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Pechorin's love for Vera is a great and sincere feeling. The consciousness that he is losing Verun forever causes an irresistible desire to hold on to the “lost happiness.” Pechorin's sincere impulse, his excitement, forcing the hero to madly drive his horse, determines the nature of the story. Everything here is movement! Pechorin is in a hurry, worried, he has no time for the pictures flashing before his eyes, he does not write about them because he does not notice the surrounding nature. One thought dominates him: to catch up with Vera at all costs. The choice of words and the nature of sentences expresses this desire. The Pechora moves and does not describe anything, and therefore there are no adjective definitions in the text, but it is maximally saturated with verbs (there are thirteen verbs for five sentences).
Since the hero has no time to think, the general syntactic structure of the passage being analyzed seems natural: simple and terse sentences, often interrupted by ellipses, as if Pechorin, in a hurry, does not have time to think out or finish the thought. The hero’s excitement determines the emotionality of intonations; many sentences end exclamation marks. There are repetitions that emphasize the power of Pechorin’s experiences: “one minute, one more minute to see her...”, “...Faith has become more dear to me than anything in the world, more valuable than life, honor, happiness" . Emotionality is manifested not only in exclamatory intonations, but also in the selection of words. Most of them mean human feelings and experiences. These are the nouns “impatience”, “worry”, “despair”, “happiness” and the verbs “cursed”, “cried”, “laughed”, “jumped, gasping for breath”.
The expressiveness of this passage is great, although there are almost no epithets, metaphors, comparisons here, except for a very convincing and weighty metaphorical comparison: “The thought... hit my heart with a hammer.” The description of the race, the hero's despair, his tears is one of the most moving places in the story. And how much this scene means for understanding Pechorin! Not a cold and calculating egoist, not a skeptic indifferent to himself and others, but a living, deeply feeling, endlessly suffering from loneliness and the inability to maintain happiness - this is the hero here.
The episode of farewell to Mary is also important for understanding Pechorin. It is often viewed incorrectly, believing that here the hero consistently brings a cruel game to the end, enjoying the opportunity to torment his victim once again. Indeed, Pechorin speaks merciless words to Mary and explains himself “frankly and rudely.” But, if you think about it, would it have been better for Mary if he, not considering it possible to get married, had left the girl with doubt as to whether she was loved? In this case, it would have been much more difficult for Mary to overcome her love for Pechorin because he would have remained a mystery in her eyes, a noble hero who stood up for her honor, but for some unknown reason refused her hand. The cruel truth is more likely to heal her than a kind lie. Maybe Pechorini understands this? His words are hardly accidental: “You see, I play the most pitiful and disgusting role in your eyes, and I even admit it; that’s all I can do for you.” Is it possible to take the hero’s phrase with full faith: “Princess... you know, . that I laughed at you! ..”
After all, he laughed at Grushnitsky, but in his relationship with Mary there was a conscious game, which often captivated Pechorin himself, but not mockery. Contrary to this external cruelty is the feeling of pity and excitement that took possession of Pechorin when He saw the pale, emaciated Mary. “... Another minute and I would have fallen at her feet,” writes the hero.
Pechorin's love for Vera is a great and sincere feeling. The consciousness that he is losing Faith forever causes an irresistible desire to retain the “lost happiness.” Pechorin's sincere impulse, his excitement, forcing the hero to madly drive his horse, determines the nature of the story. Everything here is movement! Pechorin is in a hurry, worried, he has no time for the pictures flashing before his eyes, he does not write about them because he does not notice the surrounding nature. One thought dominates him: to catch up with Vera at all costs. The choice of words and the nature of sentences expresses this desire. Pechorin acts, moves and does not describe anything, and therefore there are no adjective definitions in the text, but it is maximally saturated with verbs (there are thirteen verbs for five sentences).
