky, drank heavily and could not stop.

After Vysotsky’s death, thoughts about death began to come to Dahl constantly. In his diary in October 1980, he wrote: “I began to think often about death. The worthlessness is depressing. But I want to fight. Cruel. If you are going to leave, then leave in a furious fight. Try with all my remaining strength to say everything I have been thinking and thinking about. The main thing is to do it!”

On Vysotsky’s birthday – January 25, 1981 – Dahl woke up in the morning at his dacha and told his wife: “I dreamed about Volodya. He's calling me."

Literally a few days after this, in a conversation with V. Sedov, Dal sadly remarked: “There is no need to heal me, now I can do anything - nothing will help me now, because I don’t want to act or play in the theater anymore.”

Here is an incident that occurred just a few days before the sudden death of the actor. L. Maryagin recalls: “When the film “The Uninvited Friend” was completely ready at the beginning of 1981, we took it to the Polytechnic Museum. After the screening, the organizers gave us a car to take us home, but Dahl suggested we stop at the restaurant of the All-Russian Theater Society (All-Russian Theater Society, on the former Gorky Street, the one that burned down, unable to bear the renaming into the Union of Theater Workers) and celebrate the viewing. Anatoly Romashin and I agreed. There Oleg asked Romashin:

- Tolya, do you live there?

Romashin then lived near the Vagankovsky cemetery.

“Yes,” Romashin answered.

“I’ll be there soon,” said Dahl...”

At the very beginning of March 1981, Dahl went to Kyiv to audition for the film “An Apple in the Palm.” His wife wanted to go with him, but she couldn’t - just before leaving, her spleen ached. Dal didn’t want to go without her, but circumstances demanded it. He arrived in Kyiv on March 2. I checked into a hotel on Brest-Litovsky. And there, almost immediately, his friend, former classmate from “Sliver” Dmitry Mirgorodsky, whom some called “Dal’s evil genius” behind his back, came to him. The two of them drank to celebrate the meeting, and when that wasn’t enough for them, they went for a walk to the WTO restaurant. And we stayed there until almost two in the morning. From there we went to Mirgorodsky’s relatives. Dahl spent the night there. Got up around seven in the morning. He had a little breakfast and went to the hotel, because at eleven a car was supposed to pick him up there to take him to the screen test. Vladimir Mirgorodsky accompanied him to the hotel in his car. According to him, he was struck by one detail. When Dal began to move away, Vladimir shouted to him: “Oleg! So, I’ll pick you up at the studio at two o’clock? Yes? Bye then!" And Dahl suddenly turned around and said: “How about ‘bye’? Not “yet”…” He returned to the car, hugged Vladimir and said: “Goodbye...”

In the lobby, Dahl met actor Leonid Markov and threw him a terrible phrase: “I’ll go to my room to die.” Although the attendant on the floor where Dahl lived described last meeting with the actor it is much more optimistic. Dahl walked past her and said: “There is time. Two - two and a half hours. So don't wake me up. The studio will call me, and a car will arrive at eleven.” And he retired to his room. He closed the door with the key, leaving it in the lock. It is difficult to say for sure what happened next. Apparently, Dahl took a sleeping pill - eunoctine, which should not be mixed with alcohol. Next, let’s listen to Valentin Nikulin’s story:

“The car for Oleg actually came at eleven. But how long they waited! We approached the room and knocked. Silence. “And why do you do this?.. So... don’t you answer... But why do you do that...” Twenty minutes, thirty, almost an hour passed. “Well, let’s go.” You can sleep, man. Well, let’s knock next to the stenku.” And time went by, went by, went by... And only in the first hour did someone shout: “Break down the door!” Because the key was sticking out in the lock from the inside and was turned.

Oleg was still alive. There were isolated wheezes in the lungs, foam on the lips. Rare heartbeats, with an interval of 40–50 seconds, are no longer even a pulse. Of course, the ambulance arrived, but it was too late...

Lisa and I went to Kyiv together... Lisa behaved quite courageously. But in the Kiev morgue on Syrtsa she said:

- Go... you... first...

They took out the gurney. Oleg, dressed, was lying on it. In the same denim suit in which he worked at rehearsals with Efros - jacket, trousers. On the chest, on the jeans, there were baked smudges of a gray-brown color. Apparently, when he came to his room on the morning of the 3rd, he just lay down on the bed. Small beard...

