Essay on the topic “Famus society. Famus society essay What blames Famus in modern society

The comedy "Woe from Wit" was written by Griboyedov in 1824. It gives a general picture of the entire Russian life of the 10-20s of the 19th century, reproduces the eternal struggle between old and new, which unfolded with particular force at that time not only in Moscow, but throughout Russia between two camps: progressive, Decembrist-minded people “of the present century” and serf-owners, representatives of the “past century”.

All comedy images are deeply realistic. Famusov, Skalozub, Molchalin, Khlestova, the rogue Zagoretsky - they are all a reflection of reality. These people are stupid and selfish, afraid of enlightenment and progress, their thoughts are focused only on acquiring honors and titles, wealth and outfits, they form a single camp of reaction that tramples all living things.

Famus Society traditionally. His principles of life are such that he must learn, “looking at his elders,” destroy free-thinking thoughts, serve with obedience to his superiors, and most importantly, be rich. The ideals of this society are presented in Famusov’s monologues:

...here's an example:

The deceased was a venerable chamberlain,

With the key, he knew how to deliver the key to his son;

He was rich and married to a rich woman;

Married children, grandchildren;

He died, everyone remembers him sadly.

Kuzma Petrovich! Peace be upon him! -

What kind of aces live and die in Moscow!..

Famusov, an old Moscow nobleman, earned general favor in capital circles. He is friendly, courteous, witty, cheerful. But this is only the external side. The author reveals the image of Famusov comprehensively. This is not only a hospitable host, but also a convinced serf owner, a fierce opponent of enlightenment. “They would take all the books and burn them,” he says.

Chatsky, a representative of the “present century,” dreams of “injecting a mind hungry for knowledge into science.” He is outraged by the rules established in Famus society, since it evaluates a person by his origin and the number of serf souls. Famusov himself dreams of marrying off his daughter Sophia at a better price and says to her: “Ah! Mother, don’t finish the blow! Anyone who is poor is not a match for you.” And then he adds: “For example, we have had it since ancient times that honor is given to father and son; be bad, but if there are two thousand family souls, that’s the groom.” Unlike representatives of Famus society, Chatsky longs for “sublime love, before which the whole world is dust and vanity.”

The relationship between Chatsky and Famus society reveals the views of the “past century” on careers, on service, on what is most valued in people. Famusov takes only relatives and friends into his service. He respects flattery and sycophancy. He wants to convince Chatsky to serve, “looking at the elders,” “putting up a chair, raising a handkerchief.” To this Chatsky objects: “I would be glad to serve, but being served is sickening.” He takes service very seriously. And if Famusov treats it formally, bureaucratically (“signed, off your shoulders”), then Chatsky says: “When in business, I hide from fun, when fooling around, I’m fooling around, and mixing these two crafts is a darkness of artificers, I don’t from among them."

Famusov worries about affairs only on one hand, fearing to death “so that a lot of them do not accumulate.” He does not consider his servants to be people, he treats them rudely, he can sell them, send them to hard labor. He calls them donkeys, blockheads, calls them Parsleys, Filkas, Fomkas. Thus, representatives of Famus society treat service as a source of personal benefits, service to “persons”, and not to “cause”.

Chatsky strives to serve the fatherland, “the cause, not the persons.” He despises Silent, who is accustomed to “pleasing all people without exception - the owner where I happen to live, the boss with whom I will serve, his servant who cleans dresses, the doorman, the janitor, to avoid evil, the janitor’s dog, so that it is affectionate.” Everything in Molchalin: both behavior and words - emphasize the cowardice of the immoral careerist. Chatsky speaks bitterly about such people: “Silent people are blissful in the world!” It is Molchalin who arranges his life best of all. He is also talented in his own way. He earned Famusov's favor, Sophia's love, and received awards. He values two qualities of his character most of all: “moderation and accuracy.” For Famusov and his circle, the opinion of the world is sacred and infallible; the most terrible thing is “what Princess Marya Aleksevna will say!”

Another prominent representative of the Famus society is Skalozub. This is exactly the kind of son-in-law Famusov dreamed of having. After all, Skalozub is “both a golden bag and aims to be a general.” This character embodied the typical features of a reactionary of Arakcheev’s time. “A wheeze, a strangled man, a bassoon, a constellation of maneuvers and a mazurka,” he is as much an enemy of education and science as Famusov. “You can’t faint with your learning,” says the colonel.

It is quite obvious that the very atmosphere of Famus society forces representatives younger generation show your negative qualities. So, Sophia uses her sharp mind to outright lie, unwittingly spreading the rumor about Chatsky’s madness. Sophia fully corresponds to the morality of the “fathers”. And although she a smart girl, with a strong, independent character, a warm heart, a dreamy soul, all the same, false upbringing instilled in Sophia many negative qualities, making her a representative of the generally accepted views in this circle. She does not understand Chatsky, does not appreciate his sharp mind, his criticality. She also did not understand Molchalin, who “loves her because of his position.” It is not her fault that Sophia has become a typical young lady in Famus’ circle. The society in which she was born and lived is to blame, “she was ruined, in the stuffiness, where not a single ray of light, not a single stream of fresh air penetrated” (I. A. Goncharov. “A Million Torments”).

"So! I’ve become completely sober,” says Chatsky at the end of the comedy. What is this - defeat or insight? Yes, the ending of the comedy is far from cheerful, but Goncharov is right when he said: “Chatsky is broken by the number old power, inflicting a mortal blow on her with the quality of fresh strength.” And I completely agree with Goncharov, who believes that the role of all Chatskys is “suffering”, but at the same time always “victorious”. Chatsky opposes the society of ignoramuses and serf owners. He fights against noble scoundrels and sycophants, swindlers, cheats and informers. In his famous monologue “Who are the judges?..”, he denounces the vile and vulgar world of Famus, in which the Russian people turned into an object of purchase and sale, where landowners even exchanged serfs for dogs:

That Nestor of noble scoundrels,

Surrounded by a crowd of servants;

Zealous, they are in the hours of wine and fights

And his honor and life saved him more than once: suddenly

He traded three greyhounds for them!!!

Chatsky protects the real ones human qualities: humanity and honesty, intelligence and culture. He protects the Russian people, his Russia from everything inert and backward. Chatsky wants to see Russia literate and enlightened. He defends his point of view in disputes and conversations with all the characters in the comedy “Woe from Wit,” directing all his intelligence and determination to this. Therefore, the environment takes revenge on Chatsky for the truth, for trying to disrupt the usual way of life. The “past century,” that is, Famus society, is afraid of people like Chatsky, because they encroach on the order of life that is the basis of their well-being. Chatsky calls the past century, which Famusov admires so much, the century of “humility and fear.”

The Famus society is strong, its principles are firm, but Chatsky also has like-minded people. This is Skalozub’s cousin (“The rank followed him: he suddenly left his service and began reading books in the village”), the nephew of Princess Tugoukhovskaya. Chatsky himself constantly says “we,” “one of us,” thus speaking not only on his own behalf. So A. S. Griboedov wanted to hint to the reader that the time of the “past century” is passing, it is being replaced by the “present century”, strong, smart, educated.

Famus Society

The comedy "Woe from Wit" was written by Griboyedov in 1824. It gives a general picture of the entire Russian life of the 10-20s of the 19th century, reproduces the eternal struggle between old and new, which unfolded with particular force at that time not only in Moscow, but throughout Russia between two camps: the progressive, Decembrist-minded people of the “century” present" and serf-owners (people of the "past century").

All the images created by G-dov in the comedy are deeply realistic. Famusov, Skalozub, Molchalin, Khlestova, the rogue Zagoretsky and all the others are a reflection of reality. These people, stupid and selfish, afraid of enlightenment and progress, their thoughts are focused only on acquiring honors and titles, wealth and outfits, they form a single camp of reaction that tramples all living things. “The Past Century” in the comedy is represented by a number of bright types. These are Famusov, Skalozub, Repetilov, and Molchalin.