Since the hero has no time to think, the general syntactic structure of the passage being analyzed turns out to be natural: simple and laconic sentences, often interrupted by ellipses, as if Pechorin, in a hurry, does not have time to think out or finish the thought. The hero’s excitement determines the emotionality of the intonations; many sentences end with exclamation marks. There are repetitions that emphasize the strength of Pechorin’s experiences: “one minute, one more minute to see her...”, “.... Faith has become dearer to me than anything in the world, dearer than life, honor, happiness.” Emotionality manifests itself not only in exclamatory intonations, but also in the selection of words. Most of them denote human feelings and experiences. These are the nouns “impatience”, “worry”, “despair”, “happiness” and the verbs “cursed”, “cried”, “laughed”, “jumped, gasping for breath”.
The expressiveness of this passage is great, although there are almost no epithets, metaphors, comparisons here, except for a very convincing and weighty metaphorical comparison: “The thought... hit my heart with a hammer.” The description of the race, the hero's despair, his tears is one of the most moving places in the story. And how much this scene means for understanding Pechorin! Not a cold and calculating egoist, not a skeptic indifferent to himself and others, but a living, deeply feeling, endlessly suffering from loneliness and the inability to maintain happiness - such is the hero here.
The episode of farewell to Mary is also important for understanding Pechorin. It is often misconstrued as the hero consistently completing a cruel game, enjoying the opportunity to once again torture his victim. Indeed, Pechorin speaks merciless words to Mary and explains himself “frankly and rudely.” But, if you think about it, would it be better for Mary if he, not considering it possible to marry, left the girl with doubt about whether she was loved? In this case, it would have been much more difficult for Mary to overcome her love for Pechorin because he would have remained a mystery in her eyes, a noble hero who stood up for her honor, but for some reason unknown to her, refused her hand. A hard truth is more likely to cure her than a kind lie. Maybe Pechorin understands this? His words are hardly accidental: “You see, I play the most pathetic and disgusting role in your eyes, and I even admit it; that’s all I can do for you.” Is it possible to take the hero’s phrase with full faith: “Princess... you know... that I laughed at you!...”
After all, he laughed at Grushnitsky, but in his relationship with Mary there was a conscious game, which often captivated Pechorin himself, but not mockery. Contrary to this external cruelty is the feeling of pity and excitement that took possession of Pechorin when He saw the pale, emaciated Mary. “... Another minute and I would have fallen at her feet,” writes the hero.
The novel “A Hero of Our Time” shows a portrait of not one person, but an entire generation, made up of vices. the main role is assigned to Pechorin, but it is the other characters in the novel with whom he had to intersect in life that allow us to better understand inner world this person, the depth of his soul.
The relationship between Pechorin and Princess Mary is one of the brightest storylines novel. They began casually, ending quickly and tragically. Once again, showing Pechorin as a man with a callous soul and a cold heart.
Acquaintance
The first meeting of Pechorin and Princess Mary took place in Pyatigorsk, where Grigory was sent after completing another military mission. The princess and her mother underwent treatment with the mineral waters of Pyatigorsk.
The princess and Pechorin constantly revolved in secular society. A common circle of friends brought them together at one of the meetings. Grigory stirred up interest in his person, deliberately teasing the girl, ignoring her presence. He saw that she paid attention to him, but Pechorin was much more interested in watching how she would behave next. He knew women very well and could calculate several steps ahead how the acquaintance would end.
He took the first step. Pechorin invited Mary to dance, and then everything had to go according to the scenario he had developed. It gave him unprecedented pleasure to lure his next victim, allowing her to get carried away. The girls fell in love with the handsome military man, but quickly got bored and he, pleased with himself, with a feeling of complete self-satisfaction, put another tick on his record of love affairs, happily forgetting about them.
Love
Mary truly fell in love. The girl did not understand that the toy was in his hands. Part of the insidious heartthrob's plan. Pechorin benefited from meeting her. New emotions, sensations, a reason to distract the public from the affair with Vera, married woman. He loved Vera, but they could not be together. Another reason to hit on Mary, to make Grushnitsky jealous. He was truly in love with the girl, but his feelings remained unanswered. Mary did not love him and was unlikely to love him. In the current love triangle he is clearly superfluous. In retaliation for unrequited feelings, Grushnitsky spread dirty rumors about the affair between Pechorin and Mary, ruining her reputation. He soon paid for his vile act. Pechorin challenged him to a duel, where the bullet reached its target, killing the liar outright.