It was eerie because of the freshness of the event: not even a day had passed since it all happened...

In Kyiv, Lisa and I lived for two days in the “director’s” suite. We watched as the coffin was loaded into the studio's camera van. We ourselves went to Moscow by train. We returned earlier, on the morning of the 6th, but the car arrived much later...

Oleg was buried on March 7 at Vagankovsky... When they began to lower Oleg, the bells on the Vagankovsky church suddenly rang, and a flock of black crows took off from the darkened bare trees..."

As it turns out a little later, Dahl will be buried in someone else's grave. Next to his gravestone there is another monument, on which it is written: “Here lies the ballerina of the imperial Moscow theaters Lyubov Andreevna Roslavleva (Sadovskaya). She died on November 9, 1904.” When Dahl died, the WTO commission decided to bury him next to the ballerina, whose grave is located in the central part of the cemetery. We started digging. But when the gravediggers reached the ballerina’s coffin, it was decided not to touch it, and for Dahl they dug another hole - exactly between two fences. Therefore, his grave is located under the paths, and not under the gravestone.

E. Dal says: “When Oleg died, we started having big problems. There were long legal proceedings with his sister over the apartment. They helped us, we paid a lot of money to lawyers. This story lasted two years. There are 1,300 rubles left in his savings book. With this money, my mother and I were able to live for a year. I didn’t want to go to work at Mosfilm, where there were so many acquaintances around, and I went to the Soyuzsportfilm studio. I worked there for 11 years..."

This text is an introductory fragment.

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DAL OLEG DAL OLEG (theater and film actor: “My Little Brother” (1962), “The First Trolleybus” (1964), “Zhenya, Zhenechka and Katyusha” (1967), “Chronicle of a Dive Bomber” (1968), “Old , old fairy tale" (1970), "King Lear" (1971), "Shadow" (1972), "Bad Good Man", "Sannikov's Land"

From the book Dossier on the Stars: truth, speculation, sensations, 1962-1980 author Razzakov Fedor

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From the book Passion author Razzakov Fedor

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From the book The Light of Faded Stars. They left that day author Razzakov Fedor

March 3 – Oleg DAL In the galaxy of stars of Soviet cinema, this actor always stood somewhat apart. With his infantile appearance, it would seem that he should have played exclusively reflective intellectuals in films. But he managed to break out of one role and

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From the book For People to Remember author Razzakov Fedor

Oleg Dal Oleg Ivanovich Dal was born on May 25, 1941 in Moscow. His father, Ivan Zinovievich, was a prominent railway engineer, and his mother, Pavel Petrovna, was a teacher. In addition to Oleg, there was another child in the Daley family - daughter Iraida. He spent his childhood in Lyublino, which

From the book Volume 4. Materials for biographies. Perception and assessment of personality and creativity author Pushkin, Alexander Sergeyevich

From the book Four Friends of the Epoch. Memoirs against the backdrop of the century author Obolensky Igor Viktorovich

A hero out of his time. Actor Oleg Dal In March 1981, rumors spread across Moscow: Oleg Dal committed suicide in Kyiv. The death of the most popular young actor - only thirty-nine years old - came as a shock to everyone. A couple of days later they found out that there was no

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Vladimir Mirgorodsky Oleg Dal stunned his brother: “I came to you to die...” Three friends of his youth passed away: Vladimir Vysotsky, Oleg Dal, the last one was Dmitry Mirgorodsky. None of them had official titles, but they were buried as people. On July 20, in front of their daughter

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14. Oleg Dal Oleg Dal was born in the Moscow region into the family of an engineer and a teacher. There are versions that he is a descendant of Vladimir Dahl, the compiler of the famous dictionary.C early childhood Oleg Dal showed a penchant for art - he studied music and painting. On the first try I was

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Oleg Dal There are people who personify the concept of “modern actor”. Oleg Dal was the personification of this concept. Just like Vysotsky. There is no one to compare them with. Both were imbued with life. They themselves experienced it greatly. Dahl dropped so often, and then so much

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Oleg Dal. “I am next...” So life will rush by like a lonely beast. Not marking your path anywhere with a milestone, Nourishing your soul with a ghostly faith, That the memory of you Will remain in the silent steppe, a echoing echo... On the day of the funeral, restless, quiet Oleg wandered detachedly through Taganskaya Square.

