The ideological and compositional role of landscape in the early romantic stories of M. Gorky

Oh I'm like a brother

I would be glad to embrace the storm!

M. Yu. Lermontov

Great master words, A. M. Gorky creates beautiful romantic works, which from the very beginning announced the emergence of a bright talent, extraordinary personality. Gorky the writer was interested in unusual heroic characters, sharply contrasting with the gray mass dominating around him.

The heroes of the stories “Makar Chudra” and “Old Woman Izergil” are rebellious and strong individuals, looking for meaning in the reality around them. The setting around them matches the characters: a “damp, cold wind” blew from the sea, “fanning the flames of the fire.” The narrator, the old gypsy Makar Chudra, is a rather unusual and colorful figure. He speaks almost in aphorisms, weightily and categorically expresses his view of life: “So are you walking? This is good! You have chosen a glorious fate, falcon. That’s how it should be: go and look, you’ve seen enough, lie down and die, that’s all!”

In the legend he told about Loiko Zobar and Radda, Chudra’s main position in life is revealed: he values ​​​​freedom above all else. Even a person's life has no meaning if the sol is lost. Chudra speaks poetically and beautifully about freedom, which few can appreciate. This is the lot of only a select few, and the majority do not have time to think about it. “Does he know his will? Is the expanse of the steppe clear? Does the sound of the sea wave make his heart happy? He is a slave as soon as he was born, a slave all his life, and that’s it! What can he do to you? Only he’ll hang himself if he gets a little wiser.”

Makar advises his young interlocutor not to think about life, so as not to stop loving it. The beauty of the surrounding world acts as a contrast between the majesty created by nature and people who are unable or unwilling to appreciate this gift and be content with it. The restless spirit of the story's heroes is emphasized by the magnificent expanse that surrounds them.

The author paints powerful elements: the sea and the steppe. Everything here is full-voiced, there are no halftones. Gorky is looking for worthy hero, embodying the author's idea of strong personality. These searches continued in the story “Old Woman Izergil”. From the antihero Larra, through the fate of Izergil, the author tries to lead the reader to an understanding of the ideal hero Danko. The harsh landscape of an inaccessible forest and fetid swamps do not frighten the hero. Danko is full of love for people, for their sake he is able to sacrifice his life.

But the people cannot appreciate this feat. Weak and timid, people fear the hero himself. That’s why they step on Danko’s burning heart, so that it doesn’t start a fire. What can he bring? Whatever. Fear controls the masses. And the author does not hide this from his readers. Nature is eternal and majestic. She indifferently looks at the pettiness of human concerns and interests, emphasizing the transient human life and the thoughts of people.

The author is delighted with the splendor of the surrounding world. He sees its cosmic scale. From here, human vanity seems almost ridiculous and pathetic, and only a select few, like Danko, are able to rise above the crowd and die for the sake of life, misunderstood and unappreciated: “The proud daredevil Danko cast his gaze ahead of him at the expanse of the steppe, he cast a joyful glance at the free land and laughed proudly. And then he fell and died. People, joyful and full of hope, did not notice his death and did not see that his brave heart was still burning next to the lifeless Danko. Only one cautious person noticed this and, fearing something, stepped on the proud heart with his foot... And now it, scattered into sparks, faded away... That’s where they come from, the blue sparks of the steppe that appear before a thunderstorm!”

Pictures of nature in M. Gorky's early romantic stories not only frame the content and are the background, they are an integral and essential part of the content. Descriptions of nature allow the author to move, as if on a bridge, from topic to topic, decorate the narrative, give scope to the artist’s imagination, and emphasize the beauty of the author’s speech. “It was quiet and dark in the steppe. The clouds kept crawling across the sky, slowly, boringly... The sea rustled dully and sadly.”

Bibliography

To prepare this work, materials from the site were used http://ilib.ru/

The ideological and compositional role of landscape in the early romantic stories of M. Gorky

Oh I'm like a brother

I would be glad to embrace the storm!

M. Yu. Lermontov

A great master of words, A. M. Gorky creates beautiful romantic works, which from the very beginning announced the emergence of a bright talent and an extraordinary personality. Gorky the writer was interested in unusual heroic characters, sharply contrasting with the gray mass dominating around him.

The heroes of the stories “Makar Chudra” and “Old Woman Izergil” are rebellious and strong individuals seeking meaning in the reality around them. The setting around them matches the characters: a “damp, cold wind” blew from the sea, “fanning the flames of the fire.” The narrator is the old gypsy Makar Chudra - a rather unusual and colorful figure. He speaks almost in aphorisms, weightily and categorically expresses his view of life: “So are you walking? This is good! You have chosen a glorious fate, falcon. That’s how it should be: go and look, you’ve seen enough, lie down and die - that’s all!”