The final
After what happened, Mary began to love Pechorin even more. She believed that his action was noble. After all, he defended her honor, making it clear that she had been slandered. The girl was waiting for confessions from Gregory, tormented by love and the feelings that gripped her. Instead, he hears the bitter truth that he never loved her and certainly had no intention of marrying her. He achieved his goal by breaking the heart of another victim of his love spells. She hated him. The last phrase heard from her was
"…I hate you…".
Once again, Pechorin acted cruelly towards loved ones, stepping over their feelings and trampling on love.
Pechorin and Vera are the heroes with whom the love line is connected in the novel by M. Yu. Lermontov “A Hero of Our Time”. Pechorin's attitude towards Vera most fully reveals his personality central character and his attitude towards women in general.
Start of a relationship
Vera and Gregory met even before the moment of the story. The author does not describe in detail what happened before, but says that the relationship between Pechorin and Vera was filled with passion. From the conversation between the characters, it is clear that they met when Vera was married. The heroine admits that Pechorin brought her only misfortune: “Since we have known each other, you have given me nothing but suffering.” He only tormented her with “empty doubts and feigned coldness.”
Meeting of heroes
Pechorin learns that a woman with a mole on her cheek has arrived in the Caucasus. He immediately understands that this is Vera. The news of her appearance made Pechorin think about his true emotions: “Why is she here? And is she? And why do I think it's her?
And why am I even so sure of this? Are there not enough women with moles on their cheeks?
Grigory Alexandrovich meets with Vera, and their feelings flare up with renewed vigor. The heroes see each other in secret from everyone, because Vera is married to a man whom she does not love, but respects.
Vera tells Pechorin that she loved him and still loves him: “You know that I am your slave; I never knew how to resist you.”
As a result, Vera's husband learns about the relationship between Pechorin and Vera, and a quarrel occurs between him and his wife. However, Vera doesn’t even remember what they talked about, what she answered. Vera says that perhaps she told him that she still loves Pechorin.
All this forces Vera’s husband to decide to leave Kislovodsk. Vera writes a farewell letter to Pechorin and leaves. In the letter, the heroine admits to Pechorin that she will never love anyone else again, because her soul has “exhausted” all “its treasures, its tears and hopes” on him.
Lyubov Pechorina
Pechorin confesses his feelings to Werner: “I recognize in your portrait a woman whom I loved in the old days...”.
Faith played a huge role in Pechorin’s life, because she alone was able to understand the true essence of the hero: “This is the one woman who understood me completely, with all my minor weaknesses and bad passions.” That is why his relationship with her is not similar to love affairs with other women. We can say that Vera was the only woman whom Pechorin loved in his life.
Although Vera said that Pechorin “loved her as property, as a source of joys, anxieties and sorrows, replacing each other, without which life is boring and monotonous,” he cannot live without her love. He thinks why she doesn’t want to see him, because “love, like fire, goes out without food.”
When Vera leaves, he tries to catch up with her and drives his horse to death. This suggests that Faith was of great importance to him. This is not a short-term romance, but a long-term feeling.
After the breakup main character the novel “A Hero of Our Time” understands that he has lost his happiness, that her “bitter farewell kiss” cannot bring joy, because then it will be even more painful for them to part. Pechorin sincerely experiences the tragic ending of the relationship. However, many of his actions towards Vera speak of his selfishness and pride. The hero was unable to build a relationship with the woman who loved him, because he was alone in the whole world, and he understood it. The relationship with Vera was a past for him, which he was destined to part with.
This article, which will help you write an essay on the topic “Pechorin and Vera,” will examine in detail the history of the relationship between the characters in the novel “A Hero of Our Time.”
Work test
Mikhail Yuryevich Lermontov can rightfully be called a great personality, a brilliant poet and prose writer. Despite his early death, he left his descendants a huge literary heritage.
Lermontov's novel “Hero of Our Time” is called innovative. In describing the character of his main character, Pechorin, the author used deep psychologism. This was a great innovation.