F-th society is traditional. His principles of life are such that he must learn, “looking at his elders,” destroy free-thinking thoughts, serve with obedience to persons standing a step higher, and most importantly, be rich. The ideal of this society is in Famusov's monologues Uncle Maxim Petrovich and Kuzma Petrovich: ... here is an example: The deceased was a respectable chamberlain, With a key, and he knew how to deliver the key to his son; Rich, and married to a rich woman; Married children, grandchildren; Died; everyone remembers him sadly. Kuzma Petrovich! Peace be upon him! - What kind of aces live and die in Moscow!..

At the head of the entire society is the figure of Famusov, an old Moscow nobleman who has earned general favor in the capital's circles. He is friendly, courteous, witty, cheerful. But this is only the external side. The author reveals the image of Famusov comprehensively. This is not only a hospitable host, but also a convinced serf owner, a fierce opponent of enlightenment. “They would take all the books and burn them,” he says. Chatsky, a representative of the “present century,” dreams of “injecting a mind hungry for knowledge into science.” He is outraged by the rules established in the f-th society, since it evaluates a person by his origin and the number of serf souls he has. Famusov himself dreams of marrying off his daughter Sophia at a better price and says to her: “Oh, mother, don’t finish the blow! Anyone who is poor is not a match for you.” And then he adds: “For example, from time immemorial it has been our practice that honor is given to father and son: be poor, but if there are two thousand souls from the family, he is the groom.” Unlike the representatives of the f-th society, Chatsky longs for “sublime love, before which the whole world is dust and vanity.”

In the relationship between Chatsky and the f-go society, the views of the “past century” on careers, on service, on what is most valued in people are revealed and ridiculed. In other words, Chatsky despises them. Famusov takes only relatives and friends into his service. He respects flattery and sycophancy. He wants to convince Chatsky to serve, “looking at the elders,” “putting up a chair, raising a handkerchief.” To this Chatsky objects: “I would be glad to serve, but being served is sickening.” Chatsky takes service very seriously. And if Famusov treats it formally, bureaucratically (“it’s signed, off your shoulders”), then Chatsky says: “When in business, I hide from fun, when fooling around, I’m fooling around, and mixing these two crafts is a darkness of experts, I don’t from among them." Famusov worries about affairs only on one hand, fearing to death “so that a lot of them do not accumulate.” He does not consider his servants to be people, he treats them rudely, he can sell them, send them to hard labor. He scolds them as donkeys, logs, calls them Parsleys, Filkas, Fomkas. Thus, representatives of the f-go society treat service as a source of personal benefits, service to individuals, and not to business.

Chatsky strives to serve the fatherland, “the cause, not the persons.” He despises Molchalin, who is accustomed to “pleasing all people without exception - the owner where I happen to live, the boss with whom I will serve, his servant who cleans dresses, the doorman, the janitor, to avoid evil, the janitor’s dog, so that he is affectionate.” Everything in Molchalin: both behavior and words - emphasize the youthfulness of an immoral person making a career. Chatsky speaks bitterly about such people: “Silent people are blissful in the world!” It is Molchalin who arranges his life better than anyone else. He is also talented in his own way. He earned Famusov's favor, Sophia's love, and received three awards. He values two qualities of his character most of all: “moderation and accuracy.” For Famusov and his circle, the opinion of the world is sacred and infallible; the most terrible thing is “what Princess Marya Aleksevna will say!”

Another prominent representative of the f-th society is Skalozub. This is exactly the kind of son-in-law Famusov dreamed of having. After all, Skalozub is “both a golden bag and aims to be a general.” This character embodied the typical features of a reactionary of Arakcheev’s time. “A wheeze, a strangled man, a bassoon, a constellation of maneuvers and a mazurka,” he is as much an enemy of education and science as Famusov. “You can’t be fooled by learning,” says Skalozub. It is quite obvious that the very atmosphere of the f-th society forces representatives of the younger generation to show their negative qualities.

So, Sophia uses her sharp mind to outright lie, spreading rumors about Chatsky’s madness. Sophia fully corresponds to the morality of the “fathers”. And although she is an intelligent girl, with a strong, independent character, a warm heart, and a dreamy soul, her false upbringing still instilled in Sophia many negative qualities and made her a representative of the generally accepted views in this circle. She does not understand Chatsky, she has not grown up to him, to his sharp mind, to his logical, merciless criticism. She also does not understand Molchalin, who “loves her because of his position.” It is not her fault that Sophia has become a typical young lady of the f-th society. The society in which she was born and lived is to blame, “she was ruined, in the stuffiness, where not a single ray of light, not a single stream of fresh air penetrated” (Goncharov “A Million Torments”).

Another comedy character is very interesting. This is Repetilov. He is a completely unprincipled person, an “idler,” but he was the only one who considered Chatsky to be “highly intelligent” and, not believing in his madness, called Famus’s pack of guests “chimeras” and “game.” Thus, he was at least one step above them all. "So! I’ve completely sobered up,” says Chatsky at the end of the comedy. What is this - defeat or insight? Yes, the end of this work is far from cheerful, but Goncharov is right when he said about the ending this way: “Chatsky is broken by the amount of old power, having dealt it in turn a fatal blow with the quality of fresh power.” And I completely agree with Goncharov, who believes that the role of all Chatskys is “passive”, but at the same time always “victorious”.

Chatsky opposes the society of ignoramuses and serf owners. He fights against noble scoundrels and sycophants, swindlers, cheats and informers. In his famous monologue “And who are the judges?..”, he tore off the mask from the vile and vulgar Famus world, in which the Russian people turned into an object of purchase and sale, where landowners even exchanged serfs for dogs: That Nestor of noble scoundrels, Surrounded by a crowd of servants; Zealous, they saved his honor and life more than once during the hours of wine and fights: suddenly he traded three greyhounds for them!!!

Chatsky defends a real person, humanity and honesty, intelligence and culture. He protects the Russian people, his Russia from a bad, inert and backward society. Chatsky wants to see Russia literate and cultural. He defends this in arguments, conversations with everyone actors comedy "Go", directing all his intelligence, wit, evil, temper and determination to this. Therefore, those around him take revenge on Chatsky for the truth, which hurts his eyes, for his attempt to disrupt the usual way of life. The “past century,” that is, the society, is afraid of people like Chatsky, because they encroach on the order of life that is the basis of the well-being of this society. Chatsky calls the past century, which Famusov admires so much, the century of “humility and fear.” The community is strong, its principles are firm, but Chatsky also has like-minded people. These are the persons mentioned: Skalozub’s cousin (“The rank followed him: he suddenly left his service and began reading books in the village.”), nephew of Princess Tugoukhovskaya. Chatsky himself constantly says “we,” “one of us,” thus speaking not only on his own behalf. So ASG-dov wanted to hint to the reader that the time of the “past century” is passing, it is being replaced by the “present century”, strong, smart, educated.

Griboedov's comedy “Woe from Wit” is an invaluable masterpiece in Russian literature. This work describes the noble society of the 19th century. The main character of this comedy is Alexander Andreevich Chatsky - an intelligent, free-thinking young man. The author in the work contrasts Famus’s society with him, thereby showing us the contradictions between the “Century of the Present” and the “Century of the Past.”
The most prominent representative of the Famusov society is Pavel Afanasyevich Famusov. This is a person who does not like service and works only for rewards. Famus society included people who lived according to established customs. The main task in their life was to gain a high rank and a high position in society in order to “win awards and live a fun life.” These people are ardent serf owners, capable of killing and robbing people and controlling their fate. Chatsky furiously unleashes his anger on these people. He does not accept their beliefs and does not believe in the laws of old Moscow. Chatsky responds to Famusov’s story about his late uncle Maxim Petrovich with a remark characterizing Catherine’s age as “the age of obedience and fear.” Chatsky advocates the abolition of serfdom. He is very outraged that peasants are not considered people, that they can be exchanged for some things or sold. He indignantly talks about how one landowner sold the serf ballet for debts, and another exchanged his best servants for greyhounds. I am also greatly outraged by the imitation of the nobles to the West. Chatsky noticed that the doors of noble houses are always open for foreign guests. Thus, a Frenchman from Bordeaux, who was going to the country of barbarians, received the warmest welcome in Russia and did not find here “neither the sound of a Russian nor a Russian face.” But Chatsky could not change the people around him, because he was opposed not by individuals, but by the entire noble life.
In his work, Griboyedov managed to create the image of a hero who fights for people's rights. Although the author describes only Moscow and Famusov’s house, the readers get a picture of the whole of Russia first half of the 19th century century. And I am very sorry that at that time there were few people like Chatsky.