Who interests many of his fans, was one of the most striking and controversial figures Soviet theater and cinema. This man was very subtle and vulnerable, even cocky at times. But they forgave him for a lot of things: harshness, maximalism, and sometimes drunkenness. He could start rehearsing, and then, deciding that the film or performance was not good enough, he could refuse the role.

Those around him understood: he was not like everyone else. He has his own path, his own road, which constantly winds between heaven and hell. Famous actor Oleg Dal. Biography, personal life, career, everything that concerned this person certainly has an incredibly bright character.

The decision to enter the theater, or speech impediment

The future artist was born in 1941 on May 25 into a Russian family. As a child, Oleg Ivanovich dreamed of being a pilot, but was unable to enter the aviation institute. And then I decided: since they don’t accept me as pilots, I will become an artist. When the parents found out about this, a scandal began. All relatives on my mother’s side are hereditary teachers and philologists. Oleg's dad is a railway engineer, a party man.

Could they then have imagined what a famous artist Oleg Dal would become? Biography, nationality and other facts from life famous people very often studied by specialists. And there is information that, according to some sources, Oleg Ivanovich is the great-grandson of the famous compiler of the dictionary. It is quite natural that the parents considered the stage a frivolous activity for their son.

In addition, Dahl had a lisp since childhood. But I constantly tried to overcome it. Studied at central house children of railway workers in the art studio. As a result of this, his unusual phrase structure and pauses were born. The specialist taught him how to pronounce words with a little thought. This is how the artist Oleg Dal is born, whose biography will now be associated only with theater and cinematography.

Completion of studies and beginning of a creative journey

After graduating from the Shchepkin School, Oleg Ivanovich ends up in Sovremennik. At that time it was one of the most famous theaters in the country. Then it seemed that Dahl pulled it out. But work in the theater, unfortunately, does not work out. Oleg feels that he is capable of much, he is constantly waiting in the wings, but five years have already passed for long years, and he never had a single serious role in Sovremennik.

I only had to learn some quick introductory roles, when the text was given in the morning, and by the evening the performance was staged on stage. And not a single serious character. Thus, over a long period of time, the actor has accumulated not only a huge amount of unspent energy, but also resentment. Oleg Dal was a very hot-tempered person. His biography includes many stories from his relatives and friends, who characterize him as a rather emotional person. The same thing happened this time, Oleg Ivanovich left the theater, slamming the door.

Salvation in cinema

When there were no serious roles in the theater, cinema saved him. Filming of the film “Zhenya, Zhenechka and Katyusha” began in 1966 in Peterhof. The center of the team was two actors - Oleg Dal and Mikhail Mikhailovich Kokshenov. Both are young, ambitious and completely different. When they found themselves on the set together and started joking, none of those around them could stop laughing.

It happened that after the end of the working day, the artists forgot to hand over their equipment to the costume designer. They were so used to fighting that they continued to play war even after the camera had already turned off. Mikhail Mikhailovich Kokshenov himself often recalls how at that time they wandered around the city in uniform and were stopped by a patrol, asking where they were from.

Character problems, or Filming under police escort

But what was Oleg Dal really like? Biography, personal life, what tormented the actor - all this became interested in people only after his death. And then on the set Oleg Ivanovich was the ringleader, but no one knows what was going on in his soul. Numerous problems that overwhelmed the actor’s soul began to express themselves in binge drinking. The director often deliberately places him with his back to the camera. From drinking the day before, Oleg Ivanovich’s face swells and his eyes become cloudy. And yet everyone forgave him.

In the midst of filming, Oleg Dal again went on a drinking binge. Moreover, he ended up in the police custody and received fifteen days' imprisonment. Director Vladimir Motyl understood that filming was under threat. In order not to disrupt the schedule, he negotiates with the head of the police department and Oleg Ivanovich is brought to the site under escort, and taken away again in the evening.

The dialogue when Dal's character Kolyshkin talked with Zhenechka, sitting in the guardhouse, was filmed during this period. Perhaps that is why he was played so touchingly and authentically. Such was the actor Oleg Dal. The biography, personal life, and filmography of this person were, of course, very colorful. And there is hardly a reader whom this personality will leave indifferent.