In the legend he told about Loiko Zobar and Radda, Chudra’s main position in life is revealed: he values ​​​​freedom above all else. Even a person's life has no meaning if the sol is lost. Chudra speaks poetically and beautifully about freedom, which few can appreciate. This is the lot of only a select few, and the majority do not have time to think about it. “Does he know his will? Is the expanse of the steppe clear? Does the sound of the sea wave make his heart happy? He is a slave - as soon as he was born, he is a slave all his life, and that’s it! What can he do to you? Only he’ll hang himself if he gets a little wiser.”

Makar advises his young interlocutor not to think about life, so as not to stop loving it. The beauty of the surrounding world acts as a contrast between the majesty created by nature and people who are unable or unwilling to appreciate this gift and be content with it. The restless spirit of the story's heroes is emphasized by the magnificent expanse that surrounds them.

The author paints powerful elements: the sea and the steppe. Everything here is full-voiced, there are no halftones. Gorky is looking for a worthy hero who embodies the author’s idea of ​​a strong personality. These searches continued in the story “Old Woman Izergil”. From the antihero Larra, through the fate of Izergil, the author tries to lead the reader to an understanding of the ideal hero - Danko. The harsh landscape of an inaccessible forest and fetid swamps do not frighten the hero. Danko is full of love for people, for their sake he is able to sacrifice his life.

But the people cannot appreciate this feat. Weak and timid, people fear the hero himself. That’s why they step on Danko’s burning heart, so that it doesn’t start a fire. What can he bring? Whatever. Fear controls the masses. And the author does not hide this from his readers. Nature is eternal and majestic. She indifferently looks at the pettiness of human concerns and interests, emphasizing the transient in human life and people's thoughts.

The author is delighted with the splendor of the surrounding world. He sees its cosmic scale. From here, human vanity seems almost ridiculous and pitiful, and only a select few, like Danko, are able to rise above the crowd and die for the sake of life, misunderstood and unappreciated: “The proud daredevil Danko cast his gaze forward to the expanse of the steppe,” he cast a joyful glance at the free land and laughed proudly. And then he fell and died. People, joyful and full of hope, did not notice his death and did not see that his brave heart was still burning next to the lifeless Danko. Only one cautious person noticed this and, fearing something, stepped on the proud heart with his foot... And now it, scattered into sparks, faded away... - That’s where they come from, the blue sparks of the steppe that appear before a thunderstorm!”

Pictures of nature in M. Gorky's early romantic stories not only frame the content and are the background, they are an integral and essential part of the content. Descriptions of nature allow the author to move, as if on a bridge, from topic to topic, decorate the narrative, give scope to the artist’s imagination, and emphasize the beauty of the author’s speech. “It was quiet and dark in the steppe. The clouds kept crawling across the sky, slowly, boringly... The sea rustled dully and sadly.”

Bibliography

To prepare this work, materials from the site http://ilib.ru/ were used

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The ideological and compositional role of landscape in the early romantic stories of M. Gorky

The ideological and compositional role of landscape in the early romantic stories of M. Gorky

Oh I'm like a brother

I would be glad to embrace the storm!

M. Yu. Lermontov

A great master of words, A. M. Gorky creates beautiful romantic works, which from the very beginning announced the emergence of a bright talent and an extraordinary personality. Gorky the writer was interested in unusual heroic characters, sharply contrasting with the gray mass dominating around him.

The heroes of the stories “Makar Chudra” and “Old Woman Izergil” are rebellious and strong individuals seeking meaning in the reality around them. The setting around them matches the characters: a “damp, cold wind” blew from the sea, “fanning the flames of the fire.” The narrator is the old gypsy Makar Chudra - a rather unusual and colorful figure. He speaks almost in aphorisms, weightily and categorically expresses his view of life: “So are you walking? This is good! You have chosen a glorious fate, falcon. That’s how it should be: go and look, you’ve seen enough, lie down and die - that’s all!”

In the legend he told about Loiko Zobar and Radda, Chudra’s main position in life is revealed: he values ​​​​freedom above all else. Even a person's life has no meaning if the sol is lost. Chudra speaks poetically and beautifully about freedom, which few can appreciate. This is the lot of only a select few, and the majority do not have time to think about it. “Does he know his will? Is the expanse of the steppe clear? Does the sound of the sea wave make his heart happy? He is a slave - as soon as he was born, he is a slave all his life, and that’s it! What can he do to you? Only he’ll hang himself if he gets a little wiser.”

Makar advises his young interlocutor not to think about life, so as not to stop loving it. The beauty of the surrounding world acts as a contrast between the majesty created by nature and people who are unable or unwilling to appreciate this gift and be content with it. The restless spirit of the story's heroes is emphasized by the magnificent expanse that surrounds them.