There are many in the world different people: some, like Chatsky, are educated and interesting, others, like the Famus society, are mean, envious, thinking only about wealth and nobility. Such people were compared in his comedy “Woe from Wit” by A.S. Griboyedov. The whole conflict takes place in the house of the nobleman Famusov.
Famusov is one of the main characters of the work. He is a rich uneducated man. Famusov does not care at all about the future of his country, his people. He hates books: “I would like to take all the books and burn them.” Famusov has created a society around himself in which people spread gossip against each other, doing it behind their backs. Famusov says about Chatsky: “A dangerous man,” “He wants to preach freedom.” Sofia about Chatsky: “I’m ready to pour bile on everyone.” Chatsky about Molchalin: “Why not a husband? There’s just not enough intelligence in him.” Platon Mikhailovich about Zagoretsky: “An out-and-out swindler, a rogue.” Khlestova considers Zagoretsky “a liar, a gambler and a thief.” Famus society scolds everything new and advanced, but no one looks at themselves from the outside, “not noticing about themselves.” All these people live in the world only for intrigues that look like madness. Chatsky opposes their views - main character comedies. He is a preacher of a new life, a defender of advanced ideas. Alexander Andreevich - smart, sincere, noble man. He is also very courageous and determined. This is confirmed by Chatsky’s monologue “Who are the judges?..”. Remember how he criticized high society with its old views on life, talked about the injustice that reigns between rich and poor, how he wanted to serve the Fatherland, but “it’s sickening to be served”? Witty, eloquent, Chatsky angrily ridicules the vile vices of Famus society: servility to superiors, servility and servility. His mind, rich and figurative language find abundant material for this:
Judgments are drawn from forgotten newspapers
The times of the Ochakovskys and the conquest of Crimea...
Chatsky despises braggarts who receive their “lire” not by serving the Motherland, but by flattering some individual person. Griboyedov wanted to show how
It is difficult for a person whose thoughts and behavior differ from the opinions of the majority.
It is likely that Famus society will exist all the time, because there will always be people who will be commanded by the upper classes. The comedy “Woe from Wit” made a huge contribution to the development of Russian literature and became an immortal treasure of people. We can say that Russian drama was born with this work.

Very often in life we come across people who can be compared to Famus society. They are vile, stupid and untalented. What is the mind for them? And what does it really mean? These questions are resolved in the great work of Russian literature by A.S. Griboyedov “Woe from Wit”.
This grief was for the main character of the comedy, Alexander Andreevich Chatsky, an intelligent, noble, honest and brave man. He hates and despises Famus society, in which main theme in life there is ceremonial worship. He can be compared to a lone hero who fights an entire regiment. But his superiority was that he was unusually intelligent. Chatsky wanted to honestly serve his Motherland, but he did not want to serve higher ranks: “I would be glad to serve, but it’s sickening to be served.” These words of his indicate that before us is a proud, witty and eloquent man. In this work A.S. Griboyedov shows the conflict between two opposing sides - Chatsky and Famusov society. Alexander Andreevich is a victim of his wit.
The people with whom he was surrounded did not understand him and did not even strive to do so. They are accustomed to living in eternal “slavery”; the concept of freedom is alien to them. It seems to me that Chatsky is not the only one positive hero in this comedy, there are characters that Griboedov only mentions in his work. This is Skalozub’s cousin, who left the service and went to the village, the nephew of Princess Tugoukhovskaya, Prince Fyodor, a chemist and botanist. They can be considered Chatsky's allies. It is simply unbearable for the main character to be in the company of people like Famusov, Skalozub, Molchalin. They considered themselves very smart, having earned their position by sycophancy. So Famusov confirms this in his own words: “Whether he’s honest or not, it’s all right for us, dinner is ready for everyone.” And also, talking about his late uncle, who knew when to help himself, he was proud that it was his relative who was so “smart.” People from Famus society did not notice how stupid their morals were. These people lived a fictitious life, without reflecting on the main thing - its meaning. Chatsky loved Sofia very much and admitted this to her at their first meeting after a long separation, and she answered him: “Why do I need you?” The main character begins to think that she has become the same as her father and those around him. Chatsky leaves Moscow, realizing that he has no place there. But Famus society cannot be considered a winner, since Chatsky did not lose this battle, he did not become like these people, he did not sink to their level. It seems to me that this man was born a little before that a time in which it would be easier for him to live. I believe that the comedy of A.S. Griboedov’s “Woe from Wit” is a great work of Russian literature that is immortal.

I read the magnificent comedy by A.S. Griboyedov “Woe from Wit”. It was created by the author over eight years. “Woe from Wit” is a comedy about how a crowd of fools do not understand one sane person. The events of the comedy develop in one Moscow aristocratic house over the course of one day. The main characters of this work are Chatsky, Famusov, his daughter Sofia and Famusov's secretary Molchalin.
In the comedy there is a Famus society that opposes Chatsky. It lives with the opposite worldview, honoring and defending veneration and hypocrisy. Chatsky himself appears in Famus’s world like a cleansing thunderstorm. He's the opposite in every way typical representatives Famusov society. If Molchalin, Famusov, Skalozub see the meaning of life in their well-being, then Chatsky dreams of selflessly serving his homeland, of bringing benefit to the people, whom he respects and considers “smart and cheerful.” So, in a conversation with Famusov, Skalozub utters the following phrase:
..Yes, to get ranks, there are many channels.
These people are deeply indifferent to the fate of their homeland and people. Their cultural and moral level can be judged by the following remarks from Famusov: “They should take all the books and burn them,” because “learning is the reason” that “there are crazy people, both in their deeds and in their opinions.” Chatsky has a different opinion - a man of extraordinary intelligence, brave, honest, sincere. He values people who are ready to “put their minds hungry for knowledge into science.” This is the only character that reflects many important personality traits of the author. Chatsky is a person to whom the author trusts his thoughts and views. Griboedov's hero has a lot of strength, he is eager to take action and is ready to prove his point. So, in a conversation with Famusov, Chatsky says:
Chatsky is a representative of that part of the noble youth who rebels against the society of the Famusovs, the rock-toothed, silent ones. There are still a few such people, they are not yet able to fight the existing system, but they are appearing. That is why Chatsky can rightfully be called a hero of his time. It was they who had to carry out the first stage of the revolutionary liberation movement, shake up the country, and bring closer the time when the people would free themselves from the chains of slavery.

If I were asked why I liked the comedy “Woe from Wit,” I would answer this way: “An interesting plot, bright characters, unique thoughts and statements had an emotional impact on me.” This work is one of those that, once you read it, you leave it in your memory forever. for a long time. The comedy “Woe from Wit” cannot be imagined without the author himself. Griboyedov and “Woe from Wit” - this is something without which neither one nor the other could exist alone.
The very name of the comedy “Woe from Wit” suggests that the main character was not understood by the people around him. This hero, to whom the author paid more attention, is Chatsky. He is an intelligent, smart, honest, kind, sincere, brave, selfless, cheerful, progressive person. He is not afraid to express his point of view. He soberly assesses the situation and position of Famus society, not being afraid to express his opinion. Boldly entering into a conversation, he expresses his thoughts to the faces of his interlocutors. For example, the quote “The houses are new, but the prejudices are old” speaks of this person’s modern view of life in Russia. Chatsky's subtle and insightful mind does not accept Famus society, which he criticizes. The main character is disgusted to humiliate himself in front of people who are higher in the service and, perhaps, undeservedly occupy military posts, for example, Colonel Skalozub.
Comparing Chatsky with the colonel, we can say that he is superior in mental development, thinking, and courage, which Skalozub does not have. I think that Skalozub, who holds such a position in the state, is not worthy to manage and command the regiments that were under his command. He would not be able to cope with his duty to the Fatherland, because he does not have the same merits as Chatsky.
The person completely opposite to Chatsky is Molchalin. I have a special opinion about him. Even his last name speaks of meanness and flattery. He always takes advantage of the situation for himself. Molchalin is capable of betraying, deceiving, setting up, but at what cost?! Just to get a new position! Chatsky exposes Molchalin’s character and expresses his opinion: “But by the way, he will reach the well-known levels, because nowadays they love the dumb.”
Speaking about the main representative of the Famusov society, Famusov himself, we can say that this man is very high opinion about himself: “He is known for his monastic behavior.” In fact, he is an egoist; there is nothing interesting about him as a person. Even contrasting Chatsky with Famusov is impossible. Chatsky stands much higher and much more worthy than him.
Chatsky is the winner, despite the fact that he was mistaken for a madman. He was forced to leave Moscow: “Get out of Moscow! I don’t go here anymore.” As a result, he was never able to achieve Famusov’s recognition and Sofia’s reciprocal love.
Chatsky is an exponent of new ideas, and therefore society could not correctly understand him and accept him for who he is. His image in literature will live until the mind of mankind understands what ideas need to be fought for and defended.