The end of filming of a popular film, or How life turns into hell

Oleg Dal was not happy with many things in the world around him, and he didn’t know who to express his dissatisfaction with, and this made him constantly nervous and wound up. With rudeness, mediocrity and narrow-mindedness, Oleg Ivanovich sorted things out with his fists. I had to fight not only in life, but also on the screen. The most famous hand-to-hand scene in the film “Zhenya, Zhenechka and Katyusha” took place in the dugout.

For Dahl, this film brought unprecedented popularity. True, the artist did not have time to enjoy it. For thirty years this painting was banned. And the wording is quite simple. The film is immoral, and the main characters are drunks and hooligans. After filming this film, Dahl's life turned into real hell.

All film studios in the country were prohibited from filming this artist and generally forgetting who Oleg Dal was. His biography indeed contains information that at that time he was on the black list of unwanted artists. But times change, and today this film is shown on every Victory Day.

A new twist of fate, or an unspoken order from management

Dahl was versatile. He could play the Shadow in a children's fairy tale, create the image of a scout, a repeat offender, and even a prince. Oleg Dal was infinitely talented. The biography of this artist, starting in 1978, finally tells about some positive moments in his life. This year he begins work on the film "The Travels of Prince Florizel". The director is confident that Oleg should play the main role in this film.

But it was almost impossible to approve Dahl’s candidacy at the film studio. For all Mosfilm officials, Oleg Ivanovich is persona non grata. Too picky, capricious, arrogant. Other actors are happy with any offer, but Dal refused to work with Kazakov, Ryazanov, Gaidai. At the end of the 1970s, an unspoken order from the management began to apply at the film studio, which stated: for three years, Oleg Ivanovich Dahl should not be filmed anywhere.

The director's persistence and the start of filming

Tatarsky refused to work without Dahl. As a result, the director was given the go-ahead, but warned that Oleg Ivanovich was an uncontrollable artist, inadequate and a heavy drinker. The scandal broke out on the first day of filming during a costume fitting. To fit the jacket selected from the props onto Dahl’s figure, the suit was pinned together at the back.

For Oleg Ivanovich, who was used to looking great, it was a shock. And he refused to play in an old suit that didn’t fit. Dahl believed that the prince should look so that the audience, seeing him on TV, would start dressing the same as him tomorrow. Thus, Prince Florizel on the screen becomes the height of elegance, and Oleg Dal on the set becomes the height of professionalism. Everyone who starred next to him knew: the actor constantly improvises. He is an unpredictable artist.

Filming ended in 1979. Viewers saw the film two years later. Finally, Dahl was happy. At that time, Mosfilm had five films with his participation and all were banned. He understood: the fact that Florizel came out was a miracle. Television, radio and newspapers attacked Oleg Ivanovich, he liked it. He gave interviews with great pleasure. And the journalists were interested in absolutely everything. What is Oleg Dal like? Biography, personal life, children and future plans in cinema.

Pleasant appearance and obnoxious character

Eyes, smile, strong-willed gait, unique way of speaking. Girls were attracted to all this like a magnet. On the set, half the group was in love with him, from the costume designers to the actresses themselves. Fans on the street did not allow Oleg passage. So who was the lucky girl chosen by Oleg Dal? Biography, family, children - these are all things that are always of interest to many fans of the talent of their favorite actor.

Many people loved Oleg Ivanovich Dal, but for a long time he could not find his other half. The artist’s personal life did not work out. The affair with actress Nina Doroshina ended right at the wedding. Dahl lived with his second wife for a little more than six months. It was almost impossible to bear Oleg's character.

Oleg Dal: biography, wife, or In search of personal happiness

It seemed that Dahl had no chance of personal happiness. But on the set of the film there was a meeting that changed his whole life. On August 19, 1969, Oleg Ivanovich met Lisa Eikhenbaum. She worked as an editor on the film. And soon they got married. Introducing her to his colleagues, Dahl always spoke proudly and significantly.

Elizabeth was also very kind to her husband. She always made sure that he was not tired, hungry or cold. Oleg Ivanovich always took his wife with him to filming. This relationship was very tender. This woman was the only one who was able to find an approach to the most talented actor with an obnoxious character.