Taking the theme of Pushkin's novel in verse as a basis, Lermontov created a unique work, unlike anything else. His novel consists of several stories arranged contrary to chronological order. First we see the hero through the eyes of other characters, then he himself analyzes his soul in his diary. Perhaps the most profound character of Pechorin appears before the reader in the story “Princess Mary”.
Pechorin met the young princess in Kislovodsk. His blood was stirred by the opportunity to lure her attention from the pretentious Grushnitsky to himself. But the hero began to play again. The further he went, the more he wanted absolute power over the personality of the young girl. In relation to Mary, Pechorin does not see the lines between good and evil and does not recognize any moral restrictions. Through precise calculation, he makes the princess fall in love with him and even, it seems, is carried away by her himself.
But these feelings, like everything that Pechorin experiences, turned out to be short-lived. However, the girl is in love. She does not fully understand the nature of Pechorin’s feelings for her and brings herself to a nervous breakdown. The hero realizes that he has played too much, and it’s time to “dot the i’s.” Before leaving for fortress N, he comes to Mary to explain himself.
When the princess comes out to Pechorin, we see how sick she is: “Having reached the middle of the room, she staggered... Her large eyes, filled with inexplicable sadness, seemed to be looking for something similar to hope in mine... Her gentle hands folded on her knees, were so thin and transparent that I felt sorry for her.”
Love did not bring the expected joy, delight, or happiness. Along with these emotions came suffering, uncertainty, and constant nervous tension. It is important to note that in the hero’s soul there is not a “spark of love for dear Mary.” He feels only pity for the victim of his vanity and selfishness.
How to help a girl stop loving herself? Drown out love in her with hatred and contempt. This is exactly what Pechorin decided to do. He admits to Mary that he laughed at her, pretending to be a lover, and leads her to the conclusion: “Consequently, you cannot love me...”. I don’t think the princess expected such a turn of events. This is evidenced by her behavior: “She turned away, leaned her elbows on the table, covered her eyes with her hand, and... tears flashed in them.”
Pechorin admits to himself that at that moment he was ready to fall at her feet. This means that feelings still live in this person, which he often hides from himself. If Mary were indifferent to him, he would not feel sorry for her so keenly. And this pity indirectly speaks of the hero’s repentance. He began his game by attracting the attention of a young girl. All the moves in this game were planned out in advance. Pechorin did not expect only one thing - his passion for the princess. Then, at one moment, it seemed to the hero that he himself had fallen in love. But, as always, this was not for long.
The tenderness remaining inside makes Pechorin’s explanation with Mary very difficult. He again plays the role, not allowing himself to show true emotions. Therefore, the hero pronounces the most cruel phrases “with a forced grin” and “a firm voice.”
Grigory Alexandrovich tells Mary about the impossibility of marrying her: “You yourself see that I cannot marry you, even if you wanted this now, you would soon repent.” Pechorin is not lying in this phrase. Indeed, his marriage to the princess would have brought nothing but suffering to the young girl. The hero is aware of his inconstancy in feelings. He could be happy with Mary for a very short time. Then the long-familiar boredom would set in.
Pechorin tramples Mary’s love, helping her quickly get rid of this feeling: “You see, I play the most pitiful and disgusting role in your eyes, and I even admit it; that's all I can do for you... You see, I am low to you. Isn’t it true, even if you loved me, from now on you despise me?” Of course, his words had the desired effect. “I hate you,” Mary says to Pechorin. At this point the heroes part.
Pechorin explained to Mary. Was this act honest? Maybe. But now this young girl will feel deceived and insulted in her best feelings for a long time. Her life is just beginning, but after Pechorin she will be poisoned by distrust of others. Mary will probably never be happy again. Pechorin’s act is cruel not even because he deceived the young princess, but because with his cruel game he ruined her young life. Mary will remember this terrible lesson for a long time.
Essay on literature on the topic: Pechorin’s last conversation with Princess Mary (analysis of an episode from the chapter “Princess Mary” of M. Yu. Lermontov’s novel “A Hero of Our Time”)
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