I read a wonderful comedy by A.S. Griboyedov “Woe from Wit”. This comedy makes fun of a stupid, stupid and vile society. It was written in 1824. In the comedy, the author depicts a true picture of the life of the Moscow nobility, which was in need of renewal. I would like to begin my essay with a quote characterizing the lifestyle of these nobles:
In the love of traitors, in the tireless enmity,
Indomitable storytellers,
Clumsy smart people, crafty simpletons,
Sinister old women, old men,
Decrepit over inventions, nonsense...
Griboyedov describes the Moscow nobility, consisting of the Famusovs, Zagoretskys, and Skalozubs. They don't belong to high society. These are people who have never served at court. These are various talkers and swindlers like Zagoretsky, who are ready to humiliate themselves before the rich in order to get into their favor. This is Famus society. Wealth and nobility are the main requirement in it. The representative of this society is Famusov, who already has an adult daughter. Famusov’s ideal is his uncle:
He fell painfully, but got up healthy.
And he says this about his attitude to the matter:
...Signed, off your shoulders.
Molchalin does not dare to object to his boss. He is quiet, timid, deceitful. Molchalin does not love Sofia, who does not know this. He cares because she likes it. Molchalin has no opinion. He pleases those on whom he depends.
Skalozub is Famusov’s friend:
And a golden bag, and aims to become a general.
He seeks awards, waits for the moment when someone retires or is killed in the war.
In the third act we get to know Famusov's other friends. This is Zagoretsky - a liar and a pleaser, Khlestova - an ignorant and grumpy old woman, the all-knowing Repetilov, Prince Tugoukhovsky, who is looking for rich and famous husbands for his daughters. The circle of concern of these people is lunches, dinners, searches for connections that will help them advance in their careers. For them, promotion can be obtained without any special merit:
..Yes, to get ranks, there are many channels...
For the sake of rewards, they are ready to humiliate themselves and be buffoons. Relationships in the Famusovs' world are based on fear and subordination to superiors. It doesn't matter to them whether someone is smart or stupid:
Honor between father and son.
The subject of conversation is gossip. The main task for parents is to successfully marry off their children. And in this insignificant society the noble, honest, educated, brave and witty Chatsky appears. Chatsky is the only positive hero in this comedy. He once lived in Famusov’s house and was friends with Sofia. Gradually his friendship grew into love, but then he left to wander. Now, three years later, he returns, full of hope. But Sofia no longer loves Chatsky and gives him a cold shoulder. She became completely different. She is cold and arrogant. Chatsky, trying to find out who Sofia’s chosen one is, comes into conflict with the entire Famus society. This society is afraid of Chatsky because he brings with him new views on life, new orders. But the Moscow nobility does not want to change anything and declares Chatsky crazy. Famusov is also afraid of Chatsky, because the main character is smart and sharp. He is distinguished by his independence of judgment and boldness of statements. He accuses Famus society of lies, slander, helpfulness, pretense, hypocrisy, stupidity, ignorance, for which society rejects him. At the end, Chatsky leaves. But who is he - the defeated or the winner? Chatsky is a winner because he is not alone! Somewhere there are others like him, and there are more of them every day.
I really liked Griboyedov’s comedy, because the author, speaking in the role of Chatsky, is not afraid to accuse the Moscow nobility of lies and slander. I would like there to be no “woe from mind” in our society.

Who is Chatsky and what kind of Famus society is this? The author compares and contrasts two categories of people who, even in our time, meet and conflict with each other.
Comedy Griboedov, as Earth, has two poles. On one of them is Chatsky - an intelligent, brave, determined man. The author values intelligence in people and wants to show his main character as a person of the highest moral principles. Arriving in Moscow after a long absence, Alexander Andreevich is disappointed. He hopes to meet Sofia, whom he has loved since childhood. But when he comes to her house, he realizes that he is not welcome here. It is in this house that Chatsky encounters Famusov’s society: Famusov himself, Skalozub, Molchalin and other equally stupid, mediocre and insignificant people. Their main goal was to “earn” a high rank and have a place in high society. I'm not saying that Chatsky did not belong to high society, but he did not stoop to the level of Famusov and others like him. Alexander Andreevich remained a man of honor, he did not lose his dignity. Chatsky is trying to understand why he is worse than Molchalin, because he is a deceitful and vile person. Why did Sofia choose Molchalin over him? What did this vile man do to deserve her attention? The main character is afraid to even think that Sofia has become the same as her father. The entire Famus society is trying to destroy a person who is smarter than them. They spread gossip about Chatsky's madness. By this act, the entire Famus society showed its stupidity. Not a single person has refuted this claim. Chatsky understands very well that there is no place for him in Moscow, and he leaves. But this does not indicate that Famus’s society managed to break his pride and honor. On the contrary, Chatsky still remained superior to Famusov and his entourage.
It seems to me that Chatsky is the most striking example for readers, that is, for you and me. By reading the comedy, we absorb into ourselves what the author wanted to teach, namely: honor, intelligence and human dignity.

In the comedy “Woe from Wit” all the characters are divided into positive ones - Chatsky - and negative ones - Famusov and Famusov’s society. Griboyedov called Chatsky an advanced person, that is, a person whose image will live forever, and Famusov’s society - the face of all the nobles of that century (“the century of the past”). In the comedy, Famus society opposes Chatsky. After all, in this society, education and science cause special hatred. Griboyedov not only ridicules this society, but mercilessly condemns it. Famusov as chief representative of this society is an undeveloped person. Consequently, ignorance reigns in his house. Chatsky is the absolute opposite of Famusov. He is a thinking and feeling person. His actions speak about this. Chatsky, it seems to me, is very trusting of people. When he returns to Moscow, he, without going home, runs to his beloved. But he was late. Sofia, Famusov’s daughter, has changed, she doesn’t have that old love - that’s how Famusov’s upbringing worked. By this, Griboyedov shows Famusov’s selfishness. But as soon as Chatsky arrives, Famusov cordially welcomes him as a person of his own circle. He says:
Well, you threw away the thing!
I haven’t written two words for three years!
And it suddenly burst out as if from the clouds.
Famusov seems to want to show his friendship, which remains. However, it is not. Chatsky immediately runs to Sofia, but she is no longer the same. Despite this, Chatsky still loves her and immediately talks about her beauty. But in the end he finds out everything about her. For Griboedov, knowledge is above all, and ignorance is below everything. And it is not for nothing that Griboedov shows the role of Chatsky and compares his intelligence with the ignorance of Famus society. There is a lot of negative things in Famusov, and his ignorance is confirmed by the words in a conversation with Lisa about reading Sophia:
Tell me that it’s not good to spoil her eyes,
And reading is not of much use...
The Famus society calls Chatsky bad and says that he has gone crazy. But what struck Chatsky? This is what it was Sofia who started the gossip about Chatsky’s madness, and the whole society picked up:
And you'll really go crazy from these, from some
From boarding houses, schools, lyceums...
And Chatsky needs to leave Famusov’s house. He is defeated, since Famus society turned out to be stronger than Chatsky. But in turn, he gave a good rebuff to the “past century.”
The significance of the comedy “Woe from Wit” lies in the fact that the comedy vividly reflected the time when the struggle of the Decembrists against the oppressive landowners was intensifying.