Another unfulfilled hope

Good artists are often compared to children. In the case of Oleg Ivanovich, this is the best definition. After all, it was almost impossible to outplay Dahl, just like outplaying a child. Filming for the film "September Holiday" began in 1977. When Dahl found out that Lenfilm was preparing this film based on Vampilov’s play “Duck Hunt,” he immediately realized that they would offer him the main role. Naturally, I was waiting for the call.

Melnikov delayed approving the roles until the last minute. When permission to film was received, I called Oleg Dahl. The actor worked selflessly in this film, and this became one of his best roles. However, the finished film was not allowed to be released; it was called decadent and was shelved for eight years. Another shock that Oleg Dal experienced.

The biography and cause of death of a favorite actor are always of interest to many admirers of the talents of Soviet cinema. And very often one can find in the fates of artists of that generation such a disdainful attitude of officials towards their talent. Of course, this always had a negative impact not only on the psychological state of the actors, but also often undermined their health. The film premiered only in 1987, when Oleg Ivanovich was no longer alive.

The last days of the artist's work

What else interests those who know and love such an artist as Oleg Dal? Biography, cause of death and events leading up to his death. “Uninvited Friend” is the latest work of Oleg Ivanovich. During filming, Vladimir Vysotsky passed away. For Dahl this became a sign. He understood that he and Vladimir Semenovich were walking the same road. They worked together on the set of the film “A Bad and a Good Man,” even then Vysotsky more than once warned Oleg Ivanovich against frequent drinking of alcohol.

In 1981, Oleg Dal was offered to star in a lyrical comedy. He is going to Kyiv. On the eve of departure they held last conversation with Evgeny Tatarsky, in which Oleg Ivanovich mentioned how often he dreams of Vladimir Vysotsky and calls him to him. On March 1, Dahl left for the capital of Ukraine, and on the 3rd of the same month he was gone.

They say you can't light a candle at both ends. It then ends too quickly. Oleg Ivanovich burned his candle mercilessly and did it deliberately. I tore my heart into pieces, and it couldn’t stand it. Oleg Dal passed away. The biography, the children that this wonderful man might have had, further creativity and much more that Oleg Ivanovich was capable of, seemed frozen in this moment. He passed away at thirty-nine, but for those who were close to him, who watch films with his participation, he is still alive today.

When on May 25, 1941, the second child appeared in the Daley family - thin Olezhechka - his mother was the happiest in the world. But the war began, and she, along with her tiny son and eldest daughter, had to quickly leave her native Lyublino near Moscow.

Oleg’s sister, Iraida Krylova: “The conductor pushed us in, there were a lot of people, there was nowhere to sit or settle down. Oleg was already wheezing there, because while they were running, he turned over several times. They gave way to his mother, she tried to swaddle him and looked in horror - he was already He was upside down. How she dragged him when he sobbed and cried..."

After the war, the Daley family returned to Lyublino. For a long time, little Oleg had difficulty falling asleep - he kept imagining that planes were flying to bomb the city. And then his mother read to him “The storm covers the sky with darkness...” Mom generally adored her son and was proud of his successes - both when he sang as a soloist in the Dunaevsky choir, and when he played the little Negro Snowball in the drama club, and when he learned to play first the piano, then On guitar. And he wrote the best essays in school. And after finishing his studies, he unexpectedly told his parents that he wanted to become an actor. For this reason, he even got rid of his speech impediment on his own (Oleg had a strong lisp since childhood). And he did, stunning the teachers of “Schipka” with a brilliant reading of Lermontov’s “Mtsyri”.

The talented Dahl, while still a student, began acting in films, then played at the Maly Theater. And he came to Sovremennik, his idol Oleg Efremov, as a big star. It was there that he met his great love, who also became his first wife, actress Nina Doroshina. 22-year-old Oleg fell in love with her so much that he stopped noticing everything around him, including the fact that Nina herself, like all the Sovremennik actresses, was in love with Efremov. But even despite falling madly in love, he could not forgive her for the fact that Efremov took her straight from their wedding. The marriage fell apart, essentially, before it even began. From now on, the actor devoted himself to the theater, which, however, did not spoil him much. But when he was entrusted with the role of Vaska Ash from Gorky’s “At the Depths,” he played with such anguish that almost all of Moscow came running to see him.