The author paints powerful elements: the sea and the steppe. Everything here is full-voiced, there are no halftones. Gorky is looking for a worthy hero who embodies the author’s idea of ​​a strong personality. These searches continued in the story “Old Woman Izergil”. From the antihero Larra, through the fate of Izergil, the author tries to lead the reader to an understanding of the ideal hero - Danko. The harsh landscape of an inaccessible forest and fetid swamps do not frighten the hero. Danko is full of love for people, for their sake he is able to sacrifice his life.

But the people cannot appreciate this feat. Weak and timid, people fear the hero himself. That’s why they step on Danko’s burning heart, so that it doesn’t start a fire. What can he bring? Whatever. Fear controls the masses. And the author does not hide this from his readers. Nature is eternal and majestic. She indifferently looks at the pettiness of human concerns and interests, emphasizing the transient in human life and people's thoughts.

The author is delighted with the splendor of the surrounding world. He sees its cosmic scale. From here, human vanity seems almost ridiculous and pitiful, and only a select few, like Danko, are able to rise above the crowd and die for the sake of life, misunderstood and unappreciated: “The proud daredevil Danko cast his gaze forward to the expanse of the steppe,” he cast a joyful glance at the free land and laughed proudly. And then he fell and died. People, joyful and full of hope, did not notice his death and did not see that his brave heart was still burning next to the lifeless Danko. Only one cautious person noticed this and, fearing something, stepped on the proud heart with his foot... And now it, scattered into sparks, faded away... - That’s where they come from, the blue sparks of the steppe that appear before a thunderstorm!”

Pictures of nature in M. Gorky's early romantic stories not only frame the content and are the background, they are an integral and essential part of the content. Descriptions of nature allow the author to move, as if on a bridge, from topic to topic, decorate the narrative, give scope to the artist’s imagination, and emphasize the beauty of the author’s speech. “It was quiet and dark in the steppe. The clouds kept crawling across the sky, slowly, boringly... The sea rustled dully and sadly.”

Bibliography

To prepare this work, materials from the site http://ilib.ru/ were used

The ideological and compositional role of the landscape in the early romantic stories of M. Gorky Oh, I, like a brother, would be glad to embrace the storm!

M. Yu. Lermontov Big Mas

More works

Oh I'm like a brother

I would be glad to embrace the storm!

M. Yu. Lermontov

A great master of words, A. M. Gorky creates beautiful romantic works, which from the very beginning announced the emergence of a bright talent and an extraordinary personality. Gorky the writer was interested in unusual heroic characters, sharply contrasting with the gray mass dominating around him.

The heroes of the stories “Makar Chudra” and “Old Woman Izergil” are rebellious and strong individuals seeking meaning in the reality around them. The setting around them matches the characters: a “damp, cold wind” blew from the sea, “fanning the flames of the fire.” The narrator is the old gypsy Makar Chudra - a rather unusual and colorful figure. He speaks almost in aphorisms, weightily and categorically expresses his view of life: “So are you walking? This is good! You have chosen a glorious fate, falcon. That’s how it should be: go and look, you’ve seen enough, lie down and die - that’s all!”

In the legend he told about Loiko Zobar and Radda, Chudra’s main position in life is revealed: he values ​​​​freedom above all else. Even a person's life has no meaning if the sol is lost. Chudra speaks poetically and beautifully about freedom, which few can appreciate. This is the lot of only a select few, and the majority do not have time to think about it. “Does he know his will? Is the expanse of the steppe clear? Does the sound of the sea wave make his heart happy? He is a slave - as soon as he was born, he is a slave all his life, and that’s it! What can he do to you? Only he’ll hang himself if he gets a little wiser.”

Makar advises his young interlocutor not to think about life, so as not to stop loving it. The beauty of the surrounding world acts as a contrast between the majesty created by nature and people who are unable or unwilling to appreciate this gift and be content with it. The restless spirit of the story's heroes is emphasized by the magnificent expanse that surrounds them.

The author paints powerful elements: the sea and the steppe. Everything here is full-voiced, there are no halftones. Gorky is looking for a worthy hero who embodies the author’s idea of ​​a strong personality. These searches continued in the story “Old Woman Izergil”. From the antihero Larra, through the fate of Izergil, the author tries to lead the reader to an understanding of the ideal hero - Danko. The harsh landscape of an inaccessible forest and fetid swamps do not frighten the hero. Danko is full of love for people, for their sake he is able to sacrifice his life.

But the people cannot appreciate this feat. Weak and timid, people fear the hero himself. That’s why they step on Danko’s burning heart, so that it doesn’t start a fire. What can he bring? Whatever. Fear controls the masses. And the author does not hide this from his readers. Nature is eternal and majestic. She indifferently looks at the pettiness of human concerns and interests, emphasizing the transient in human life and people's thoughts.