“Woe from Wit” is a realistic comedy. Griboedov gave in it a true picture of Russian life. The comedy raised the topical social problems of those times: education, contempt for everything popular, worship of foreigners, education, service, ignorance of society.
The main character of the comedy is Alexander Andreevich Chatsky. Witty, eloquent, he angrily ridicules the vices of the society that surrounds him. He differs sharply from those around him in his intelligence, abilities, and independence of judgment. The image of Chatsky is something new, bringing change. This hero is an exponent of the progressive ideas of his time. Famus society is traditional. His life positions are such that “one must learn by looking at one’s elders,” one must destroy free-thinking thoughts, serve with obedience to those who are one step higher, one must be rich. Famusov's only passion is the passion for rank and money.
The beliefs of Chatsky and Famus society are different. Chatsky condemns serfdom, imitation of foreign goods, people’s lack of desire for education and own opinion. The dialogues between Chatsky and Famusov are a struggle. At the beginning of the comedy it is not so acute. Famusov is even ready to give up Sofia’s hand, but sets conditions:
I would say, firstly: don’t be a whim,
Brother, don’t mismanage your property,
And, most importantly, go ahead and serve.
To which Chatsky replies:
I would be glad to serve, but being served is sickening.
But gradually the struggle turns into a battle. Chatsky argues with Famusov about the way and path of life. But the main character is alone in the fight against the views of Moscow society, in which he has no place.
Molchalin and Skalozub are not the last representatives of Famus society. They are rivals and opponents of Chatsky. Molchalin is helpful and silent. He wants to please with his humility, accuracy, and flattery. Skalozub shows himself to be someone very important, businesslike, significant. But under his uniform he hides “weakness, poverty of mind.” His thoughts are connected only with obtaining a higher rank, money, power:
Yes, to get ranks, there are many channels;
I judge them as a true philosopher:
I just wish I could become a general.
Chatsky does not tolerate lies and falsehood. This man's tongue is as sharp as a knife. Each of his characteristics is sharp and caustic:
Molchalin was so stupid before!..
Most pathetic creature!
Has he really grown wiser?.. And he -
Khripun, strangled, bassoon,
A constellation of maneuvers and mazurkas!
Chatsky’s monologue “Who are the judges?..” mercilessly condemns Famus society. Each new face that appears during the development of the plot takes Famusov’s side. Gossip grows like a snowball. And Chatsky can’t stand it. He can no longer remain in the company of low, mean, arrogant and stupid people. They condemned him for his intelligence, for freedom of speech and thought, for honesty.
Before leaving, Chatsky throws out to the entire Famus society:
You are right: he will come out of the fire unharmed,
Who will have time to spend a day with you,
Breathe the air alone
And his sanity will survive.
Chatsky is taller than them; the best and rarest qualities are manifested in him. Those who cannot see and appreciate this are, at the very least, simply fools. Chatsky is immortal, and now this hero is relevant.
The comedy “Woe from Wit” made a huge contribution to the development of Russian literature. Griboedov's play was, is and will be modern work until veneration, thirst for profit, and gossip disappear from our lives.

The comedy was written on the eve of the Decembrist uprising in 1825. In the comedy “Woe from Wit” Griboyedov gave a true picture of Russian life after Patriotic War 1812. In a small work, Griboyedov depicted only one day in Famusov’s house.
In comedy we meet people who are of equal origin. These are nobles, but everyone has their own views on life. Their opinions contradict each other. A certain conflict arises between them, which is hidden from prying eyes. But in the comedy “Woe from Wit” this conflict is clearly visible and not hidden - the clash of the “Current Century”, of which Chatsky was a representative, with the “past century”, which is represented by Famusov and his entourage.
One of the most prominent figures in comedy is Famusov. Famusov is an influential person who occupies a significant position. In addition, he is a rich landowner. An important government position and a large estate create a strong position for Famusov among the Moscow nobility. He does not bother himself with work and spends his time in idleness:
...Magnificent chambers built,
Where they indulge in feasts and extravagance...
On public service looks at it as a path to achieve wealth and ranks. He uses his official position for personal purposes. Famusov looks at enlightenment and new progressive views as a source of “depravity.” Learning considers evil:
Learning is the plague, learning is the reason,
What is worse now than before,
There were crazy people, deeds, and opinions.
However, he gives his daughter a good upbringing.
Hospitality for Famusov is a means of maintaining connections with useful people.
Famusov is one of the most prominent representatives of the Moscow nobility. Other people are also represented: Colonel Skalozub, princes Tugoukhovsky, countesses Khryumina.
Griboedov satirically draws Famus’s society. The characters are funny and disgusting, but not because the author made them that way, but because they are that way in reality.
Skalozub is a man of age and money. Service for him is not the defense of the fatherland, but the achievement of nobility and money.
Famusov's world consists not only of serf owners, but also of their servants. Molchalin is an official dependent on Famus society. Molchalin was taught to please influential people. For his diligence he received three awards. Molchalin is scary because he can take on any form: both a patriot and a lover. Despite individual differences, all members of Famus society are a single social group.
Chatsky appears in this society, a man of advanced ideas, fiery feelings and high morality. He belongs to a noble society, but in terms of his way of thinking he does not find like-minded people. In this society, Chatsky feels lonely. His views provoke resistance from others. Chatsky's most acute denunciations are directed against serfdom. It is serfdom that makes it possible for the people of Famus society to live by robbery.
Chatsky left public service because they demanded sycophancy from him:
I would be glad to serve, but being served is sickening.
He stands for true enlightenment, art, science. Chatsky is against the education that is given to children in noble families. He fought for freedom of thought, freedom of action. It seems to me that this is the main difference between Chatsky and Famus society, which did not recognize such morals.
I think that such a great work will delight and surprise more than one generation.

The most prominent representative of the Famusov society is Pavel Afanasyevich Famusov. This is a person who does not like service and works only for rewards. Famus society included people who lived according to established customs. The main task in their life was to gain a high rank and a high position in society in order to “win awards and live a fun life.” These people are ardent serf owners, capable of killing and robbing people and controlling their fate. Chatsky furiously unleashes his anger on these people. He does not accept their beliefs and does not believe in the laws of old Moscow. Chatsky responds to Famusov’s story about his late uncle Maxim Petrovich with a remark characterizing Catherine’s age as “the age of obedience and fear.” Chatsky advocates the abolition of serfdom. He is very outraged that peasants are not considered people, that they can be exchanged for some things or sold. He indignantly talks about how one landowner sold the serf ballet for debts, and another exchanged his best servants for greyhounds. I am also greatly outraged by the imitation of the nobles to the West. Chatsky noticed that the doors of noble houses are always open to foreign guests. Thus, a Frenchman from Bordeaux, who was going to the country of barbarians, received the warmest welcome in Russia and did not find here “neither the sound of a Russian nor a Russian face.” But Chatsky could not change the people around him, because he was opposed not by individuals, but by the entire noble life.

In his work, Griboyedov managed to create the image of a hero who fights for people's rights. Although the author describes only Moscow and Famusov’s house, readers are presented with a picture of all of Russia in the first half of the 19th century. And I am very sorry that at that time there were few people like Chatsky.

There are many different people in the world: some, like Chatsky, are educated and interesting, others, like the Famus society, are mean, envious, thinking only about wealth and nobility. Such people were compared in his comedy “Woe from Wit” by A.S. Griboyedov. The whole conflict takes place in the house of the nobleman Famusov.

Famusov is one of the main characters of the work. He is a rich uneducated man. Famusov does not care at all about the future of his country, his people. He hates books: “I would like to take all the books and burn them.” Famusov has created a society around himself in which people spread gossip against each other, doing it behind their backs. Famusov says about Chatsky: “A dangerous man,” “He wants to preach freedom.” Sofia about Chatsky: “I’m ready to pour bile on everyone.” Chatsky about Molchalin: “Why not a husband? There’s just not enough intelligence in him.” Platon Mikhailovich about Zagoretsky: “An out-and-out swindler, a rogue.” Khlestova considers Zagoretsky “a liar, a gambler and a thief.” Famus society scolds everything new and advanced, but no one looks at themselves from the outside, “not noticing about themselves.” All these people live in the world only for intrigues that look like madness. Chatsky, the main character of the comedy, opposes their views. He is a preacher of a new life, a defender of advanced ideas. Alexander Andreevich is an intelligent, sincere, noble person. He is also very courageous and determined. This is confirmed by Chatsky’s monologue “Who are the judges?..”. Remember how he criticized high society with its old views on life, talked about the injustice that reigns between rich and poor, how he wanted to serve the Fatherland, but “it’s sickening to be served”? Witty, eloquent, Chatsky angrily ridicules the vile vices of Famus society: servility to superiors, servility and servility. His mind, rich and figurative language find abundant material for this:

Judgments are drawn from forgotten newspapers

The times of the Ochakovskys and the conquest of Crimea...