Then Oleg had a second marriage. And also unsuccessful. Dahl painfully wanted a family, children, and his second wife, actress Tatyana Lavrova, wanted only one thing - to play in the theater. It was the theater that she loved more than anything in the world... But, in the end, the same woman was found who gave Dahl the long-awaited comfort and family peace - she became Elizaveta Eikhenbaum, the actor’s third wife. She went with him to filming, cooked food, did laundry. In general, she provided a strong family support. Only Oleg - always searching, restless, contradictory - could not calm down. And the reason for this was work in theater and cinema. He left Sovremennik and returned again - because he was constantly in conflict with his colleagues, but still could not live without the theater. And he was still rushing around in search of his film director. And if suddenly everything coincided - both the script and the director, then Dahl, dressed in a defiantly catchy cherry jacket, could tell the director: “The role seems to be not bad. If we agree on positions, maybe I’ll agree.” So, for example, it happened during the auditions for the film “Zhenya, Zhenechka and Katyusha” (1967). True, director Vladimir Motyl hardly managed to defend the candidacy of a talented, but such an “inconvenient” actor on the artistic council (“He has no elemental charm,” “His appearance lacks the Russian national principle,” officials argued.) And he defended it for good reason: the role of Zhenya Kolyshkin remains one of the best in Dahl’s filmography to this day.

Then there was the painting “Sannikov’s Land” (1973), which Dal himself did not like very much - he was not allowed to sing the song “There is only a moment”, giving it to Oleg Anofriev. There was the film "Vacation in September" (1979), in which Dahl dreamed of starring. He believed that the role of Zilov was his and only his, that Vampilov wrote it almost from him. Filmed. Only officials who did not like the actor put the film on the shelf for eight long years. There was also a huge stack of scripts that Dahl rejected because he seemed uninterested. Among them are the legendary “Nameless Star”, “The Irony of Fate, or Enjoy Your Bath!”, “Crew”. For his refusal to star in “The Crew,” the actor generally fell out of favor with Mosfilm officials. Oleg Ivanovich wrote very angrily about this in his diary: “No, I don’t fit into their system. The system of lies and ideological brainwashing. Well, bureaucratic scum, let’s see what’s left of you and what’s left of me.”

The last film for Dahl was “The Uninvited Friend” (1980) by Leonid Maryagin. Maryagin recalls: “Two months, in my opinion, before Oleg’s tragic death, he sent me a letter. The letter was so sad, asking me to think and look for some work, maybe there is something in St. Petersburg or something in others "

IN last years During his life, Oleg Ivanovich served at the Maly Theater. And his only performance in it, it seemed to him, failed miserably. In the evening, he wrote an explanatory note, although no one asked: “I failed the introduction and all the blame lies entirely with me. Irresponsibility for rehearsals, an unacceptable offense - I allowed myself to drink beer before the performance. I assure you, I made tough, uncompromising conclusions.” For him it was a tragedy.

But the real tragedy happened in Kyiv, where Dahl came to audition for two days. That is why he did not take his wife Lisa with him, who constantly looked after him. Having recovered from pneumonia, so thin that without an X-ray all the ribs were visible, bearded (as needed for the tests) - this is exactly how Lisa saw him the last time...

Valentin Gaft: “An artist in Kyiv approached him: “I really want to draw your portrait, when can I do this?” He said: “You have one day at your disposal.” In the evening he went to dinner. And the daughter of one of the artists, when They were at the table, suddenly she said: “Dad, Oleg has the stamp of death on his face. I don’t know whether it’s true or not, but he said that Oleg stayed overnight, didn’t go to the hotel. In the morning, we drank coffee and tea and left.” he didn’t say “goodbye,” but “farewell.” He came to his hotel room and locked himself in. They say he choked on some kind of pill or something... But when they broke the door because he had to go to an audition. but he was not there, he was no longer there..."

Oleg Dal died on March 3, 1981. "Evening" and "Moskovsky Komsomolets" gave two black squares - that's all. Because he was not just popular, not even deserved. But a huge crowd gathered on the square in front of the Maly Theater to say goodbye - no, not to an honored or popular one - but simply to a beloved artist.