The author is delighted with the splendor of the surrounding world. He sees its cosmic scale. From here, human vanity seems almost ridiculous and pitiful, and only a select few, like Danko, are able to rise above the crowd and die for the sake of life, misunderstood and unappreciated: “The proud daredevil Danko cast his gaze forward to the expanse of the steppe,” he cast a joyful glance at the free land and laughed proudly. And then he fell and died. People, joyful and full of hope, did not notice his death and did not see that his brave heart was still burning next to the lifeless Danko. Only one cautious person noticed this and, fearing something, stepped on the proud heart with his foot... And now it, scattered into sparks, faded away... - That’s where they come from, the blue sparks of the steppe that appear before a thunderstorm!”

Pictures of nature in M. Gorky's early romantic stories not only frame the content and are the background, they are an integral and essential part of the content. Descriptions of nature allow the author to move, as if on a bridge, from topic to topic, decorate the narrative, give scope to the artist’s imagination, and emphasize the beauty of the author’s speech. “It was quiet and dark in the steppe. The clouds kept crawling across the sky, slowly, boringly... The sea rustled dully and sadly.”

The ideological and compositional role of landscape in the early romantic stories of M. Gorky

To prepare this work, materials from the site http://ilib.ru/ were used

Bibliography

The ideological and compositional role of landscape in the early romantic stories of M. Gorky
Oh I'm like a brother
I would be glad to embrace the storm!
M. Yu. Lermontov
The heroes of the stories “Makar Chudra” and “Old Woman Izergil” are rebellious and strong individuals seeking meaning in the reality around them. The setting around them also matches the characters: a “damp, cold wind” blew from the sea, “fanning the flames of the fire.” The narrator, the old gypsy Makar Chudra, is a rather unusual and colorful figure. He speaks almost in aphorisms, weightily and categorically expresses his view of life: “So you walk? This is good! You have chosen a glorious fate, falcon. That’s how it should be: go and look, you’ve seen enough, lie down and die - that’s all!” In the legend he told about Loiko Zobar and Radda, Chudra’s main position in life is revealed: he values ​​​​freedom above all else. Even a person's life has no meaning if the will is lost. Chudra speaks poetically and beautifully about freedom, which few can appreciate. This is the lot of only a select few, and the majority do not have time to think about it. “Does he know his will? Is the expanse of the steppe clear? Does the sound of the sea wave make his heart happy? He is a slave - as soon as he was born, he is a slave all his life, and that’s it! What can he do with himself? Only he’ll hang himself if he gets a little wiser.”
Makar advises his young interlocutor not to think about life, so as not to stop loving it.
The beauty of the surrounding world acts as a contrast between the majesty created by nature and people who are unable or unwilling to appreciate this gift and be content with it. The restless spirit of the story's heroes is emphasized by the magnificent expanse that surrounds them. The author paints powerful elements: the sea and the steppe. Everything here is full-voiced, there are no halftones. Gorky is looking for a worthy hero who embodies the author’s idea of ​​a strong personality. These searches continued in the story “Old Woman Izergil”.
From the antihero Larra, through the fate of Izergil, the author tries to lead the reader to an understanding of the ideal hero - Danko. The harsh landscape of an inaccessible forest and fetid swamps do not frighten the hero. Danko is full of love for people, for their sake he is able to sacrifice his life. But the people cannot appreciate this feat. Weak and timid, people fear the hero himself. That’s why they step on Danko’s burning heart, so that it doesn’t start a fire. What can he bring? Whatever. Fear controls the masses. And the author does not hide this from his readers.
Nature is eternal and majestic. She indifferently looks at the pettiness of human concerns and interests, emphasizing the transient in human life and people's thoughts. The author is delighted with the splendor of the surrounding world. He sees its cosmic scale. From here, human vanity seems almost ridiculous and pitiful, and only a select few, like Danko, are able to rise above the crowd and die for the sake of life, misunderstood and unappreciated: “The proud daredevil Danko cast his gaze forward to the expanse of the steppe,” he cast a joyful glance at the free land and laughed proudly. And then he fell and died. People, joyful and full of hope, did not notice his death and did not see that his brave heart was still burning next to the lifeless Danko. Only one cautious person noticed this and, fearing something, stepped on the proud heart with his foot... And then it, scattered into sparks, died out...
“That’s where they come from, the blue sparks of the steppe that appear before a thunderstorm!”
Pictures of nature in the early romantic stories of M. Gorky not only
frame the content and are the background; they are an integral and essential part of the content. Descriptions of nature allow the author to move, as if on a bridge, from topic to topic, decorate the narrative, give scope to the artist’s imagination, and emphasize the beauty of the author’s speech.
“It was quiet and dark in the steppe. The clouds kept crawling across the sky, slowly, boringly... The sea made a dull and sad noise.”