Chatsky despises braggarts who receive their “lire” not by serving the Motherland, but by flattering some individual person. Griboyedov wanted to show how

It is difficult for a person whose thoughts and behavior differ from the opinions of the majority.

It is likely that Famus society will exist all the time, because there will always be people who will be commanded by the upper classes. The comedy “Woe from Wit” made a huge contribution to the development of Russian literature and became an immortal treasure of people. We can say that Russian drama was born with this work.

This grief was for the main character of the comedy, Alexander Andreevich Chatsky, an intelligent, noble, honest and brave man. He hates and despises Famus society, in which the main theme in life is servility. He can be compared to a lone hero who fights an entire regiment. But his superiority was that he was unusually intelligent. Chatsky wanted to honestly serve his Motherland, but he did not want to serve higher ranks: “I would be glad to serve, but it’s sickening to be served.” These words of his indicate that before us is a proud, witty and eloquent man. In this work A.S. Griboyedov shows the conflict between two opposing sides - Chatsky and Famusov society. Alexander Andreevich is a victim of his wit.

The people with whom he was surrounded did not understand him and did not even strive to do so. They are accustomed to living in eternal “slavery”; the concept of freedom is alien to them. It seems to me that Chatsky is not the only positive hero in this comedy; there are characters that Griboyedov only mentions in his work. This is Skalozub’s cousin, who left the service and went to the village, the nephew of Princess Tugoukhovskaya, Prince Fyodor, a chemist and botanist. They can be considered Chatsky's allies. It is simply unbearable for the main character to be in the company of people like Famusov, Skalozub, Molchalin. They considered themselves very smart, having earned their position by sycophancy. So Famusov confirms this in his own words: “Whether he’s honest or not, it’s all right for us, dinner is ready for everyone.” And also, talking about his late uncle, who knew when to help himself, he was proud that it was his relative who was so “smart.” People from Famus society did not notice how stupid their morals were. These people lived a fictitious life, without reflecting on the main thing - its meaning. Chatsky loved Sofia very much and admitted this to her at their first meeting after a long separation, and she answered him: “Why do I need you?” The main character begins to think that she has become the same as her father and those around him. Chatsky leaves Moscow, realizing that he has no place there. But Famus society cannot be considered a winner, since Chatsky did not lose this battle, he did not become like these people, he did not sink to their level. It seems to me that this man was born a little earlier than the time in which it would have been easier for him to live. I believe that the comedy of A.S. Griboedov’s “Woe from Wit” is a great work of Russian literature that is immortal.

In the comedy there is a Famus society that opposes Chatsky. It lives with the opposite worldview, honoring and defending veneration and hypocrisy. Chatsky himself appears in Famus’s world like a cleansing thunderstorm. He is in every way the opposite of typical representatives of Famus society. If Molchalin, Famusov, Skalozub see the meaning of life in their well-being, then Chatsky dreams of selflessly serving his homeland, of bringing benefit to the people, whom he respects and considers “smart and cheerful.” So, in a conversation with Famusov, Skalozub utters the following phrase:

Yes, to get ranks, there are many channels.

These people are deeply indifferent to the fate of their homeland and people. Their cultural and moral level can be judged by the following remarks from Famusov: “They should take all the books and burn them,” because “learning is the reason” that “there are crazy people, both in their deeds and in their opinions.” Chatsky has a different opinion - a man of extraordinary intelligence, brave, honest, sincere. He values people who are ready to “put their minds hungry for knowledge into science.” This is the only character that reflects many important personality traits of the author. Chatsky is a person to whom the author trusts his thoughts and views. Griboedov's hero has a lot of strength, he is eager to take action and is ready to prove his point. So, in a conversation with Famusov, Chatsky says:

Chatsky is a representative of that part of the noble youth who rebels against the society of the Famusovs, the rock-toothed, silent ones. There are still a few such people, they are not yet able to fight the existing system, but they are appearing. That is why Chatsky can rightfully be called a hero of his time. It was they who had to carry out the first stage of the revolutionary liberation movement, shake up the country, and bring closer the time when the people would free themselves from the chains of slavery.

The very name of the comedy “Woe from Wit” suggests that the main character was not understood by the people around him. This hero, to whom the author paid more attention, is Chatsky. He is an intelligent, smart, honest, kind, sincere, brave, selfless, cheerful, progressive person. He is not afraid to express his point of view. He soberly assesses the situation and position of Famus society, not being afraid to express his opinion. Boldly entering into a conversation, he expresses his thoughts to the faces of his interlocutors. For example, the quote “The houses are new, but the prejudices are old” speaks of this person’s modern view of life in Russia. Chatsky's subtle and insightful mind does not accept Famus society, which he criticizes. The main character is disgusted to humiliate himself in front of people who are higher in the service and, perhaps, undeservedly occupy military posts, for example, Colonel Skalozub.

Comparing Chatsky with the colonel, we can say that he is superior in mental development, thinking, and courage, which Skalozub does not have. I think that Skalozub, who holds such a position in the state, is not worthy to manage and command the regiments that were under his command. He would not be able to cope with his duty to the Fatherland, because he does not have the same merits as Chatsky.

The person completely opposite to Chatsky is Molchalin. I have a special opinion about him. Even his last name speaks of meanness and flattery. He always takes advantage of the situation for himself. Molchalin is capable of betraying, deceiving, setting up, but at what cost?! Just to get a new position! Chatsky exposes Molchalin’s character and expresses his opinion: “But by the way, he will reach the well-known levels, because nowadays they love the dumb.”

Speaking about the main representative of the Famusov society, Famusov himself, we can say that this man has a very high opinion of himself: “He is known for his monastic behavior.” In fact, he is an egoist; there is nothing interesting about him as a person. Even contrasting Chatsky with Famusov is impossible. Chatsky stands much higher and much more worthy than him.

Chatsky is the winner, despite the fact that he was mistaken for a madman. He was forced to leave Moscow: “Get out of Moscow! I don’t go here anymore.” As a result, he was never able to achieve Famusov’s recognition and Sofia’s reciprocal love.

Chatsky is an exponent of new ideas, and therefore society could not correctly understand him and accept him for who he is. His image in literature will live until the mind of mankind understands what ideas need to be fought for and defended.

In the love of traitors, in the tireless enmity,

Indomitable storytellers,

Clumsy smart people, crafty simpletons,

Sinister old women, old men,

Decrepit over inventions, nonsense...

Griboyedov describes the Moscow nobility, consisting of the Famusovs, Zagoretskys, and Skalozubs. They do not belong to high society. These are people who have never served at court. These are various talkers and swindlers like Zagoretsky, who are ready to humiliate themselves before the rich in order to get into their favor. This is Famus society. Wealth and nobility are the main requirement in it. The representative of this society is Famusov, who already has an adult daughter. Famusov’s ideal is his uncle:

He fell painfully, but got up healthy.

And he says this about his attitude to the matter:

Signed, off your shoulders.

Molchalin does not dare to object to his boss. He is quiet, timid, deceitful. Molchalin does not love Sofia, who does not know this. He cares because she likes it. Molchalin has no opinion. He pleases those on whom he depends.

Skalozub is Famusov’s friend:

And a golden bag, and aims to become a general.

He seeks awards, waits for the moment when someone retires or is killed in the war.

In the third act we get to know Famusov's other friends. This is Zagoretsky - a liar and a pleaser, Khlestova - an ignorant and grumpy old woman, the all-knowing Repetilov, Prince Tugoukhovsky, who is looking for rich and famous husbands for his daughters. The circle of concern of these people is lunches, dinners, searches for connections that will help them advance in their careers. For them, promotion can be obtained without any special merit:

Yes, to get ranks, there are many channels...

For the sake of rewards, they are ready to humiliate themselves and be buffoons. Relationships in the Famusovs' world are based on fear and subordination to superiors. It doesn't matter to them whether someone is smart or stupid:

Honor between father and son.

The subject of conversation is gossip. The main task for parents is to successfully marry off their children. And in this insignificant society the noble, honest, educated, brave and witty Chatsky appears. Chatsky is the only positive hero in this comedy. He once lived in Famusov’s house and was friends with Sofia. Gradually his friendship grew into love, but then he left to wander. Now, three years later, he returns, full of hope. But Sofia no longer loves Chatsky and gives him a cold shoulder. She became completely different. She is cold and arrogant. Chatsky, trying to find out who Sofia’s chosen one is, comes into conflict with the entire Famus society. This society is afraid of Chatsky because he brings with him new views on life, new orders. But the Moscow nobility does not want to change anything and declares Chatsky crazy. Famusov is also afraid of Chatsky, because the main character is smart and sharp. He is distinguished by his independence of judgment and boldness of statements. He accuses Famus society of lies, slander, helpfulness, pretense, hypocrisy, stupidity, ignorance, for which society rejects him. At the end, Chatsky leaves. But who is he - the defeated or the winner? Chatsky is a winner because he is not alone! Somewhere there are others like him, and there are more of them every day.

I really liked Griboyedov’s comedy, because the author, speaking in the role of Chatsky, is not afraid to accuse the Moscow nobility of lies and slander. I would like there to be no “woe from mind” in our society.

Who is Chatsky and what kind of Famus society is this? The author compares and contrasts two categories of people who, even in our time, meet and conflict with each other.

Griboedov's comedy, like the globe, has two poles. On one of them is Chatsky - an intelligent, brave, determined man. The author values intelligence in people and wants to show his main character as a person of the highest moral principles. Arriving in Moscow after a long absence, Alexander Andreevich is disappointed. He hopes to meet Sofia, whom he has loved since childhood. But when he comes to her house, he realizes that he is not welcome here. It is in this house that Chatsky encounters Famusov’s society: Famusov himself, Skalozub, Molchalin and other equally stupid, mediocre and insignificant people. Their main goal was to “earn” a high rank and have a place in high society. I'm not saying that Chatsky did not belong to high society, but he did not stoop to the level of Famusov and others like him. Alexander Andreevich remained a man of honor, he did not lose his dignity. Chatsky is trying to understand why he is worse than Molchalin, because he is a deceitful and vile person. Why did Sofia choose Molchalin over him? What did this vile man do to deserve her attention? The main character is afraid to even think that Sofia has become the same as her father. The entire Famus society is trying to destroy a person who is smarter than them. They spread gossip about Chatsky's madness. By this act, the entire Famus society showed its stupidity. Not a single person has refuted this claim. Chatsky understands very well that there is no place for him in Moscow, and he leaves. But this does not indicate that Famus’s society managed to break his pride and honor. On the contrary, Chatsky still remained superior to Famusov and his entourage.

It seems to me that Chatsky is the most striking example for readers, that is, for you and me. By reading the comedy, we absorb into ourselves what the author wanted to teach, namely: honor, intelligence and human dignity.

Well, you threw away the thing!

I haven’t written two words for three years!

And it suddenly burst out as if from the clouds.

Famusov seems to want to show his friendship, which remains. However, it is not. Chatsky immediately runs to Sofia, but she is no longer the same. Despite this, Chatsky still loves her and immediately talks about her beauty. But in the end he finds out everything about her. For Griboedov, knowledge is above all, and ignorance is below everything. And it is not for nothing that Griboedov shows the role of Chatsky and compares his intelligence with the ignorance of Famus society. There is a lot of negative things in Famusov, and his ignorance is confirmed by the words in a conversation with Lisa about reading Sophia:

Tell me that it’s not good to spoil her eyes,

And reading is not of much use...

The Famus society calls Chatsky bad and says that he has gone crazy. But what struck Chatsky? This is what it was Sofia who started the gossip about Chatsky’s madness, and the whole society picked up:

And you'll really go crazy from these, from some

From boarding houses, schools, lyceums...

And Chatsky needs to leave Famusov’s house. He is defeated, since Famus society turned out to be stronger than Chatsky. But in turn, he gave a good rebuff to the “past century.”

The significance of the comedy “Woe from Wit” lies in the fact that the comedy vividly reflected the time when the struggle of the Decembrists against the oppressive landowners was intensifying.

The main character of the comedy is Alexander Andreevich Chatsky. Witty, eloquent, he angrily ridicules the vices of the society that surrounds him. He differs sharply from those around him in his intelligence, abilities, and independence of judgment. The image of Chatsky is something new, bringing change. This hero is an exponent of the progressive ideas of his time. Famus society is traditional. His life positions are such that “one must learn by looking at one’s elders,” one must destroy free-thinking thoughts, serve with obedience to those who are one step higher, one must be rich. Famusov's only passion is the passion for rank and money.

The beliefs of Chatsky and Famus society are different. Chatsky condemns serfdom, imitation of foreign goods, and people’s lack of desire for education and their own opinion. The dialogues between Chatsky and Famusov are a struggle. At the beginning of the comedy it is not so acute. Famusov is even ready to give up Sofia’s hand, but sets conditions:

I would say, firstly: don’t be a whim,

Brother, don’t mismanage your property,

And, most importantly, go ahead and serve.

To which Chatsky replies:

I would be glad to serve, but being served is sickening.

But gradually the struggle turns into a battle. Chatsky argues with Famusov about the way and path of life. But the main character is alone in the fight against the views of Moscow society, in which he has no place.

Molchalin and Skalozub are not the last representatives of Famus society. They are rivals and opponents of Chatsky. Molchalin is helpful and silent. He wants to please with his humility, accuracy, and flattery. Skalozub shows himself to be someone very important, businesslike, significant. But under his uniform he hides “weakness, poverty of mind.” His thoughts are connected only with obtaining a higher rank, money, power:

Yes, to get ranks, there are many channels;

I judge them as a true philosopher:

I just wish I could become a general.

Chatsky does not tolerate lies and falsehood. This man's tongue is as sharp as a knife. Each of his characteristics is sharp and caustic:

Molchalin was so stupid before!..

Most pathetic creature!

Has he really grown wiser?.. And he -

Khripun, strangled, bassoon,

A constellation of maneuvers and mazurkas!

Chatsky’s monologue “Who are the judges?..” mercilessly condemns Famus society. Each new face that appears during the development of the plot takes Famusov’s side. Gossip grows like a snowball. And Chatsky can’t stand it. He can no longer remain in the company of low, mean, arrogant and stupid people. They condemned him for his intelligence, for freedom of speech and thought, for honesty.

Before leaving, Chatsky throws out to the entire Famus society:

You are right: he will come out of the fire unharmed,

Who will have time to spend a day with you,

Breathe the air alone

And his sanity will survive.

Chatsky is taller than them; the best and rarest qualities are manifested in him. Those who cannot see and appreciate this are, at the very least, simply fools. Chatsky is immortal, and now this hero is relevant.

The comedy “Woe from Wit” made a huge contribution to the development of Russian literature. Griboyedov's play was, is and will be a modern work until veneration for rank, thirst for profit, and gossip disappear from our lives.

The comedy was written on the eve of the Decembrist uprising in 1825. In the comedy “Woe from Wit” Griboedov gave a true picture of Russian life after the Patriotic War of 1812. In a small work, Griboyedov depicted only one day in Famusov’s house.

In comedy we meet people who are of equal origin. These are nobles, but everyone has their own views on life. Their opinions contradict each other. A certain conflict arises between them, which is hidden from prying eyes. But in the comedy “Woe from Wit” this conflict is clearly visible and not hidden - the clash of the “Current Century”, of which Chatsky was a representative, with the “past century”, which is represented by Famusov and his entourage.

One of the most prominent figures in comedy is Famusov. Famusov is an influential person who occupies a significant position. In addition, he is a rich landowner. An important government position and a large estate create a strong position for Famusov among the Moscow nobility. He does not bother himself with work and spends his time in idleness:

Magnificently built chambers,

Where they indulge in feasts and extravagance...

He looks at public service as a path to achieving wealth and rank. He uses his official position for personal purposes. Famusov looks at enlightenment and new progressive views as a source of “depravity.” Learning considers evil:

Learning is the plague, learning is the reason,

What is worse now than before,

There were crazy people, deeds, and opinions.

However, he gives his daughter a good upbringing.

Hospitality for Famusov is a means of maintaining connections with useful people.

Famusov is one of the most prominent representatives of the Moscow nobility. Other people are also represented: Colonel Skalozub, princes Tugoukhovsky, countesses Khryumina.

Griboedov satirically draws Famus’s society. The characters are funny and disgusting, but not because the author made them that way, but because they are that way in reality.

Skalozub is a man of age and money. Service for him is not the defense of the fatherland, but the achievement of nobility and money.

Famusov's world consists not only of serf owners, but also of their servants. Molchalin is an official dependent on Famus society. Molchalin was taught to please influential people. For his diligence he received three awards. Molchalin is scary because he can take on any form: both a patriot and a lover. Despite individual differences, all members of Famus society are a single social group.

Chatsky appears in this society, a man of advanced ideas, fiery feelings and high morality. He belongs to a noble society, but in terms of his way of thinking he does not find like-minded people. In this society, Chatsky feels lonely. His views provoke resistance from others. Chatsky's most acute denunciations are directed against serfdom. It is serfdom that makes it possible for the people of Famus society to live by robbery.

Chatsky left public service because they demanded sycophancy from him:

I would be glad to serve, but being served is sickening.

He stands for true enlightenment, art, science. Chatsky is against the education that is given to children in noble families. He fought for freedom of thought, freedom of action. It seems to me that this is the main difference between Chatsky and Famus society, which did not recognize such morals.

I think that such a great work will delight and surprise more than one generation.

Download the essay "" in ZIP archive
Download essay " Chatsky and Famusov society." in MS WORD format
Version of the essay " Chatsky and Famusov society." for print

Russian writers

The comedy "Woe from Wit" was written by Griboyedov in 1824. It gives a general picture of the entire Russian life of the 10-20s of the 19th century, reproduces the eternal struggle between old and new, which unfolded with particular force at that time not only in Moscow, but throughout Russia between two camps: the progressive, Decembrist-minded people of the "century" present" and serf-owners (people of the "past century").

At the head of the entire society is the figure of Famusov, an old Moscow nobleman who has earned general favor in the capital's circles. He is friendly, courteous, witty, cheerful. But this is only the external side. The author reveals the image of Famusov comprehensively. This is not only a hospitable host, but also a convinced serf owner, a fierce opponent of enlightenment. “They would take all the books and burn them,” he says. Chatsky, a representative of the “present century,” dreams of “injecting a mind hungry for knowledge into science.” He is outraged by the rules established in the f-th society, since it evaluates a person by his origin and the number of serf souls he has. Famusov himself dreams of marrying off his daughter Sophia at a better price and says to her: “Oh, mother, don’t finish the blow! Whoever is poor is not a match for you.” And then he adds: “For example, from time immemorial it has been the practice among us that honor is given to father and son: be poor, but if there are two thousand souls from the family, he is the groom.” Unlike the representatives of the f-th society, Chatsky longs for “sublime love, before which the whole world is dust and vanity.”

In the relationship between Chatsky and the f-go society, the views of the “past century” on careers, on service, on what is most valued in people are revealed and ridiculed. In other words, Chatsky despises them. Famusov takes only relatives and friends into his service. He respects flattery and sycophancy. He wants to convince Chatsky to serve, “looking at the elders,” “putting up a chair, raising a handkerchief.” To this Chatsky objects: “I would be glad to serve, but being served is sickening.” Chatsky takes service very seriously. And if Famusov treats it formally, bureaucratically (“it’s signed, off your shoulders”), then Chatsky says: “When in business, I hide from fun, when fooling around, I’m fooling around, and mixing these two crafts is a darkness of experts, I don’t from among them." Famusov worries about affairs only on one hand, mortally afraid, “so that a lot of them do not accumulate.” He does not consider his servants to be people, he treats them rudely, he can sell them, send them to hard labor. He scolds them as donkeys, logs, calls them Parsleys, Filkas, Fomkas. Thus, representatives of the f-go society treat service as a source of personal benefits, service to individuals, and not to business.

Chatsky strives to serve the fatherland, “the cause, not the persons.” He despises Molchalin, who is accustomed to “pleasing all people without exception - the owner where I happen to live, the boss with whom I will serve, his servant who cleans dresses, the doorman, the janitor, to avoid evil, the janitor’s dog, so that it is affectionate.” Everything in Molchalin: both behavior and words - emphasize the youthfulness of an immoral person making a career. Chatsky speaks bitterly about such people: “The silent ones are blissful in the world!” It is Molchalin who arranges his life better than anyone else. He is also talented in his own way. He earned Famusov's favor, Sophia's love, and received three awards. He values two qualities of his character most of all: “moderation and accuracy.” For Famusov and his circle, the opinion of the world is sacred and infallible; the most terrible thing is “what Princess Marya Aleksevna will say!”

Another prominent representative of the f-th society is Skalozub. This is exactly the kind of son-in-law Famusov dreamed of having. After all, Skalozub is “both a golden bag and aims to be a general.” This character embodied the typical features of a reactionary of Arakcheev’s time. “A wheeze, a strangled man, a bassoon, a constellation of maneuvers and a mazurka,” he is as much an enemy of education and science as Famusov. “You can’t fool me with learning,” says Skalozub. It is quite obvious that the very atmosphere of the f-th society forces representatives of the younger generation to show their negative qualities.

Another comedy character is very interesting. This is Repetilov. He is a completely unprincipled person, a “idler,” but he was the only one who considered Chatsky to be “highly intelligent” and, not believing in his madness, called Famus’s pack of guests “chimeras” and “game.” Thus, he was at least one step above them all. “So! I have completely sobered up,” says Chatsky at the end of the comedy. What is this - defeat or insight? Yes, the end of this work is far from cheerful, but Goncharov is right when he said about the ending this way: “Chatsky is broken by the amount of old power, having dealt it in turn a fatal blow with the quality of fresh power.” And I completely agree with Goncharov, who believes that the role of all Chatskys is “passive”, but at the same time always “victorious”.

Chatsky opposes the society of ignoramuses and serf owners. He fights against noble scoundrels and sycophants, swindlers, cheats and informers. In his famous monologue “Who are the judges?..” he tore off the mask from the vile and vulgar world of Famus, in which the Russian people turned into an object of purchase and sale, where landowners even exchanged serfs for dogs: That Nestor of noble scoundrels, Surrounded by a crowd of servants; Zealous, they saved his honor and life more than once during the hours of wine and fights: suddenly he traded three greyhounds for them!!!

Chatsky defends a real person, humanity and honesty, intelligence and culture. He protects the Russian people, his Russia from a bad, inert and backward society. Chatsky wants to see Russia literate and cultural. He defends this in disputes and conversations with all the characters in the comedy "Go", directing all his intelligence, wit, evil, temper and determination to this. Therefore, those around him take revenge on Chatsky for the truth, which hurts his eyes, for his attempt to disrupt the usual way of life. The “past century,” that is, the f-th society, is afraid of people like Chatsky, because they encroach on the order of life that is the basis of the well-being of this society. Chatsky calls the past century, which Famusov admires so much, the century of “humility and fear.” The community is strong, its principles are firm, but Chatsky also has like-minded people. These are the persons mentioned: Skalozub's cousin ("The rank followed him: he suddenly left his service and began reading books in the village."), nephew of Princess Tugoukhovskaya. Chatsky himself constantly says “we,” “one of us,” thus speaking not only on his own behalf. So ASG-dov wanted to hint to the reader that the time of the “past century” is passing, it is being replaced by the “present century”, strong, smart, educated.

Makeup. Skin and hair care. Manicure

Russian writers

RELATED ARTICLES